"Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    He thinks he has no relatives at all -- until the day a letter arrives telling him that a distant uncle is dead. Suddenly Stephen finds himself the only heir to a great estate in the countryside. So Stephen sets off to claim his inheritance . . . but when he arrives, there is nothing to greet him at Lansbury Hall but a mystery. The puzzle is as tangled as the vines on the hall's front gate, but two things are clear: Stephen's uncle kept to himself, and none of the townspeople knows he's dead. But why does Stephen feel that something or someone is in the house? To escape the slightly creepy feeling that someone is lurking, Stephen starts to read his great-uncle's diary. And a fantastic truth unfolds. Soon Stephen is sure: While the mystery of Lansbury Hall is stranger than he could have imagined, it's not nearly as incredible as reality. . . .

    So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform "A Midsummer Night's Dream" in a new replica of the famous Globe theater.Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of "A Midsummer Night's Dream." Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?

    And not just seen. In fact, the multi-talented deity has played a pivotal role in many major events, including the Creation of the universe, the entirety of world history, the life of every human being who has ever lived, and the successful transitioning of American Idol into the post–Simon Cowell era. Now, as the earth he has godded so magnificently draws to a Mayan-induced close, God breaks his 1,400-year literary silence with his final masterpiece, The Last Testament. As dictated to his mortal amanuensis, 11-time Emmy Award–winning comedy writer David Javerbaum, God looks back with unprecedented candor on his time in the public sector. He takes us behind the scenes of Genesis, setting the record (un)straight on the real first couple, Adam and Steve, and challenging long-held notions about the viability of containing a phylogenetically complete double bestiary within a 450,000-cubic-cubit watercraft. For the first time, he breaks his silence on Jesus Christ, shedding light on a father-son relationship as heartwarming as Will and Jaden Smith’s. And he reveals his true feelings about his third great faith, Islam, WHICH ARE NOTHING BUT POSITIVE AND RESPECTFUL. But The Last Testament doesn’t just look back. It also offers God’s perspectives on the perennial quagmires of love, marriage, and smiting. And he takes an 27.99 unfiltered look at contemporary society, addressing such hot-button topics as: • Why he loves America • What he listens for in a good prayer • Which sports teams he really roots for • Which celebrities are totally gay Sometimes preachy, sometimes holier-than-thou, but always lively, The Last Testament is a tale of courage, adversity, and triumph. It’s the ultimate celebrity autobiography, sure to appeal to not only hardcore God fans and “worshipers,” but to anyone who’s ever had total omnipotence. If you place complete faith in the literal truth of one book written by God, make it The Last Testament.

    . . and some of its lost and broken people, too–including Brokkenbroll, boss of the broken umbrellas; Obaday Fing, a tailor whose head is an enormous pin-cushion, and an empty milk carton called Curdle. Un Lun Dun is a place where words are alive, a jungle lurks behind the door of an ordinary house, carnivorous giraffes stalk the streets, and a dark cloud dreams of burning the world. It is a city awaiting its hero, whose coming was prophesied long ago, set down for all time in the pages of a talking book. When twelve-year-old Zanna and her friend Deeba find a secret entrance leading out of London and into this strange city, it seems that the ancient prophecy is coming true at last. But then things begin to go shockingly wrong.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    When the Robots revolt, killing all but one of their masters, they must attempt to learn the secret of self-duplication. But their attempts at replication leave them with nothing but bloody chunks of meat. It's not until two robots fall in love and are christened "Adam" and "Eve" by the last surviving human that Nature emerges triumphant.

    The place is a small town in rural England, and the setting a snow-laden winter. A small troupe of actors accompanied by Nicholas Barber, a young renegade priest, prepare to play the drama of their lives. Breaking the longstanding tradition of only performing religious plays, the groups leader, Martin, wants them to enact the murder that is foremost in the townspeoples minds. A young boy has been found dead, and a mute-and-deaf girl has been arrested and stands to be hanged for the murder. As members of the troupe delve deeper into the circumstances of the murder, they find themselves entering a political and class feud that may undo them. Intriguing and suspenseful, Morality Play is an exquisite work that captivates by its power, while opening up the distant past as new to the reader.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    In Corpus Christi, McNally gives us his own unique view of the story of Christ, and in doing so provides us with one of the most vivid and moving passion plays written. McNally's controversial new play is an affirmation of faith and a drama of such power and scope that it has been called blasphemy by the religious right and hailed by audiences and critics alike as one of his best and most poignant works to date.

    The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage. With everyone he knows fast asleep, it’s up to Zero to think fast and find a way to stop them–all on his own.

    As a tour guide at Fustian House, one of the least stately of London's stately homes, she theatrically embellishes its historical past, ultimately coming up on the radar of Lotte Schon, an inspector from the Preservation Trust. Neither impressed or entertained by Lettice's freewheeling history lessons, Schon fires her. Not one however, to go without a fight, Lettice engages the stoic, conventionial Lotte in battle to the death of all that is sacred to the Empire and the crown.

    On that Sad Birthday, the child is the object of an obscene harvest resulting in the construction of a machine like creature whose sole purpose is to kill.The mysterious Shade — once a man, but now more like the machines he fights — recruits the few children fortunate enough to escape. With luck, cunning, and skill, four of Shade's children come closer than any to discovering the source of the Overlords' power — and the key to their downfall. But the closer the children get, the more ruthless Shade seems to become ...

    On the other side of the wall there is a dark secret. And the devil. And the Moon Man. And the Motherland doesn't want anyone to know. But Standish Treadwell - who has different-colored eyes, who can't read, can't write, Standish Treadwell isn't bright - sees things differently than the rest of the "train-track thinkers." So when Standish and his only friend and neighbor, Hector, make their way to the other side of the wall, they see what the Motherland has been hiding. And it's big...