What's unnecessary is best of all, says Rainer, who wants to go on fighting. We agreed on that.' It is the late 1950s. A man is out walking in a park in Vienna. He will be beaten up by four teenagers, not for his money, he has an average amount ? nor for anything he might have done to them, but because the youths are arrogant and very pleased with themselves. Their arrogance is their way of reacting to the maggot?ridden corpse that is Austria where everyone has a closet to hide their Nazi histories, their sexual perversions and their hatred of the foreigner. Elfriede Jelinek, who writes like an angel of all that is tawdry, shows in Wonderful, Wonderful Times how actions of the present are determined by thoughts of the past

    The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader’s mind.The story is like a great puzzle . . . invested with a vibrant, almost tangible reality.—The New York TimesAlthough many of the other “boom” writers may have received more attention—especially Fuentes and Vargas Llosa—Donoso and his masterpiece may be the most lasting, visionary, strangest of the books from this time period. Seriously, it’s a novel about the last member of an aristocratic family, a monstrous mutant, who is surrounded by other freaks so as to not feel out of place.—Publishers WeeklyNicola Barker has said: "I'm no expert on the topic of South American literature (in fact I'm a dunce), but I have reason to believe (after diligently scouring the internet) that Chile's Jose Donoso, while a very highly regarded author on home turf, is little known on this side of the Atlantic. His masterpiece is the fabulously entitled The Obscene Bird of Night. It would be a crass understatement to say that this book is a challenging read; it's totally and unapologetically psychotic. It's also insanely gothic, brilliantly engaging, exquisitely written, filthy, sick, terrifying, supremely perplexing, and somehow connives to make the brave reader feel like a tiny, sleeping gnat being sucked down a fabulously kaleidoscopic dream plughole."

    . . in its own eccentric way, [The Owl and the Nightingale] is every bit as enticing as Gawain . . . it is arguably the greatest early Middle English poem we have. ProspectA graceful, elegant translation. GuardianFollowing his acclaimed translations of Sir Gawain and the Green Knight and Pearl, Simon Armitage shines light on another jewel of Middle English verse. In his highly engaging version, Armitage communicates the energy and humour of the tale with all the cut and thrust of the original. An unnamed narrator overhears a fierce verbal contest between the two eponymous birds, which moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. The disputed issues still resonate - concerning identity, cultural habits, class distinctions and the right to be heard. Excerpts were featured in the BBC Radio 4 podcast, The Poet Laureate Has Gone to His Shed. Including the lively illustrations of Clive Hicks-Jenkins, this is a book for the whole household to read and enjoy.

    They discuss their endlessly connected neighbors the daughter of what was her name? Miganne, who lived in front of Cabanillas s office Which Cabanillas? The one married to Artola s daughter? They talk about a mysterious pit that opened up one day, and the old bricklayer who sometimes walked to the Cemetery to cheer himself up. Anxious to show off his valuable antiques, the host shows his guests old wind-up toys, and takes them to admire an enormous doll. Back at home, the bachelor decides to watch some late night TV before retiring. The news quickly takes a turn for the worse as, horrified, the newscaster finds herself reporting about the dead rising from their graves, leaving the cemetery, and sucking the blood of the living all the figures are disturbingly reminiscent of the dinner party. And how can the citizens save their town when deep down there is always such a dark thirst for life?"

    It will be years before he understands that his burgeoning friendship with the Vietnam vet Rodney Falk, a strange and solitary man, will reshape his life, or that he will become obsessed with Rodney's mysterious past.Why does Rodney shun the world? Why does he accept and befriend the narrator? And what really happened at the mysterious ‘My Khe' incident? Many years pass with these questions unanswered; the two friends drift apart. But as the narrator's literary career takes off, his personal life collapses. Suddenly, impossibly, the novelist finds that Rodney's fate and his own are linked, and the story spirals towards its fascinating, surreal conclusion. Twisting together his own regrets with those of America, Cercas weaves the profound and personal story of a ghostly past.

