Based on the "Wall Street Journal" bestseller "You're Already Amazing," this interactive workbook helps women embrace who they are and become who they're created to be.

    The anguished and volatile intensity associated with the artistic temperament was once thought to be a symptom of genius or eccentricity peculiar to artists, writers, and musicians. Her work, based on her study as a clinical psychologist and researcher in mood disorders, reveals that many artists subject to exalted highs and despairing lows were in fact engaged in a struggle with clinically identifiable manic-depressive illness. Jamison presents proof of the biological foundations of this disease and applies what is known about the illness to the lives and works of some of the world's greatest artists including Lord Byron, Vincent Van Gogh, and Virginia Woolf.

    The Ordinary Virtues presents Ignatieff's discoveries and his interpretation of what globalization--and resistance to it--is doing to our conscience and our moral understanding.Through dialogues with favela dwellers in Brazil, South Africans and Zimbabweans living in shacks, Japanese farmers, gang leaders in Los Angeles, and monks in Myanmar, Ignatieff found that while human rights may be the language of states and liberal elites, the moral language that resonates with most people is that of everyday virtues: tolerance, forgiveness, trust, and resilience. These ordinary virtues are the moral operating system in global cities and obscure shantytowns alike, the glue that makes the multicultural experiment work. Ignatieff seeks to understand the moral structure and psychology of these core values, which privilege the local over the universal, and citizens' claims over those of strangers.Ordinary virtues, he concludes, are antitheoretical and anti-ideological. They can be cheerfully inconsistent. When order breaks down and conflicts break out, they are easily exploited for a politics of fear and exclusion--reserved for one's own group and denied to others. But they are also the key to healing, reconciliation, and solidarity on both a local and a global scale.

    Bourdieu's subject is the study of culture, and his objective is most ambitious: to provide an answer to the problems raised by Kant's Critique of Judgment by showing why no judgment of taste is innocent."A complex, rich, intelligent book. It will provide the historian of the future with priceless materials and it will bring an essential contribution to sociological theory."— Fernand Braudel "One of the more distinguished contributions to social theory and research in recent years . . . There is in this book an account of culture, and a methodology of its study, rich in implication for a diversity of fields of social research. The work in some ways redefines the whole scope of cultural studies."— Anthony Giddens, Partisan Review"A book of extraordinary intelligence." — Irving Louis Horowitz, Commonweal“Bourdieu’s analysis transcends the usual analysis of conspicuous consumption in two ways: by showing that specific judgments and choices matter less than an esthetic outlook in general and by showing, moreover, that the acquisition of an esthetic outlook not only advertises upper-class prestige but helps to keep the lower orders in line. In other words, the esthetic world view serves as an instrument of domination. It serves the interests not merely of status but of power. It does this, according to Bourdieu, by emphasizing individuality, rivalry, and ‘distinction’ and by devaluing the well-being of society as a whole.”— Christopher Lasch, Vogue

     In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps.This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.

    

    In this widely acclaimed work, Benedict Anderson examines the creation and global spread of the 'imagined communities' of nationality.Anderson explores the processes that created these communities: the territorialization of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time. He shows how an originary nationalism born in the Americas was modularly adopted by popular movements in Europe, by the imperialist powers, and by the anti-imperialist resistances in Asia and Africa.This revised edition includes two new chapters, one of which discusses the complex role of the colonialist state's mindset in the develpment of Third World nationalism, while the other analyses the processes by which, all over the world, nations came to imagine themselves as old.

    How did he pull it off? Was it his appeal to alienated voters in the battleground states? Was it Hillary Clinton and the scandals associated with her long career in politics? Were key factors already in place before the nominees were even chosen? Identity Crisis provides a gripping account of the campaign that appeared to break all the political rules--but in fact didn't.Identity Crisis takes readers from the bruising primaries to an election night whose outcome defied the predictions of the pollsters and pundits. The book shows how fundamental characteristics of the nation and its politics--the state of the economy, the Obama presidency, and the demographics of the political parties--combined with the candidates' personalities and rhetoric to produce one of the most unexpected presidencies in history. Early on, the fundamental characteristics predicted an extremely close election. And even though Trump's many controversies helped Clinton maintain a comfortable lead for most of the campaign, the prediction of a close election became reality when Americans cast their votes.Identity Crisis reveals how Trump's victory was foreshadowed by changes in the Democratic and Republican coalitions that were driven by people's racial and ethnic identities. The campaign then reinforced and exacerbated those cleavages as it focused on issues related to race, immigration, and religion. The result was an epic battle not just for the White House but about what America is and should be.

