We will be publishing it in 3 volumes, the first in 2003 and one each year following.RICHARD MATHESON: COLLECTED STORIES is the gathering together of 86 Richard Matheson short stories, beginning with Born of Man and Woman from 1950 and ending with Duel from 1971. The stories were arranged by Matheson himself roughly in chronological order of original publication. There are also several tributes to Richard Matheson throughout the volumes from admirers such as Stephen King, Ray Bradbury, Robert Bloch, William F. Nolan, and others. Finally, Matheson wrote a deeply revealing Introduction for the collection. As Matheson himself states in this Introduction, "A twenty-year period of creativity reduced to the psychological background of my output of fantasy and science-fiction stories. If this were a thesis, that would be my premise".For the Volume One, editor Stanley Wiater has included:> A "bibliophile" at the end of each story containing Matheson's very own commentary on the behind-the-scenes details of each story. Each story is also listed with it's original publication date and place of publication.> A brand new introduction written expressly for this version of the bookEach subsequent volume of RICHARD MATHESON: COLLECTED STORIES that we publish will include the Matheson bibliophiles with each story.

    What the animals did not know was that they were the Keepers of Wyrm, monster of evil long imprisoned beneath the earth ... and Wyrm, sub terra, was breaking free.

    Written with ideas on The White Goddess as a cultural/anthropological backdrop to the ancient Greek tale. What the Golden Fleece really was—a cloak tossed to earth by a drunken Zeus, a sheepskin book of alchemic secrets or the gilded epidermis of a young human sacrifice named Mr. Ram—nobody knows. But Graves is quite sure that, whatever the Golden Fleece was, the voyage of Jason & his Argonauts really happened. His story shows the legendary cruise as one of the bawdiest, bloodiest, most boisterous expeditions of all time. In I, Claudius & its Claudius the God sequel, Graves brought the teeming life of Claudian Rome so vividly alive that they became bestsellers. In the not-so-successful Wife to Mr. Milton, his blend of imagination & scholarship projected his readers into 17th-Century England & the bedchamber temper tantrums of the blind poet-politician. With Hercules & shipmates, Graves becomes an ancient Greek, moving among demigods & goddesses, myths & monsters with an easy familiarity & a wealth of erudite detail. Both sometimes seem too much of a good thing. Atomic-age readers, ill-attuned to the leisurely, formal talk of myth-age Greeks, may find themselves skipping some of the longer speeches. Most of the Argo's 50-oar crew were princes, each with a special talent & gift of the gods. The only woman aboard was a princess: Atalanta of Calydon, a virgin huntress who could outrun any man in Greece. Argus, who built the Argo, was the world's finest shipwright. Castor & Pollux, sons of Leda & Zeus-as-swan, were champion prizefighters. Nauplius, Poseidon's son, was an unrivaled navigator. Orpheus could make sticks & stones dance to his lyre. Hercules of Tiryns was the world's strongest man. He would've captained the Argonauts were it not that in moments of insanity he murdered friend & foe alike. Captaincy devolved on Jason of lolcos—a man nobody liked or trusted, but who had a power denied to all the others: women instantly fell in love with him. Even surly Hercules agreed it a quality worth all the rest. Backed by divine blessings & equinoctal winds, the Argonauts set sail. On the Island of Lemnos, peopled solely by women, they generously stopped off to help out with spring sowing. Nine months later, 200 children were born, of whom no less than 60 were said to be the spitting image of Hercules. On Samothrace, they were initiated into the sacred mysteries. The Goddess of All Being mated with the Serpent Priapus to be delivered of a bull. Then the sacred nymphs leapt on them & scratched & bit until even Hercules passed out. Thereafter, the Argonauts glowed with "a faint nimbus of light." The Argonauts boldly pushed on thru the dread Hellespont & entered the Black Sea. To their dismay, Hercules deserted, summoned home to perform another of his mighty labors. "Holy Serpents!" he growled. "Tell me what this time?" The job—cleaning the Augean Stables—didn't take long. He stayed around afterwards with the Lydian high priestess—who in due time bore male triplets. In gratitude, she taught him to spin, tying up his hair in blue braids. He was crazy about it, admitting confidentially he'd always wanted to be a woman. The Argonauts went on without Hercules. Reaching Colchis, Aphrodite won the Fleece for them. She made her son Eros wait behind a pillar with his bow until handsome Jason strode into the King of Colchis' palace. Eros shot Medea thru the heart, & the smitten princess helped to get the Fleece from her father's temple. Mythology's most famous voyage had reached its goal, but Graves takes 150 more pages to wind things up.