    Alfau's "comedy of gestures" - a mercurial dreamscape of the eccentric, sometimes criminal, habitues of Toledo's Cafe of the Crazy - was written in English and first published in 1936, favorably reviewed for "The Nation" by Mary McCarthy, as she recounts here in her Afterword, then long neglected.

    br/br/This study guide includes a detailed Plot Summary, Chapter Summaries Analysis, Character Descriptions, Objects/Places, Themes, Styles, Quotes, and Topics for Discussion on The Fencing Master by Arturo Perez-Reverte.

    This novel may even take Zone's place in Christophe Claro's bold pronouncement that Énard's earlier work is "the novel of the decade, if not of the century."Mathias Énard studied Persian and Arabic and spent long periods in the Middle East. A professor of Arabic at the University of Barcelona, he received several awards for Zone—also available from Open Letter—including the Prix du Livre Inter and the Prix Décembre.Charlotte Mandell has translated works from a number of important French authors, including Marcel Proust, Gustave Flaubert, Jean Genet, Guy de Maupassant, and Maurice Blanchot, among others.

    The narrative oscillates stylistically from chapter to chapter—at times a novel, fable, historical research, or a diary—locking and unlocking codes, culminating in a captivating, original reading experience.Michèle Audin is the author of several works of mathematical theory and history and also published a work on her anticolonialist father's torture, disappearance, and execution by the French during the Battle of Algiers.

    A prize-winning new voice in fiction slinks into San Juan after dark, behind the doors of a motel on the border of nowhere, and into the lives of four toners on the edge.

    The mysteries populating the novel open with the disappearance of one of the “special,” scholarship students. As the first part unfolds, it becomes clear that all is not well in Wybrany, and that something more sordid lurks beneath the surface.In the second part—a self-indulgent, wry diary written by an imposter who has infiltrated the school as a substitute teacher—the eerie sense of what’s happening in this space removed from society, becomes more acute and potentially sinister. An exploration of the relationship between the powerful and powerless—and the repetition of these patterns—Mesa’s "sophisticated nightmare" calls to mind great works of gothic literature (think Shirley Jackson) and social thrillers to create a unique, unsettling view of freedom and how a fear of the outside world can create monsters.Translated from the Spanish by Katie Whittemore

    Conceptual and emotionally compelling, it advances fearlessly into the frozen emotional lacunae of difficult family relationships. Deserved winner of multiple awards upon its Catalan and Spanish publication, Brother in Ice is a richly rewarding journey into the unknown.

    David Sanz, a young militiaman, is forced to carry out a heinous crime, and he becomes an unwitting pawn in a tense battle for power. Luis Peráto, the duke of Sagrat, sacrifices his own people to cover up dark secrets that could see him burnt at the stake for treason. Sergio Garcia, Sagrat’s lord treasurer, is a cruel and unscrupulous man, willing to eliminate anyone who opposes his rise to power. The inquisitor, Gaspar de Amo, zealously punishes heretics for their sins against Rome and her Holy Office. But bringing the Inquisition to the town of Sagrat proves more challenging than he or the church could ever have envisaged. In the midst of chaos, the people of Sagrat, terrorized by a series of murders, face an even greater danger with the arrival of the Inquisition and the unimaginable horrors it brings.

    But when the old man falls sick and dies, Boga abandons himself entirely to the river and the life of solitary drifting he has long yearned for.Echoes of John Berger sound throughout the evocative prose of this great Argentian writer. A twentieth-century classic, Southeaster is a central work in Haroldo Conti’s oeuvre.

    Given surprising leeway by her family for her increasingly erratic behaviour, she nevertheless feels ever more stifled and repressed. Motherhood, womanhood, the banality of love, the terrors of desire, the inexplicable brutality of another person carrying your heart forever Die, My Love faces all this with a raw intensity. It's not a question of if a breaking point will be reached, but rather when and how violent a form will it take?