Yet most people in the Americas and Europe know very little about it, or their view is clouded by misperceptions and half truths. If the first rule of war is to “know your enemy,” then we have a long way to go. This important book fills this gap with a comprehensive analysis of al Qaeda—the origins, leadership, ideology, and strategy of the terrorist network that brought down the Twin Towers and continues to threaten us today. Bruce Riedel is an expert on the Middle East and South Asia, with thirty years of intelligence and policymaking experience. He was actually in the White House Situation Room during the 9/11 attacks, serving as special assistant to the president and National Security Council senior director for Near East Affairs. He draws on this insider experience in profiling the four most important figures in the al Qaeda movement: Osama bin Laden, its creator and charismatic leader; ideologue Ayman Zawahiri, its Egyptian coleader and principal spokesman; Abu Musaib al Zarqawi, leader of al Qaeda in Iraq until his death in 2006; and Mullah Omar, its Taliban host. These profiles provide the base from which Riedel delivers a much clearer understanding of al Qaeda and what must be done to counter it. The Search for al Qaeda reviews how al Qaeda was created and developed, presenting authoritative and chilling background on “The Manhattan Raid,” but Riedel focuses more closely on what has happened to it since that awful day. He outlines al Qaeda’s ultimate goals, which are to drive America out of the Muslim world, to destroy Israel, and to create a jihadist caliphate larger than the Ottoman Empire at its height. The profiles and subsequent analysis reveal the network’s multipronged strategy for accomplishing those goals: • Draw America into “bleeding wars” like the one that drove the Soviets from Afghanistan. • Build a safe haven for al Qaeda in Pakistan. • Develop other “franchises” in the Islamic world that can overthrow pro-American regimes. • Conduct more Western attacks along the lines of 9/11 or the transit bombings in Madrid and London. The book concludes with a strategy for dealing with—and defeating—this most dangerous menace.

    What if that's not the case? Alex Perry travels from the South China Sea to the highlands of Afghanistan to the Sahara to see globalisation at the sharp end.

    A VINTAGE ORIGINAL.What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like? The collection of fragmented images on a page - a graceful ear there, a stray curl, a hat positioned just so - and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved - or reviled - literary figures.In this remarkable work of nonfiction, Knopf's Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature - he thinks of himself first, and foremost, as a reader - into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.

    When he was only nine years old, Satish Kumar renounced the world and joined the wandering brotherhood of Jain monks. Dissuaded from this path by an inner voice at the age of 18, he became a campaigner for land reform, working to turn Gandhi's vision of a renewed India into reality. Fired by the example of Bertrand Russell, he undertook an 8,000-mile peace pilgrimage, walking from India to America without any money, through mountains, deserts, storms, and snow. It was an adventure during which he was thrown into jail in France, faced a loaded gun in America, and delivered packets of “peace tea” to the leaders of the four nuclear powers. In 1973 he settled in England, taking on the editorship of Resurgence magazine, and becoming the guiding light behind a number of ecological spiritual and educational ventures. Following Indian tradition, in his 50th year he undertook another pilgrimage: again without any money, he walked to the holy places of Britain—Glastonbury Lindisfarne and Iona. All of this and more is recounted in this fascinating autobiography.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

     Second edition of a popular introductory textbook, combining breadth of coverage, practical examples, and student-friendly features Includes new sections on metaphor, framing, stance and style, multimodal discourse, and Gricean pragmatics Considers a variety of approaches to the subject, including critical discourse analysis, conversation analysis, interactional and variationist sociolinguistics, ethnography, corpus linguistics, and other qualitative and quantitative methods Features detailed descriptions of the results of discourse analysts' work Retains and expands the useful student features, including discussion questions, exercises, and ideas for small research projects.

    Drawing on a wide range of  great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works.

    Taking her own experience of translating Roland Barthes’s lecture notes as a starting point, the author threads various stories together to give us this portrait of translation as a compelling, complex and intensely relational activity. She recounts the story of Helen Lowe-Porter’s translations of Thomas Mann, and their posthumous vilification. She writes about the loving relationship between André Gide and his translator Dorothy Bussy. She recalls how Robinson Crusoe laboriously made a table, for him for the first time, on an undeserted island. With This Little Art, a beautifully layered account of a subjective translating experience, Kate Briggs emerges as a truly remarkable writer: distinctive, wise, frank, funny and utterly original.

    This book provides a comprehensive overview of the principal types of renewable energy-including solar, thermal photovoltaics, bioenergy, hydro, tidal, wind, wave, and geothermal. In addition, the text explains the underlying physical and technological principles of renewable energy and examines the environmental impact and future prospects of different energy sources. It includes over 350 detailed illustrations, more than fifty tables of data, and a wide range of case studies. Renewable Energy, 2/e is ideal for undergraduate courses in energy, sustainable development, and environmental science.

