Isolated from her peers, she fears a life of solitude and menial chores. The only person who shows her any kindness is a scribe, who offers to teach her how to read in exchange for her help in acquiring goods at fair prices in the market. When she discovers a manuscript describing the art of magic on a routine trip to the market, she can't help but feel tempted to try it, even though magic is strictly prohibited. Giving in to temptation, she starts spending her hours practicing simple spells for her own amusement, but when one of the girls from the kitchens goes missing - amidst rumors of monsters rising in the south and devouring townspeople - Anais decides to use her new skills to find the missing girl. In her search, she befriends the Lord of Brightshire's youngest son, Cedric, and his cousin Mediera. Finally having friends she cares for is great, but practicing illegal magic and fraternizing with those above her station puts Anais in more danger than she can handle.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. You'll be kept in suspense with these four Edgar Allan Poe short stories! The Pit and the Pendulum, The Fall of the House of Usher, The Cask of Amontillado, The Murders in the Rue Morgue.

    The name indicates that this is a set of stories having it's own fragrance.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

    Translated from the Polish by award-winning translators John and Bogdana Carpenter, these sixty-eight verse and prose poems span forty years of Herbert's incredible life and work. The pieces are organized chronologically from 1950 to 1990, with an emphasis on the writer's early and late poems.Here Zbigniew Herbert's poetry turns from the public--what we have come to expect from this poet--to the more personal. The title poem, "Elegy for the Departure of Pen Ink and Lamp , is a three-part farewell ode to the inanimate objects and memories of childhood. Herbert reflects on the relationship between the living and the dead in "What Our Dead Do," the state of his homeland in "Country," and the power of language in "We fall asleep on words . . . " Herbert's short prose poems read like aphorisms, deceptively whimsical but always wise: "Bears are divided into brown and white, also paws, head, and trunk. They have nice snouts, and small eyes.... Children who love Winnie-the-Pooh would give them anything, but a hunter walks in the forest and aims with his rifle between that pair of small eyes."Elegy for the Departure and Other Poems confirms Zbigniew Herbert's place as one of the world's greatest and most influential poets.

    It has made him India's most provocative and popular columnist. This new collection brings together his essays and articles on themes as varied as God, the afterlife, the banning of books, caste, prostitution, crank calls and pets. His skills as a raconteur and journalist are used to brilliant effect in his sketches of Gandhi, Raj Kapoor, Vajpayee, Phoolan Devi, Zia-ul-Haq and the Dalai Lama, as also in his travel pieces on Nagaland and France, among other places. The Vintage Sardar ends with a frank and introspective autobiographical piece. Khushwant Singh's distinctive candour, wit and insight make this an engaging and sparkling collection. Khushwant Singh is one of India's best-known columnists and journalists.

    A title guaranteed to generate "No, wait, read this one!" responses, "The Armpit of Doom" is more mayhem from one of the masters. (J. Patrick Lewis, US Children's Poet Laureate, author of "Please Bury Me in the Library")Kenn Nesbitt wrote a book of poems A funny one I think. And though it's colored black and white Watch it tickle you PINK! (Douglas Florian, author and illustrator of "Comets, Stars, the Moon, and Mars: Space Poems and Paintings")Kenn Nesbitt's brain is the clown car of children's poetry. I don't know how they all fit in there, but they keep tumbling out, one after another, each one funnier than the one before it. (Eric Ode, poet and songwriter. Author of "When You're a Pirate Dog and Other Pirate Poems")I liked "Armpit" (the book) a lot. Armpits aren't my favorite body part. (Bruce Lansky, author of "If Pigs Could Fly... And Other Deep Thoughts" and "My Dog Ate My Homework")Despite the many warnings ("Please Don't Read This Poem!") kids cannot escape the odorous allure of Nesbitt's THE ARMPIT OF DOOM! No problem. They won't want to! Instead they will find "There's only one solution. Here's what you'll have to do: Tell all your friends and family they shouldn't read it too!" (Charles Ghigna, AKA "Father Goose," author of "Score! 50 Poems to Motivate and Inspire")What makes this collection most special are the contemporary details sprinkled throughout (the iPod, XBox, and Kindle, Red Bull, J.K. Rowling, scrunchies, computer woes). Kids will really love the clever nonsense in poems like "On the Thirty-Third of Januaugust" and "It's Fun to Leave the Spaces Out." Teachers, beware: theirsentencesmightlooklikethisforafewdaysafterreadingthisbook!" (Janet Wong, author of "You Have to Write")Fans of Kenn Nesbitt will gobble up this new offering, which combines his infallible command of rhyme scheme with the hilarious--yet oddly contemplative--wisdom of a child pondering the world. (Joyce Sidman, author of "Swirl by Swirl: Spirals in Nature")

    It applies the techniques of electronic dance music to the production of words, dissolving language. In this mutated, liquid state, words are manipulated into new forms. The Cobralingus filtering device borrows text and samples it. The metamorphiction process remixes this inlet text, transforming it into something entirely different. The imaginary technologies utilized free the mind from all constrictive patterns, creating new and exciting poetry, songs, stories, jokes and even graphic texts. Please note: Cobralingus involves no computational algorithms except for the strangely twisted pathways inside Jeff Noon's head.

