Film simply can't catch the layers of humor, satire, and imagination that author Carl Hiaasen creates in each of his novels. When a deranged Florida congressman falls for a gorgeous but virtuous stripper, he dedicates himself to pursuing this tasselled princess. Not only is she a real beauty, she's a damsel in distress. The effects of his quest will ripple through the spotlights of the strip joint, the sugar cane fields of south Florida, and some powerful political careers. Fueled by innocent lust and dizzy miscalculations, this story will keep you howling with surprise. George Wilson's colorful narration is the perfect vehicle for Carl Hiaasen's twisted fairy tale.

    Sons of a desert dwelling alcoholic and a suburban wanderer clash over a film script. Austin, the achiever, is working on a script he has sold to producer Sal Kimmer when Lee, a demented petty thief, drops in. He pitches his own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern love story and write Lee's trashy Western tale.

    It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."

    A possible break in his fortunes occurs when he receives a script from a student in the seminar he has been conducting at a nearby college a thriller which Sidney recognizes immediately as a potential Broadway hit. Sidney's plan, which he devises with his wife's help, is to offer collaboration to the student, an idea which the younger man quickly accepts. Thereafter suspense mounts steadily as the plot begins to twist and turn with devilish cleverness, and with such an abundance of thrills and laughter, that audiences will be held enthralled until the final, startling moments of the play.

    This down-and-dirty romp through Hollywood in the 1970s introduces the young filmmakers--Coppola, Scorsese, Lucas, Spielberg, Altman, and Beatty--and recreates an era that transformed American culture forever.

    Jacobs Theater, New York City, in March 2009.

    Script of Whiplash.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.

    Mismatched partner cops Somerset and Mills are on the trail of a psychotic murderer who intends to avenge the seven deadly sins, starting with gluttony.

    The story line follows the celebrated cinematic auteur Boris Adrian, "King B", who undertakes The Faces of Love, an episodic film with high budget production values that will explicitly depict the range of human sexual experience. The filmmaker is loosely based on Stanley Kubrick. Southern, who collaborated with Kubrick on Dr. Strangelove, dedicated the book "To the great Stanley K." It received only moderate reviews. Sales were hampered by the refusal of the NY Times to run ads for the book. A hilarious, wildly erotic & biting satire of Hollywood, Blue Movie tells the story of an Oscar-winning director who's determined to shoot the dirtiest & most expensive X-rated movie ever made; Sid Krassman, a producer who's made a fortune catering to the tastes of the American public, & Angela Sterling, a misunderstood sex symbol who'd give anything (& everything) for a chance to do something "serious." The set is fraught with monstrous egos & enormous libidos--the kind of situation that could only come from the imagination of the irrepressible Terry Southern. A film adaptation of Blue Movie is currently in production from director Michael Dowse & producer Marc Toberoff, to be released by Vertigo Films.

    When a bratty Hollywood child star and an English aristocrat exchange souls at the dentist in Laughing Gas, the result is transatlantic mayhem at its funniest.

     But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl. EX MACHINA is an intense psychological thriller, played out in a love triangle. It explores big ideas about the nature of consciousness, emotion, sexuality, truth and lies.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    A teenager (Saoirse Ronan) navigates a loving but turbulent relationship with her strong-willed mother (Laurie Metcalf) over the course of an eventful and poignant senior year of high school.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.