The spectacular was never behind them.                         -from “The Troubadours etc.”  In Incarnadine, Mary Szybist restlessly seeks out places where meaning might take on new color. One poem is presented as a diagrammed sentence. Another is an abecedarium made of lines of dialogue spoken by girls overheard while assembling a puzzle. Several poems arrive as a series of Annunciations, while others purport to give an update on Mary, who must finish the dishes before she will open herself to God. One poem appears on the page as spokes radiating from a wheel, or as a sunburst, or as the cycle around which all times and all tenses are alive in this moment. Szybist’s formal innovations are matched by her musical lines, by her poetry’s insistence on singing as a lure toward the unknowable. Inside these poems is a deep yearning—for love, motherhood, the will to see things as they are and to speak. Beautiful and inventive, Incarnadine is the new collection by one of America’s most ambitious poets.

    And life without ahusband at thirty-one is just fine, thank you very much.She has a steady job working as a private investigator(albeit a mediocre one); a devoted boyfriend of fiveyears, Jason; and a wonderful relationship with her dad(it's a shame her mother is such a lost cause). Then, ona romantic weekend retreat to a faux-ancient castle,Jason proposes marriage, leaving Hannah with nochoice but the obvious: to turn him down cold.Much to her horror, four weeks later, Jason becomesengaged to his next-door neighbor, a fine bakerand "proficient seamstress." Has Hannah blown herlast chance at a solid relationship as her familyclaims? Jason agrees to give her another chance -- butonly if she meets his terms, among them a promise todust off the many skeletons in her closet.Brimming with her characteristic blend of humorand heartache, Anna Maxted's Being Committed is a perceptivelook at intimacy (and its substitutes), commitmentphobia, and the power others have over us.

    Dating from the Middle Ages to the 20th century, these splendid poems remain evergreen in their capacity to engage our minds and refresh our spirits. Among them are Marlowe: "The Passionate Shepherd to His Love"; Shakespeare: "Sonnet XVIII" ("Shall I compare thee to a summer's day?"); Donne: "Holy Sonnet X" ("Death, be not proud"); Marvell: "To His Coy Mistress"; Wordsworth: "I Wandered Lonely as a Cloud"; Shelley: "Ode to the West Wind"; Longfellow: "The Children's Hour"; Poe: "The Raven"; Tennyson: "The Charge of the Light Brigade"; Whitman: "O Captain! My Captain!"; Dickinson: "This Is My Letter to the World"; Yeats: "When You Are Old"; Frost: "The Road Not Taken"; Millay: "First Fig."Works by many other poets — Milton, Blake, Burns, Coleridge, Byron, Keats, Emerson, the Brownings, Hardy, Housman, Kipling, Pound, and Auden among them — are included in this treasury, a perfect companion for quiet moments of reflection.

    Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

    In this dazzling collection, the beloved writer offers over sixty new poems to incite and nurture contemporary activists. Hailed as a “lavishly gifted writer” (The New York Times), Walker imbues her poetry with evocative images, fresh language, anger, forgiveness, and profound wisdom. Casting her poetic eye toward history, politics, and nature, as well as to world figures such as Jimmy Carter, Gloria Steinem, and the Dalai Lama, she is indeed a "muse for our times" (Amy Goodman).By attentively chronicling the conditions of human life today, Walker shows, as ever, her deep compassion, profound spirituality, and necessary political commitments. The poems in The World Will Follow Joy remind us of our human capacity to come together and take action, even in our troubled political times. Above all, the gems in this collection illuminate what it means to live in our world today.

    Yes, I’ll be your friend. Yes, I’ll be your girlfriend. Yes, I’ll move in with you. Yes, yes, yes. I can’t just change my mind now. Can I?Hailey has always been told she can have it all. And saying yes to every opportunity that comes her way seems like the obvious way to make sure she gets it.When she finds an engagement ring hidden in her boyfriend Dom’s closet, she knows she’ll say yes.Her best friend Sophie suggests they run a marathon together and although Hailey hasn’t done more than sprint for a bus in years, she says yes.And every time her new boss, the infamous Vivian Jones, asks her to stay late (again) at her dream job, the answer is always yes.But somewhere between saying ‘yes’ to Vivian’s latest demands and still trying to make it home on time for boxsets and burritos on the sofa with Dom, Hailey has lost sight of what she really wanted in the first place.Far from winning at life, Hailey feels like she is fighting to juggle two very different worlds. When those worlds finally collide, could having it all actually mean losing everything?Fans of Mhairi McFarlane, Holly Bourne and The Devil Wears Prada will adore this funny, heart-felt and honest look at navigating those moments in life where you reach a crossroads and have to decide who and what it is you want to be.

