In keeping with the popular level of this theater, Schikaneder himself supplied Mozart with the libretto about the rescue of a good fairy's daughter from a wicked magician by a hero armed with a magic flute. After a good deal of the music was written, the composer and librettist — both Freemasons — grafted Masonic ideals onto the plot, transforming a simple fairy tale into a moralistic allegory and a Singspiel into one of the world's greatest operas.This handsome, moderately priced volume, reprinted directly form an authoritative edition, will enable musicians, music students, and opera lovers to gain a fuller appreciation of Mozart's mastery of operatic language, orchestral color, and dramatic expression. A helpful feature of this edition is the inclusion of all spoken dialog, usually abbreviated in other editions.

    s/t: Essays on Shakespeare and Goethe; Hegel and Kierkegaard; Nietzsche, Rilke and Freud; Jaspers, Heidegger and ToynbeeExplores such themes as philosophy versus poetry, post-World War II German thought, art, tradition, and truth in a collection of essays.

    The German text is en face. The six hymns comprise a deeply affecting poem that speaks across the centuries with unquestioned radiance."Appropriate for general readers and for scholars interested in the art of translation." — Choice

    History, myth and political reality merge in an apocalyptic climax as the rebels, urged on by a drum covered in human skin, storm the castle to crown a poor violinist "Emperor of the World" in St. Vitus' Cathedral

    Charles Williams was one of the finest-not to mention one of the most unusual-theologians of the twentieth century. His mysticism is palpable-the unseen world interpenetrates ours at every point, and spiritual exchange occurs all the time, unseen and largely unlooked for. His novels are legend, and as a member of the Inklings, he contributed to the mythopoetic revival in contemporary culture.

    The three-volume novel The Aesthetics of Resistance is the crowning achievement of Peter Weiss, the internationally renowned dramatist best known for his play Marat/Sade. The first volume, presented here, was initially published in Germany in 1975; the third and final volume appeared in 1981, just six months before Weiss’s death. Spanning the period from the late 1930s to World War II, this historical novel dramatizes antifascist resistance and the rise and fall of proletarian political parties in Europe. Living in Berlin in 1937, the unnamed narrator and his peers—sixteen- and seventeen-year-old working-class students—seek ways to express their hatred for the Nazi regime. They meet in museums and galleries, and in their discussions they explore the affinity between political resistance and art, the connection at the heart of Weiss’s novel. Weiss suggests that meaning lies in embracing resistance, no matter how intense the oppression, and that we must look to art for new models of political action and social understanding. The novel includes extended meditations on paintings, sculpture, and literature. Moving from the Berlin underground to the front lines of the Spanish Civil War and on to other parts of Europe, the story teems with characters, almost all of whom are based on historical figures. The Aesthetics of Resistance is one of the truly great works of postwar German literature and an essential resource for understanding twentieth-century German history.

    The appearance of difficulty is part of Joyce's big joke; the profundities are always expressed in good round Dublin terms; Joyce's heroes are humble men."--From the Foreword by Anthony Burgess.

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

    The complete translation, from the Greek of A. O. Prickard's Oxford text, features an introduction by Grube, establishing the historical and critical context of the work, and a biographical index.

    It is the second Paul Muller novel set in Europe before World War II. Muller is recruited to become a spy to resist Hitler's campaign to absorb Austria into the German Reich and, from his perch in Vienna, finds himself at the epicenter of the desperate struggle to preserve Austrian independence. Muller plays a dangerous game in helping Austria oppose Hitler's demands and he hatches a bold plan to divert Austria's gold reserves so they stay out of Hitler's grasp. The novel captures this gripping drama in rich and vivid detail as political pressures mount and the threat of war looms. A Spy in Vienna re-creates for readers the fraught atmosphere of 1930's, when the threat of Nazi violence hung over Europe. Aficionados of that epoch will relish the authenticity of the novel, which reawakens the tensions and turbulence of the era, with its undercurrent of violence and fear. The narrative recaptures the urgency of the crisis as repeated confrontations escalated to an explosive conclusion. Today, sitting at the safe remove of eighty years, we know the outcome. Hitler's bald aggression prevailed; his takeover of Austria became a crucial stepping stone leading to World War II. But the characters in the novel know none of this; for them, the events they are caught up in are frightening and bewildering, confronting them with dire choices and fearful consequences. The novel transports the reader into that contemporary maelstrom of intrigue and danger—combining real history with a compelling story. Admirers of Paul Muller in Danzig will revel in his new adventures in Vienna, as once again he confronts Nazi tyranny.

    

    Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their materials according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century. "A rambling, digressive stylist, Shklovsky throws off brilliant aper�us on every page. . . . Sixty-five years after it first appeared, Theory of Prose remains an exciting book: Like an architect's blueprint, it lays bare the joists and studs that hold up the house of fiction." (Michael Dirda, Washington Post Book World 5-5-91) "This 1929 book by one of the founding fathers of Russian formalism is one of the most important works in the history of literary theory. . . . Shklovsky's enormously influential work is brilliant, provocative, and, by turn, elliptical and digressive. It is also whimsical and sometimes chaotic." (Choice) "[The] essays published in Theory of Prose reveal why Shklovsky might have become the most important literary theorist of our century, had history taken a different course." (Poetics Today) "Clearly there is a happy congruity between Shklovsky's insights and the modern consensus. His observations on various authors and techniques cause one to ponder. A random paragraph causes sudden illumination. This is not a manifesto but the incisive thoughts of a scholar in the quiet of his study. Dalkey Archive Press is to be thanked for making it available again." (ZYX 9-92)

    Justine Larbalestier has collected 11 key stories--many of them not easily found, and all of them powerful and provocative--and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.Content: 1. The Fate of Poseidonia - Clare Winger Harris, 19272. The Conquest of Gola - Leslie F. Stone, 19313. Created He Them - Alice Eleanor Jones, 19554. No Light in the Window - Kate Wilhelm, 19635. The Heat Death of the Universe - Pamela Zoline, 19676. And I Awoke and Found Me Here on the Cold Hill Side - James Tiptree Jr., 19717. Wives - Lisa Tuttle, 19768. Rachel in Love - Par Murphy, 19879. The Evening and the Morning and the Night - Octavia E. Butler, 198710. Balinese Dancer - Gwyneth Jones, 199711. What I Didn't See - Karen Joy Fowler, 2002

    A wonderful collection of moral tales, anecdotes, jokes, reports of murders, disasters and mysteries, all originally written for inclusion in a popular religious almanac.First issued in collected form in 1811, Hebel's stories cover a broad spectrum of human experience, with characters ranging from Napoleon and the Austrian Emperor Joseph, to common soldiers and working men and women.

    His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing autobiographical essay.