    They represent the crowning achievements of his career.O’Neill described Ah, Wilderness! as “the way I would have liked my boyhood to have been.” Set in the summer of 1906, it affectionately depicts the warm, close family of 16-year-old Richard Miller and the innocence with which he faces the trials of first love, strong drink, and sexual temptation.John Loving, hero of Days Without End, is split by his lack of faith into two selves: John and his Mephistophelian double Loving, who wears John’s death mask and plots his destruction. Burdened by guilt but desperately wanting to love, John struggles with Loving’s nihilistic hatred in what O’Neill termed his “modern miracle play.”In A Touch of the Poet, Irish tavern-keeper Con Melody is drawn by his proud past as a Byronic cavalry hero of the Napoleonic Wars toward a fatal confrontation with his wealthy Yankee neighbors, the Harfords.Throughout More Stately Mansions, the idealistic yet cunning Simon Harford, his wife, Sara Melody Harford, and his mother, Deborah, continually shift roles and alliances as they engage in an eerie psychological and sexual battle for possession of each other and their own maddeningly elusive dreams. This volume presents the never-before-published complete text of the revised typescript for this unfinished play.The derelict inhabitants of Harry Hope’s saloon in The Iceman Cometh find solace in their comradeship until their drifting calm is destroyed by the visiting salesman Theodore Hickey, who insists that they abandon all “pipe dreams” and face the truth about their lives. O’Neill carefully orchestrates the voices of over a dozen characters to form a chorus of overwhelming despair and surprising compassion.Hughie is a one-act dialogue between a reminiscing gambler and a weary hotel night clerk about the promise and loneliness of city life.Long Day’s Journey into Night unsparingly dissects the pain, rage, guilt, and love that drive a wounded family apart and bind it together. In their summer home the four Tyrones—James, a proud actor haunted by poverty, his devout, morphine-addicted wife, Mary, and their sons, Jamie, a cynical drunkard, and Edmund, an aspiring poet—slowly unveil the truth about their lives until they can no longer hope either to save or to escape one another. Published and produced posthumously, it won O’Neill his fourth Pulitzer Prize.In its elegiac coda, A Moon for the Misbegotten, Jamie Tyrone seeks the peace that has long eluded him in the arms of sharp-tongued Josie Hogan.The volume concludes with “Tomorrow” (1917), O’Neill’s only published short story.

     A contemporary murder mystery set in the heart of London, this is the story of Tommy Akhtar, hard-drinking veteran of the Mujahideen, devoted son, sometime private investigator and sometime idol to the thug-lites of the ethnic motley of West London. Hired by a bewitching prostitute, he's to track down the whereabouts of her missing friend, last seen meeting a client in a local dive. But as the search heats up, Tommy's case takes a turn for the sinister, as he's drawn into a murder investigation and the dark side of both the establishment and those who plan to overthrow it. Written with all the energy and vividness that earned Neate a 2004 National Book Critics Circle Award and the 2001 Whitbread Novel Award, City of Tiny Lights is poised to find a wide new audience for its talented, charismatic young author.

    Her royal family’s entertainment empire is beloved by the tabloids, all over social media, and the hottest thing on television. The biggest moneymaker? The Labyrinth Contest, a TV extravaganza in which Ariadne leads fourteen teens into a maze to kill a monster. To win means endless glory; to lose means death. In ten seasons, no one has ever won.When the gorgeous, mysterious Theseus arrives at the competition and asks Ariadne to help him to victory, she doesn’t expect to fall for him. He might be acting interested in her just to boost ratings. Their chemistry is undeniable, though, and she can help him survive. If he wins, the contest would end for good. But if she helps him, she doesn’t just endanger her family’s empire―the monster would have to die. And for Ariadne, his life might be the only one worth saving.Ariadne’s every move is watched by the public and predestined by the gods, so how can she find a way to forge her own destiny and save the people she loves?