    Based on the belief that writing successful fiction is a balance between making the right conscious choices and trusting one's own instincts, this text shows readers how to combine the instinctive process of creation with sound technical ingenuity.

    Paul's largest black neighborhood. African Americans whose families had lived in Minnesota for decades and others who were just arriving from the South made up a vibrant, vital community that was in many ways independent of the white society around it.The Days of Rondo is Evelyn Fairbanks's affectionate memoir of this lively neighborhood. Its pages are filled with fascinating people: Mama and Daddy--Willie Mae and George Edwards--who taught her about love and pride an dignity; Aunt Good, a tall and stately woman with a "queenly secretive attitude"; brother Morris, who "took the time to teach me about the street and the people I would find there"; Mrs. Neal, the genteel activist who showed her the difference between a salad fork and a dessert fork; Mr. and Mrs. Taylor, who started a girls' string band; and a whole assortment of street vendors and playmates who made up the world of her childhoodAs she grew up, Fairbanks saw many different sides of her community. Her words bring to life the all-day Sunday services at the Sanctified church, the "perfect days" of her girlhood, and the ghost stories told on the porch of a soft midwestern summer evening. But she also remembers a visit to relatives in Georgia, the deaths of her Mama and Daddy, and the difficult lessons her free-wheeling brother taught her about friends and money. By the time Evelyn was a teenager, World War II was changing St. Paul and the whole world in ways that touched upon her own life. And through the years she was also discovering what it meant to grow up as a black person in Minnesota.A gifted storyteller, Fairbanks has recreated the patterns of her neighborhood life in a northern city. Her story ends in the mid-1950s, a few years before the Rondo neighborhood was destroyed by freeway construction. In preserving her memories of this distinctive community, Evelyn Fairbanks has added an important dimension to our understanding of Minnesota during those years."Fairbanks spins yarns about St. Paul's black society with the flair of a campfire storyteller." --St. Paul Pioneer Press "Must reading for anyone wanting a clearer understanding of the history of race relations." --Library Journal "Narrative history at its best." --Choice "Her prose is simple and concise and is leavened by a rich sense of humor." --Minnesota Monthly "The Days of Rondo is an interpretive account of events in the life of a black family from the South struggling for survival and meaning in a northern city. Rich in humor and detail, it provides a well-illustrated mosaic of socioeconomic, ethnic, and class realities as seen through the eyes of a young black woman." --David V. Taylor, author of African-Americans in Minnesota

    Slaughterhouse is the definitive explanation of a war that will be remembered as the greatest failure of Western diplomacy since the 1930s. Bosnia was more than a human tragedy. It was the emblem of the international community's failure and confusion in the post-Cold War era. In Bosnia, genocide and ethnic fascism reappeared in Europe for the first time in fifty years. But there was no will to confront them, either on the part of the United States, Western Europe, or the United Nations, for which the Bosnian experience was as catastrophic and demoralizing as Vietnam was for the United States. It is the failure and its implications that Rieff anatomizes in this unforgiving account of a war that might have been prevented and could have been stopped.

    Here is his legacy to us: the universal values he pinpoints become the watchwords for our appreciation of Calvino himself.What should be cherished in literature? Calvino devotes one lecture, or memo to the reader, to each of five indispensable qualities: lightness, quickness, exactitude, visibility, and multiplicity. A sixth lecture, on consistency, was never committed to paper, and we are left only to ponder the possibilities. With this book, he gives us the most eloquent defense of literature written in the twentieth century as a fitting gift for the next millennium.

    Many of us love to tell them, and even dream of making a living from it too. But what is a story? Hundreds of books about screenwriting and storytelling have been written, but none of them ask 'Why?' Why do we tell stories? And why do all stories function in an eerily similar way? John Yorke has been telling stories almost his entire adult life, and the more he has done it, the more he has asked himself why? Every great thinker or writer has their theories: Aristotle, David Hare, Lajos Egri, Robert McKee, Gustav Freytag, David Mamet, Christopher Booker, Charlie Kaufman, William Goldman and Aaron Sorkin - all have offered insightful and illuminating answers. Here, John Yorke draws on these figures and more as he takes us on a historical, philosophical, scientific and psychological journey to the heart of all storytelling.What he reveals is that there truly is a unifying shape to narrative - one that echoes the great fairytale journey into the woods, and one, like any great art, that comes from deep within. Much more than a 'how to write' book, Into the Woods is an exploration of this fundamental structure underneath all narrative forms, from film and television to theatre and novel-writing. With astonishing detail and wisdom, John Yorke explains to us a phenomenon that, whether it is as a simple fable, or a big-budget 3D blockbuster, most of us experience almost every day of our lives.

    His cartoons are the work of a wildly imaginative mind: he is a poet and metaphysician as well as an artist. Leunig's subjects are as ambitious as his technique is simple. World cataclysm, loneliness, cruelty, lust and greed. Through these runs the vein of his compassion and humanity - his humour - illuminating many a dark theme.