That bomb had more power than 20,000 tons of T.N.T. It had more than two thousand times the blast power of the British Grand Slam, which is the largest bomb ever yet used in the history of warfare".These fateful words of the President on August 6th, 1945, marked the first public announcement of the greatest scientific achievement in history. The atomic bomb, first tested in New Mexico on July 16, 1945, had just been used against a military target.On August 6th, 1945, at 8:15 A.M., Japanese time, a B-29 heavy bomber flying at high altitude dropped the first atomic bomb on Hiroshima. More than 4 square miles of the city were instantly and completely devastated. 66,000 people were killed, and 69,000 injured.On August 9th, three days later, at 11:02 A.M., another B-29 dropped the second bomb on the industrial section of the city of Nagasaki, totally destroying 1 1/2 square miles of the city, killing 39,000 persons, and injuring 25,000 more.On August 10, the day after the atomic bombing of Nagasaki, the Japanese government requested that it be permitted to surrender under the terms of the Potsdam declaration of July 26th which it had previously ignored.

    

    Both an insight into Joyce's life and childhood, and a unique work of modernist fiction, A Portrait of the Artist as a Young Man is a novel of sexual awakening, religious rebellion and the essential search for voice and meaning that every nascent artist must face in order to blossom fully into themselves.

    Considered to be one of Melville's best short stories, "Benito Cereno" is a tale of the revolt aboard a Spanish ship. "Bartleby: The Scrivener" is a moral allegory set on Wall Street in New York. And "The Encantadas" are a collection of sketches based on Melville's experiences in the Galapagos Islands.

    T. Barnum's career of showmanship and charlatanry was marked by a surprising undercurrent of honesty and forthrightness. His exuberant autobiography forms a happy combination of all those traits, revealing the whole story of his world-famous hoaxes and publicity stunts. Here is a pageant of nineteenth-century America's gullibility and thirst for marvels, as told by the master of revels himself.A born storyteller, Barnum recalls his association with Tom Thumb, his audience with Queen Victoria, and his trouble keeping Jenny Lind's angelic image intact during a trying tour. He tells of Jumbo, the most famous elephant in history, from the creature's heroic arrival in America to its tragic death in a railroad accident; of his attempts to transfer Shakespeare's house and Madame Tussaud's Waxworks from England to New York; and of his triumphant reentry into public life after financial failure and five disastrous fires had all but wiped him out. The true-life tale of a man of boundless imagination and indomitable energy, Barnum's autobiography embodies the spirit of America's most exciting boom years.

    Without knowledge, scientific enquiry is meaningless and we can’t begin to analyse the world around us. What is knowledge? How do you know you are not dreaming? Should we trust our senses? Presuming no prior experience of philosophy, this book covers everything in the topic from scepticism and possible worlds to Kant’s transcendentalism. Clear and readable, Epistemology: A Beginner’s Guide is essential reading for students and aspiring thinkers.

    Arguing that the best way to learn about philosophy is to think about itsquestions directly, Thomas Nagel considers possible solutions to nine problems--knowledge of the world beyond our minds, knowledge of other minds, the mind-body problem, free will, the basis of morality, right and wrong, the nature of death, the meaning of life, and the meaning of words. Althoughhe states his own opinions clearly, Nagel leaves these fundamental questions open, allowing students to entertain other solutions and encouraging them to think for themselves.

    They knew to keep things clean, to stay quiet, and to look the other way when things started to get ‘a bit much for your mum’.It’s only when her mother reaches her 70s, and Anna has a family of her own, that the cracks really start to appear. More manic. More irrational. More detached from the world. And when her father, the man who has calmed and cajoled her mother through her entire life is diagnosed with cancer, the whole world turns upside down.This is a story of a life lived with undiagnosed Aspergers, about the person behind the disorder, those big unspoken family truths, and what it means to care for our parents in their final years.

    As a motorcycle racer, chemist, writer I was never cautious. Gardner's evaluations of his fellow writers are equally flat-out. This collection brings together Gardner's essays on literature. He explains how he separates novelistic wheat from chaff, genuine fiction from fakery. Gardner examines contemporary writers - Bellow, Nabokov, Roth, Cheever, Woiwode, Oates, Updike, and other major authors. In other essays Gardner examines influential storytelling that ranges from King Arthur to Walt Disney. Here we see the skill of some of America's greatest writers laid bare by a fellow craftsman.

