. . It was life-making.Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more.Under the tutelage of three master piano-tuners – one humble, one cheery, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes?Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation.

    Children are so weak they can barely stand or walk: the only people with any get-go are the elderly. Mumei lives with his grandfather Yoshiro, who worries about him constantly. They carry on a day-to-day routine in what could be viewed as a post-Fukushima time, with all the children born ancient—frail and gray-haired, yet incredibly compassionate and wise. Mumei may be enfeebled and feverish, but he is a beacon of hope, full of wit and free of self-pity and pessimism. Yoshiro concentrates on nourishing Mumei, a strangely wonderful boy who offers “the beauty of the time that is yet to come.”A delightful, irrepressibly funny book, The Emissary is filled with light. Yoko Tawada, deftly turning inside-out “the curse,” defies gravity and creates a playful joyous novel out of a dystopian one, with a legerdemain uniquely her own.

    But the apartment’s electricity hasn’t been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Yōko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and water and naming it Kin.Inhabitation unfolds from there, following the complications in Tetsuyuki’s relationship with Yōko, a friendship with his supervisor who hides his heart disease at work, and his father’s creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin’s peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki’s human relationships.For more than four decades, Teru Miyamoto’s gentle prose—which often explores a kind of spiritual isolation—has enthralled Japanese readers. Now, translator Roger K. Thomas brings one of Miyamoto’s most well-loved novels to an English-speaking audience for the first time.

    It presents haiku poets writing in English, Spanish, French, German, and five other languages on an equal footing with Japanese poets. Not only are the four great Japanese masters of the haiku represented (Basho, Buson, Issa, and Shiki) but also several major Western authors not commonly known to have written haiku.

    She is the author of more than seventy-five books, including twenty volumes of original poetry and the definitive translation into modern Japanese of the Tale of the Genji. Although probably best known for her exquisite erotic poetry, Akiko's work also championed the causes of feminism, pacifism, and social reform. Akiko's poetry is profoundly direct, often passionate, exposing the complexity of everyday emotions in poetic language stripped of artifice and presenting the full breadth of her poetic vision. Included in this volume are ninety-one of Akiko's tanka (a traditional five-line form of verse) and a dozen of her longer poems written in the modern style.

    When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō's job is to do exactly that--until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life.Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

    She always worked Fridays, but if things had gone according to plan on that particular Friday, she would have had the night off. One rainy Tokyo night, a waitress’s uneventful twentieth birthday takes a strange and fateful turn when she’s asked to deliver dinner to the restaurant’s reclusive owner. Birthday Girl is a beguiling, exquisitely satisfying taste of master storytelling, published to celebrate Murakami’s 70th birthday.

    But this coffee shop offers its customers a unique experience: the chance to travel back in time.In Before the Coffee Gets Cold, we meet four visitors, each of whom is hoping to make use of the café’s time-travelling offer, in order to: confront the man who left them, receive a letter from their husband whose memory has been taken by early onset Alzheimer's, to see their sister one last time, and to meet the daughter they never got the chance to know.But the journey into the past does not come without risks: customers must sit in a particular seat, they cannot leave the café, and finally, they must return to the present before the coffee gets cold . . .Toshikazu Kawaguchi’s beautiful, moving story explores the age-old question: what would you change if you could travel back in time? More importantly, who would you want to meet, maybe for one last time?

    The leading democracies transformed into total surveillance states, and the developing world has drowned under a wave of genocides. The mysterious American John Paul seems to be behind the collapse of the world system, and it’s up to intelligence agent Clavis Shepherd to track John Paul across the wreckage of civilizations, and to find the true heart of darkness—a genocidal organ.

    But for 15-year old Saya, the war is far away and unimportant--until the day she discovers she is the reincarnation of the Water Maiden and a princess of the Children of the Dark. Raised to love the Light and detest the Dark, Saya must come to terms with her heritage even as she is tumbled into the very heart of the conflict that is destroying her country. Both the army of the Light and Dark seek to claim her, for she is the only mortal who can awaken the legendary Dragon Sword, the weapon destined to end the war. Can Saya make the dreadful choice between the Light and Dark, or is she doomed like all the Water Maidens who have come before her?

    The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes

    Warrior monks in their armed citadels block the road to the capital; castles are destroyed, villages plundered, fields put to the torch.Amid this devastation, three men dream of uniting the nation. At one extreme is the charismatic but brutal Nobunaga, whose ruthless ambition crushes all before him. At the opposite pole is the cold, deliberate Ieyasu, wise in counsel, brave in battle, mature beyond his years. But the keystone of this triumvirate is the most memorable of all, Hideyoshi, who rises from the menial post of sandal bearer to become Taiko-absolute ruler of Japan in the Emperor's name.When Nobunaga emerges from obscurity by destroying an army ten times the size of his own, he allies himself with Ieyasu, whose province is weak, but whose canniness and loyalty make him invaluable. Yet it is the scrawny, monkey-faced Hideyoshi-brash, impulsive, and utterly fearless-who becomes the unlikely savior of this ravaged land. Born the son of a farmer, he takes on the world with nothing but his bare hands and his wits, turning doubters into loyal servants, rivals into faithful friends, and enemies into allies. In all this he uses a piercing insight into human nature that unlocks castle gates, opens men's minds, and captures women's hearts. For Hideyoshi's passions are not limited to war and intrigue-his faithful wife, Nene, holds his love dear, even when she must share it; the chaste Oyu, sister of Hideyoshi's chief strategist, falls prey to his desires; and the seductive Chacha, whom he rescues from the fiery destruction of her father's castle, tempts his weakness.As recounted by Eiji Yoshikawa, author of the international best-seller Musashi, Taiko tells many stories: of the fury of Nobunaga and the fatal arrogance of the black-toothed Yoshimoto; of the pathetic downfall of the House of Takeda; how the scorned Mitsuhide betrayed his master; how once impregnable ramparts fell as their defenders died gloriously. Most of all, though, Taiko is the story of how one man transformed a nation through the force of his will and the depth of his humanity. Filled with scenes of pageantry and violence, acts of treachery and self-sacrifice, tenderness and savagery, Taiko combines the panoramic spectacle of a Kurosawa epic with a vivid evocation of feudal Japan.

    A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon--until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room--and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face--to match her own.In these eleven stories, the individuals who lift the curtains of their orderly homes and workplaces are confronted with the bizarre, the grotesque, the fantastic, the alien--and, through it, find a way to liberation. The English-language debut of one of Japan's most fearlessly inventive young writers.