In a series of coruscating set pieces, Greif asks why we put ourselves through the pains of exercise, what shopping in organic supermarkets does for our sense of self-worth, what the political identity of the hipster might be, and what happens to us when we listen to too much Radiohead. From such counter-intuitive observations, Greif exposes the fundamental contradictions between our actions, desires and the excuses that we make to ourselves in hope of consolation. With the wit and seriousness of David Foster Wallace, Against Everything is the most thought-provoking study and essential guide to everyday life under 21st-century capitalism.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    For the next three hundred years the Greeks controlled a complex of monarchies and city-states that stretched from the Adriatic Sea to India. F. W. Walbank's lucid and authoritative history of that Hellenistic world examines political events, describes the different social systems and mores of the people under Greek rule, traces important developments in literature and science, and discusses the new religious movements.

    "Intellect is despised and neglected," Barzun says, "yet intellectuals are well paid and riding high." He details this great betrayal in such areas as public administrations, communications, conversation and home life, education, business, and scholarship.In this edition's new Preface, Jacques Barzun discussess the intense -- and controversial -- reaction the world had to The House of Intellect.

    LD Beghtol's book is chatty, incestuous, funny, dark, digressive, sexy, maddening, and delightful in equal measures. It documents a vital and influential scene from the inside, involving ukuleles and tears, citations and footnotes, analogue drum machines, and floods of cognac. Oh, and a crossword puzzle too.The centre of the book is the secret history of these tuneful, acerbic, and sometimes heartbreaking songs of old love, new love, lost love, punk rock love, gay love, straight love, experimental music love, true love, blue love, and the utter lack of love that fill the album - as told by participants, fans, imitators, naysayers, and others. Also included are a lexicon of words culled from the album's lyrics, recording details, performance notes from the full album shows in New York, Boston and London, plus rare and unpublished images, personal memorabilia, and much much more.

    Kevin Smith, the legendary independent film-maker, columnist and cultural commentator, launches himself on an unsuspecting world with a series of hilarious rants on the absurdity of just about everything. Unlike his unforthcoming screen alter-ego Silent Bob, Smith is ready to let rip at maximum volume, whether it be on the madness of Hollywood, 'The Unholy Tale of Greasy Reese Witherspoon', his bloodcurdling hatred of Britney Spears or the highly-sexed comics industry. Along the way we get a shocking insight into the making of Smith's movies, and learn far more than is necessary about his bathroom habits.

    An experimental, violent prison unit. The death of an American city, as seen through a complex police investigation. A lawless frontier town trying to talk its way into the United States. A corrupt cop who rules his precinct like a warlord. The survivors of a plane crash trying to make sense of their disturbing new island home. A high school girl by day, monster fighter by night. A spy who never sleeps. A space odyssey inspired by 9/11. An embattled high school football coach. A polished ad exec with a secret. A chemistry teacher turned drug lord.These are the subjects of 12 shows that started a revolution in TV drama: The Sopranos. Oz. The Wire. Deadwood. The Shield. Lost. Buffy the Vampire Slayer. 24. Battlestar Galactica. Friday Night Lights. Mad Men. Breaking Bad.These 12 shows, and the many more they made possible, ushered in a new golden age of television — one that made people take the medium more seriously than ever before. Alan Sepinwall became a TV critic right before this creative revolution began, was there to chronicle this incredible moment in pop culture history, and along the way “changed the nature of television criticism,” according to Slate. The Revolution Was Televised is the story of these 12 shows, as told by Sepinwall and the people who made them, including David Chase, David Simon, David Milch, Damon Lindelof and Carlton Cuse, Vince Gilligan and more.

    Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's.In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.

    You are reaching THE HEIGHT OF THE SCREAM."4000 copies printed.

    In this collection, including two never-before-published essays, Nussbaum writes about her passion for television that began with stumbling upon "Buffy the Vampire Slayer"—a show that was so much more than it appeared—while she was a graduate student studying Victorian literature. What followed was a love affair with television, an education, and a fierce debate about whose work gets to be called “great” that led Nussbaum to a trailblazing career as a critic whose reviews said so much more about our culture than just what’s good on television. Through these pieces, she traces the evolution of female protagonists over the last decade, the complex role of sexual violence on TV, and what to do about art when the artist is revealed to be a monster. And she explores the links between the television antihero and the rise of Donald Trump.The book is more than a collection of essays. With each piece, Nussbaum recounts her fervent search, over fifteen years, for a new kind of criticism that resists the false hierarchy that elevates one form of culture over another. It traces her own struggle to punch through stifling notions of “prestige television,” searching for a wilder and freer and more varied idea of artistic ambition—one that acknowledges many types of beauty and complexity, and that opens to more varied voices. It’s a book that celebrates television as television, even as each year warps the definition of just what that might mean.

    But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

    Never before has the renowned author revealed so much about his own life or written with such immediacy about the forces shaping America. 26 halftones.

    National Book Critics Circle Award Finalist. To readers who know Marianne Moore as a demure baseball fan and courtly Brooklyn eccentric, Linda Leavell’s _Holding On Upside Down_—the first authorized biography of this major American poet—will come as a shock. This mesmerizing, essential new book will change forever how we view the woman and her poetry. Drawing on previously untapped depths in the Moore family archives, _Holding On Upside Down_ reveals a passionate, canny young woman caught between genuine devotion to her hovering mother, with whom she lived for sixty years, and her own irrepressible desire for freedom. The radically original verse she wrote in the early twentieth century baffled her family at the same time it both confounded and dazzled her literary peers. Her many poems about survival, it turns out, are not just quirky nature studies but acts of survival themselves. Leavell places this mother/daughter drama within a historical context of emerging modernity. Reared among single, educated women like her mother, the poet embraced feminism and progressive era ideals from early adolescence. “Everyone loved her,” recalled William Carlos Williams of the years she lived in Greenwich Village, yet no one could fathom the “mother thing,” as he called it. After her mother’s death decades later, the aging recluse transformed herself, against all expectations, into a charismatic performer and beloved celebrity who was widely hailed as America’s greatest living poet. Elegantly written, meticulously researched, and critically acute, _Holding On Upside Down_ provides at last the biography that this major modernist and complex personality deserves.

    With new interviews, never-before-published material, and fresh insights, Turner helps the reader understand the religious and spiritual ideas and ideals that influenced the music and lives of the Beatles and helps us see how the Fab Four influenced our own lives and culture.Topics discussed include the religious upbringing of John, Paul, George, and Ringo; the backlash in the United States after John Lennon's "The Beatles are more popular than Jesus" comment; the dabbling in Eastern religion; the use of drugs to attempt to enter a higher level of consciousness; and the overall legacy that the Beatles and their music have left. While there is no religious system that permanently anchored the Beatles or their music, they did leave a gospel, Turner concludes: one of love, peace, personal freedom, and the search for transcendence.

    The kids are quiet, the road stretches ahead of her like an airport runway, she's behind the wheel of a brand-new van. The speedometer reads...Author interview and comments here:http://www.theatlantic.com/entertainm...