    Author Lynnda Pollio’s life as a busy New Yorker abruptly changes when she unexpectedly hears the mystical, elderly voice of Addie Mae Aubrey, a Southern, African American woman. Her first words, “It’s not what happened to me that matters,” begin a spirited remembering of Addie Mae’s teenage years in the late 1930s rural south and the hard learned wisdom Addie Mae asks Lynnda to share. As women from different times and places, together they embark on an uncommon journey. Narrated by Addie Mae Aubrey, Trusting the Currents carries living messages of faith, courage, forgiveness, and the uneasy search for one’s place in life. Beginning at age eleven with the arrival of beautiful, mysterious cousin Jenny and her shadowy stepfather, Uncle Joe, Trusting the Currents explores Addie Mae’s reluctant awakening. As Jenny, the story’s mystical center introduces Addie Mae to the spiritual world, a caring teacher, Miss Blanchard, guides Addie Mae with the power of reading. Romantic love enters her life for the first time with Rawley, and we experience how Addie Mae’s emerging sense of self compels her to a life-altering decision. Throughout the story her mother remains an unwavering source of love, even when fear and evil shake their lives. Unfathomable loss and rising trust in the “Invisibles” not only transforms Addie Mae’s budding life, but leads to the author’s own spiritual awakening. This unlikely pair becomes partners in showing us how to trust our own life currents. Trusting the Currents represents a new literary genre of conscious storytelling, engaging high spiritual frequencies that resonate with the reader’s heart, guiding them deep into their own truth and transformation.

    The book includes a detailed examination of the development of Pragmatics as a discipline, drawing attention to problems encountered in earlier work, and brings the reader up to date with recent discussion in the field. The book is written principally for students with no previous knowledge of pragmatics, and the basic concepts are covered in considerable detail. Theoretical and more complicated information is highlighted with examples that have been drawn from the media, fiction and real-life interaction, and makes the study more accessible to newcomers. It is an ideal introductory textbook for students of linguistics and for all who are interested in analysing problems in communication.

    Thousands of Jewish families are forced to flee poverty and anti-Semitism in Eastern Europe. Fate takes two families to the magical continent of South America, which opens its generous arms to them. Many surprises await the immigrants in the New World. In this exciting story of their lives from their early teens in the “shtetl” to leisurely musings of middle age, we see the hardships immigrants face in the long journey to America, the complex process of adaptation to an unfamiliar environment and the phenomenal development of their businesses. Parallel to the story of the main characters, another story emerges: that of the birth of a typical Jewish community within a Christian city. Translated from the original Spanish book, La Descendencia, The Heritage is peppered with reflections on religion and historical events of the time regarding the Jews and the state of Israel. Throughout the narrative, the author captivates us with a fascinating story of overcoming, human conflicts and addresses issues of assimilation and identity. Though not an autobiographical novel, it could be the story of the parents or grandparents of any Jew from Central or South America. The author preferred to use a fictional provincial capital of Latin American so that the reader can recognize the history of his or her own Jewish community, as all Jewish communities in Latin America came into being in an almost identical manner.

    It reflects Hemingway's conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art. The unrivaled drama of bullfighting, with its rigorous combination of athleticism and artistry, and its requisite display of grace under pressure, ignited Hemingway's imagination. Here he describes and explains the technical aspects of this dangerous ritual and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes a richly choreographed ballet, with performers who range from awkward amateurs to masters of great elegance and cunning.A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's sharp commentary on life and literature.

    First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a new foreword by Harold Bloom.The action covers a fateful, heart-rending day from around 8:30 am to midnight, in August 1912 at the seaside Connecticut home of the Tyrones - the semi-autobiographical representations of O'Neill himself, his older brother, and their parents at their home, Monte Cristo Cottage.One theme of the play is addiction and the resulting dysfunction of the family. All three males are alcoholics and Mary is addicted to morphine. They all constantly conceal, blame, resent, regret, accuse and deny in an escalating cycle of conflict with occasional desperate and half-sincere attempts at affection, encouragement and consolation.

    Yeats and T.S. Eliot as one of the masterpieces of modern literature. Fusing poetry and prose, gutter talk and high music, wartime terror and ancient myth, Jones, who served as an infantryman on the Western Front, presents a picture at once panoramic and intimate of a world of interminable waiting and unforeseen death. And yet throughout he remains alert to the flashes of humanity that light up the wasteland of war.