    A young man with powers he's only beginning to understand. In their hands, the fate of two worlds. A childhood encounter with one of the Sidhe sets Joseph Vines' life on a fateful course. Unable to forget the beautiful creature who promised to one day return for him, Joey spends the next twenty years learning, dreaming and waiting. Braeden Shay, a warrior of the Sidhe, has spent those same twenty years watching Joey from a distance, waiting for Joey's heritage to make itself known. When the time is ripe, Braeden steps in to protect Joey from those trying to kill him, and to help him deal with the changes turning his life inside out. During the days that follow, as Braeden teaches Joey to harness and control his newfound power over the natural world, Joey finds himself falling for the gentle, patient Braeden. Braeden, who has watched over Joey for most of his life, is already deeply in love with him. When the forces targeting Joey for death catch up with them, it will take all their magic-and the power of their love for each other-to survive, and to save both their worlds. Warning, this title contains the following: explicit male/male sex, graphic language, violence, and inappropriate use of plants.

    So the world is stunned when the famous author is found dead on the beach from a self-inflicted gunshot -- the morning after her latest book hits the shelves. Her sister, Eileen, is at a loss. Clare led a charmed life: success, mansions, money…why would she throw it all away? But while reading through her sister’s latest—and greatest—novel, Eileen discovers a clue that unravels the fiction and reveals the painful truth. Suddenly, the life that Eileen had envied doesn’t seem so sparkling . . . Her Perfect Life is a page-turning debut that reminds us that no matter the success, everyone has secrets. And some are more devastating than others.

    Representing twenty nationalities and ranging in age from their early 20s to their late 80s, the majority are public figures not prone to crying. Here they admit to breaking down when ambushed by great art, often in words as powerful as the poems themselves.Their selections include classics by visionaries such as Walt Whitman, W.H Auden, and Philip Larkin, as well as contemporary works by masters including Billy Collins, Seamus Heaney, Derek Walcott, and poets who span the globe from Pablo Neruda to Rabindranath Tagore.Seventy-five percent of the selected poems were written in the twentieth century, with more than a dozen by women including Mary Oliver, Elizabeth Bishop, and Gwendolyn Brooks. Their themes range from love in its many guises, through mortality and loss, to the beauty and variety of nature. Three men have suffered the pain of losing a child; others are moved to tears by the exquisite way a poet captures, in Alexander Pope's famous phrase, 'what oft was thought, but ne'er so well express'd.'From J. J. Abrams to John le Carré, Salman Rushdie to Jonathan Franzen, Daniel Radcliffe to Nick Cave, Billy Collins to Stephen Fry, Stanley Tucci to Colin Firth, and Seamus Heaney to Christopher Hitchens, this collection delivers private insight into the souls of men whose writing, acting, and thinking are admired around the world.

    The driver who gives you a lift isn’t going anywhere but off the road. Snow settles on your car in summer and the sequins found between the pages of a borrowed novel will make your fortune. Pagano’s stories weave together the mad, the mysterious and the dispossessed of a rural French community with honesty and humour. A superb, cumulative collection from a unique French voice.Why Peirene chose to publish this book:This is a spellbinding web of stories about people on the periphery. Pagano makes rural France her subject matter. She invokes the closeness of a local community and the links between the inhabitants’ lives. But then she reminds us how little we know of each other.This volume contains a selection of stories from Un renard à mains nues.

    With surgical precision it charts the destructive emotional war between a young woman, her husband and his disruptive brother as they move through a labyrinth of betrayal, alienation and lost connections. This revised edition has lost none of Angela Carter's haunting power to evoke the ebb of the 1960s, and includes an afterword which describes the progress of the survivors into the anguish of middle age.

    THIS CAN'T BE LIFE is Dana Ward's first full-length collection of poetry. Although some of this writing may look like prose, everything here is written both AS, and under the sign of, "poetry." THIS CAN'T BE LIFE is an infinite frame-dissolve between art and life engined by the thoughts and feelings associated with the relationship between mortality and politics. These things, working together and against one another, constitute the funeral fun-house physics which delimit the (temporary) reality in which the book operates. Following Notley and Kerouac, Ward's poetics is a generative problematics of voice in which "the counter-poised figures of porousness, multiplicity, & instability are first principals."

    When he attends a movie premiere, he meets Gabriela Slone, a reporter who hates her job. She’s supposed to get an interview for her magazine, but Drake doesn't make it easy for her and she lets her frustration get the best of her. She is soon thrown into his world and in over her head.

    Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.

    Now, it's his turn to save me. But when it's time to go our separate ways, he makes me an offer I can't refuse–an interview with my dream company and ten grand in cash. All I have to do is pretend to be his girlfriend for the week. Easy peasy. It isn't until he takes me home to meet the parents that I realize he left out some MAJOR details. But there's too much at stake for me to back out now. I MUST play the part. Only ... it won't be quite the one he's expecting. Worst Fake Girlfriend: Scene 1, Take 1. ACTION!