    Then she rescued a boy flung into a raging river -- and at that moment, her destiny changed. Now Balsa must protect the boy -- the Prince Chagum -- on his quest to deliver the great egg of the water spirit to its source in the sea. As they travel across the land of Yogo and discover the truth about the spirit, they find themselves hunted by two deadly enemies: the egg-eating monster Rarunga . . . and the prince's own father.

    Receiving an enormous responsibility as Physici for her people, the only individual in the Dubious Hills capable of experiencing and understanding pain, fourteen-year-old Arry seeks to protect her world from a wolf invasion.

    He knows of the bastards and brigands who plague the King’s lands, of the monsters skulking in the wooded depths of the realm. Together with his companion, Ryn – a horse of rather peculiar talent – he has spent the last decade of his life beneath the bloody banners of a half-dozen mercenary guilds, hunting precisely such festering wickedness within the borders of Viridian. Unfortunately, fate is quick to pull on the leash of its favorite children. When one particularly troubling contract goes sideways, Declan and Ryn find themselves thrust into a war thought legend and long-ended, a conflict so old it is synonymous with a time in which dragons still ruled the western skies. Now, as dead men rise from their graves and the terrible beasts of the northern ranges descend into the kingdom with an appetite for savagery and flesh, Declan is faced with a profane choice. He can turn, can flee an ancient rising horror that would see the realms of man left as shattered death and wind-blown ash. Or, Declan can face this mounting threat, can come to terms with the fact that his oldest friend might just be more than he appears, and learn to wield an ageless power all his own. Centuries pass, after all, but the Blood of Kings does not fade…

    He only knew that he had not found it.Shadow Moon has been away from America for nearly two years. His nights are broken with dangerous dreams. Sometimes he almost believes he doesn't care if he ever returns home.In the Highlands of Scotland, where the sky is pale white and it feels as remote as any place can possibly be, the beautiful and the wealthy gather at a grand old house in the glen. And when the strange local doctor offers him work at the party, Shadow is intrigued. He knows there is no good reason for him to be there. So what do they want with him?

    Learn secrets of love and hidden fortune. Meet painted ladies, bejewelled assasins, Scarlet Priests, necromantic critics, a whip-wielding boutique owner--and wizards. Come, Liavek awaits.

    In this kingdom, called Chiveis, snowcapped mountains provide protection, and fields and livestock provide food. The people live medieval-style lives, with almost no knowledge of the "ancient" world. Safe in their natural stronghold, the Chiveisi have everything they need, even their own religion. Christianity has been forgotten--until a young army scout comes across a strange book.With that discovery, this work of speculative fiction takes readers on a journey that encompasses adventure, romance, and the revelation of the one true God. Through compelling narrative and powerful character development, The Sword speaks to God's goodness, his refusal to tolerate sin, man's need to bow before him, and the eternality and power of his Word. Fantasy and adventure readers will be hooked by this first book in a forthcoming trilogy.

    For as long as she can remember, she and her father have lived in isolation in the abandoned Moorish palace. There are chickens and goats, and a terrible wailing spirit trapped in a pine tree, but the elusive wild boy who spies on her from the crumbling walls and leaves gifts on their doorstep is the isle’s only other human inhabitant. There are other memories, too: vague, dream-like memories of another time and another place. There are questions that Miranda dare not ask her stern and controlling father, who guards his secrets with zealous care: Who am I? Where did I come from? The wild boy Caliban is a lonely child, too; an orphan left to fend for himself at an early age, all language lost to him. When Caliban is summoned and bound into captivity by Miranda’s father as part of a grand experiment, he rages against his confinement; and yet he hungers for kindness and love.

    Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tryrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon’s beautiful daughter, Glauce.   An ancient myth fraught with devotion and betrayal, deception and ambition, Jason and Medeia is one of the greatest classical legends, and Gardner’s masterful retelling is yet another achievement for this highly acclaimed author.

    All of the imaginary beasts, monsters, fauna, and flora of J.R.R. Tolkien's lush fantasy worlds of the Middle-Earth and the Undying Lands are presented in more that 100 black-and-white illustrations and 36 full color paintings. A Chronology of all the historical ages, a general index, genealogies of the races of men, maps, and a special index referring to Tolkien's original works are also included.