    Yet today we see those ideas abandoned and scorned in places where they once went unchallenged, including Washington, D.C.We often mistake these principles for universal liberal values: free elections, equality for women, jury trials, the accountability of the executive to the legislature. It is easy to lose sight of the fact that all these things, in their modern form, are products of a very specific English-speaking civilization. There was nothing inevitable about their triumph. They could easily have been snuffed out in the 1940s. They would not be ascendant if the Cold War had ended differently.When we speak of "the West" in a geopolitical sense, we really mean the alliance of free English-speaking democracies. It is they, not France or Germany or Italy or Spain, who have disseminated and preserved liberty. If we lose them, humanity itself will be the poorer. Inventing Freedom is an analysis of why the extraordinary idea that the state was the servant, and not the ruler, of the individual evolved in the English-speaking world. It is a chronicle of the success of Anglosphere exceptionalism, offered at a time that may turn out to be the end of the age of political freedom.

    At the time, it was dismissed by the British generals and admirals of the day not because the idea of submarines was technically unfeasible, but because no one could imagine that any nation would be so depraved as to sink civilian merchant ships. The future of war more often than not surprises us less because of some fantastic technical or engineering dimension but because of some human, political, or moral threshold that we had never imagined wanting to cross.As Lawrence Freedman shows, the future of war has a past and a present. Ideas of war, strategies for warfare and its practice, and organizing principles of war all have rich and varied origins which have shaped the minds of those who conceive the next war. Freedman shows how war can be studied systematically and empirically to provide a firm foundation for enlightened policy.The Future of War—which covers civil wars to as yet unknown nuclear conflicts, proxy wars (real) to the Cold War (not), fashionably small wars to the War to End All Wars (it didn’t)—is filled with insight and fascinating nuggets of military history and culture from one of the most brilliant military and strategic historians of his generation.

    All chapters in this best-seller have been substantially revised to reflect recent discoveries and new understanding of linguistics and languages.

    In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then--diminishing human agency and political freedom; the paradox that as human powers increase through technological and humanistic inquiry, we are less equipped to control the consequences of our actions—continue to confront us today.

    Through books such as ‘Private Peaceful’, ‘Kensuke’s Kingdom’ and ‘The Wreck of the Zanzibar’ he has enchanted a whole generation of children, weaving stories for them in a way that is neither contrived nor condescending. His is a rare gift. But it is not only children he holds in his thrall. In 2007, Michael’s novel ‘War Horse’ was adapted for the stage by the National Theatre. Five years on, it continues to play to packed audiences of all ages in the West End and New York, and later this year it will tour America, as well as opening in Toronto and Australia. Steven Spielberg, meantime, has made it into a film. The story of a Devon horse sent to fight on the Western Front has made Michael Morpurgo a household name. Michael’s own story is as strange and surprising as any he has written, and is shot through with the same thread of sadness found in almost all his work. How did this supremely unbookish boy who dreamed of becoming an army officer become a bestselling author instead? What personal price has he paid for success? And why, amidst his triumphs, is he now haunted by regret? In a unique collaboration, Maggie Fergusson explores Michael Morpurgo’s life through seven biographical chapters, to which he responds with seven stories. The biographical portrait that emerges is one of light and shade: the light very bright, the shade complex and often painful. Maggie Fergusson is Secretary of the Royal Society of Literature and Literary Editor of the Economist magazine Intelligent Life. Her first book, George Mackay Brown: the Life, won the Saltire First Book Prize, the Marsh Biography Award, the Yorkshire Post Non-Fiction Book of the Year Award and the Scottish Arts Council Biography Award.

    Self-serving monarchic social systems, which collectively reduced common people to servitude, were now attacked by Enlightenment philosophers, of whom Rouseau was a leading light.His masterpiece, The Social Contract, profoundly influenced the subsequent development of society and remains provocative in a modern age of continuing widespread vested interest. This is the most comprehensive paperback edition available, with introduction, notes, index and chronology of Rousseau's life and times.

    It focuses on the relationship between the inmate and the institution, how the setting affects the person and how the person can deal with life on the inside.