    His marriage is over and he is alone, teaching poetry as a visiting professor in Montana and continuing to avoid actually writing himself. He drinks to oblivion every night.At this freezing college, in the dead of winter, Winslow meets Erika, one of his poetry students. What begins with office hours and Jim Beam in paper cups becomes a road trip as they travel through Utah and Arizona. Long haunted by thoughts of death, both Erika and Winslow begin to glimpse the power life can hold if they will only open up to the shame, beauty, and heartbreak of it all.

    She made up her mind to close them again and return to her dream. She saw a small white candle whose wan light trembled and flickered in the fog. . . Milia's response to her new husband Mansour and to the Middle East of 1947 is to close her eyes and drift into parallel worlds where identities shift, where she can converse with the dead and foresee the future. As the novel progresses, Milia's dreams become more navigable than the strange and obstinate "reality" in which she finds herself, and the two worlds grow ever more entangled. Elias Khoury, born in Beirut in 1948, is a novelist, essayist, playwright, and critic. He was awarded the Palestine Prize for Gate of the Sun, which was named a Best Book of the Year by Le Monde Diplomatique, The Christian Science Monitor, and the San Francisco Chronicle, and a Notable Book by The New York Times and The Kansas City Star. Archipelago Books also published Khoury's Yalo in 2008 and his White Masks in 2010.

    Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time. Armed with his trusty briefcase and his Islamic-calendar wristwatch, he bounces uncontrollably through the Fatimid, Ayyubid, and Mamluk periods, with occasional return visits to the 1990s. Along the way, he meets celebrities such as Jawhar, the founder of Cairo. He also encounters other time travelers, including the historian Maqrizi. In every age, he is forced to match wits with ordinary Egyptians from all walks of life. After his cassette recorder fails to impress a Fatimid caliph, he finds himself trapped in the 1300s. He joins the barbarians, cannibals, and prisoners of war who have taken over the monumental Storehouse of Banners and set up their own state in defiance of the Mamluk order. Forced to play the role of double agent, Ibn Shalabi is caught up in the struggle between the rebels and the ruling dynasty.

    Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking.

    He's a senior running back on the football team, dominating every opponent in his way. To everyone else, Jack is totally in control. In reality, he struggles with an eating disorder that controls every aspect of his daily life. When Jack starts using steroids, he feels invincible, but will the steroids help him win the big game, or will he lose everything he's ever worked for?

    Her brother’s lover. All of Egypt’s shame....Ankesunamun is born a royal princess to an Egyptian king – an heretical king, bent on transforming the country to his singular vision and worship of the One God. The cost is high, but pharaoh is blind to the suffering and rivers of blood that come at his command, and deaf to the angry cries of his country.Heresy and disorder reign as Ankesunamun grows up surrounded by plague, bitter rivalry, jealousy, and anarchy. The ancient world of an heretic princess is over-shadowed by danger – but also love and loyalty. Her brothers, Smenkhare and Tutankhamun, are brought to live with the royal family in a foundling city; and Ankesunamun finds herself irresistibly, inescapably drawn to her older brother, the man destined to be her sister’s husband. Married off to Tutankhamun instead, Ankesunamun finds that cannot forget her erstwhile lover, invoking her proud sister’s jealous and fatal wrath.But there’s more at stake than a lover’s secret and a sister’s vengeance. As the country degrades into tumultuous rebellion, and death lurks so very closely stealing away those she loves most, Ankesunamun is brought to the throne alongside Tutankhamun – a child king who is determined on the path of battle-glory and over-turning his father’s destructive legacy, resurrecting an Egypt of old. But already somebody is plotting for the crown that rests so tenuously on the Boy King’s head… In this story of incestuous love and riotous anarchy, there are secrets, betrayals, passion, destruction of cities, and death. Ancient Egypt and the world of Tutankhamun comes to life through The Heretic’s Daughter, weaving an engrossing, thought-provoking web of intrigue and obsession – all in the words of the one person who might just have survived the destruction of one of Egypt’s great dynasties.

    But writings make him remembered'In ancient Egypt, words had magical power. Inscribed on tombs and temple walls, coffins and statues, or inked onto papyri, hieroglyphs give us a unique insight into the life of the Egyptian mind. Egyptologist Toby Wilkinson has freshly translated a rich and diverse range of ancient Egyptian writings into modern English, including tales of shipwreck and wonder, obelisk inscriptions, mortuary spells, funeral hymns, songs, satires and advice on life from a pharaoh to his son. Spanning over two millennia, this is the essential guide to a complex, sophisticated culture.Translated with an Introduction by Toby Wilkinson