In the festering sewers below a darker game is afoot: a Wall Street takeover artist has been murdered, and Gant’s crusading ex-wife, Joan Fine, has been hired to find out why. The year is 2023, and Ayn Rand has been resurrected and bottled in a hurricane lamp to serve as Joan's assistant; an eco-terrorist named Philo Dufrense travels in a pink-and-green submarine designed by Howard Hughes; a Volkswagen Beetle is possessed by the spirit of Abbey Hoffman; Meisterbrau, a mutant great white shark, is running loose in the sewers beneath Times Square; and a one-armed 181-year-old Civil War veteran joins Joan and Ayn in their quest for the truth. All of whom, and many more besides, are caught up in a vast conspiracy involving Walt Disney, J. Edgar Hoover, and a mob of homicidal robots.

    In Rats, the critically acclaimed bestseller, Robert Sullivan spends a year investigating a rat-infested alley just a few blocks away from Wall Street. Sullivan gets to know not just the beast but its friends and foes: the exterminators, the sanitation workers, the agitators and activists who have played their part in the centuries-old war between human city dweller and wild city rat. Sullivan looks deep into the largely unrecorded history of the city and its masses-its herds-of-rats-like mob. Funny, wise, sometimes disgusting but always compulsively readable, Rats earns its unlikely place alongside the great classics of nature writing. With an all-new Afterword by the author

    Without radio play and virtually unnoticed by the press, the Dead forged a vast underground following whose loyalty survives to the present day. National Book Critics Circle Award-winning author Carol Brightman returns to the band's roots—to Ken Kesey and the Merry Pranksters, the acid tests and the heady days of Haight-Ashbury, the free concerts in Golden Gate Park and the formative shows of New York's Fillmore East—to uncover the secrets of the band's longevity. Drawing on exclusive interviews With band members, staff and crew, Deadheads, other musicians, journalists—and her own experience as a '60s activist—Brightman shows us how, amid the turbulent Free Speech Movement and antiwar rallies, the Grateful Dead's abandonment to music, drugs, and dance offered the faithful a shelter in the storm. Her riveting, in-depth portrait of Jerry Garcia, the "nonleader leader" who held to a vision of the Grateful Dead's destiny even as he recoiled from the juggernaut it became, shows us how it was that a Dead concert become something halfway between a revival meeting and a family reunion. An absorbing and exhilarating exploration, Sweet Chaos offers, at last, a complete understanding of the Dead phenomenon and its place in American culture.

    Veronica is looking for an appetite, a savior. And she is soon leading Leo into a dangerous labyrinth of delights that winds beneath and beyond a luminously transformed city of underground streams, dragonpoints, and mystically altered time. At the frozen apex of an extraordinary winter, Veronica has enticed Leo into a wonderful, terrible world...and away from his ordinary life forever.

    This outstanding story is no different. Following the life of Echo, an L.A. baby born to an artistic dad and a mom who's an angel, this enthralling story offers more than fairy dust and the supernatural. It tells the tale of a girl who feels doomed to be less than angelic, at least in comparison with her mother. Mom's startling beauty and aura enchant all who meet her, and Echo can never keep up. Desperate to be loved as much, and maybe find her own identity, she escapes to the boys in her life. Ultimately, she must rely on herself for the strength to survive.Simple text ands story lines do not appeal to Block, who weaves a tale with amazing grace and the flowing energy of a true genius. Images of vampires, ghosts, and fairies fill these pages, daring the reader to believe. Told from the point of view of Echo and the key players in her life, the story imparts a dreamlike quality to Echo's life. This a novel layered with pain beauty, and triumph, all which will appeal to young readers.

    But the months started to tick by, with each one ending in disappointment and frustration. And then the inevitable panic started to set in ...'Having been told by doctors that, due to Izzy's polycystic ovarian syndrome, they would have difficulty conceiving - and after two years of trying - Izzy and Harry turned to IVF. Izzy's aim, drawing on her own experience, is to break through some of the taboos surrounding miscarriage, IVF and fertility issues. This brutally honest and deeply personal account will acknowledge the struggles that so many couples go through but will ultimately focus on the positive, life-changing and remarkable results that IVF can yield. One in seven couples in the UK have difficulty conceiving and although many babies are now born through IVF, there is still a sense of awkwardness around the subject. Izzy hopes that this book will be a companion to those going through similar challenges to those she has experienced. As she herself says, 'No couple should have to go through it alone and in silence.'

    Brazen drug use. Fantastical costumes. Celebrities. Wannabes. Gender-bending club kids. Pulse-pounding beats. Sinful orgies. Botched police raids. Depraved criminals. Murder. Welcome to the decadent nineties club scene. In 1995, journalist Frank Owen began researching a story on Special K, a designer drug that fueled the after-midnight club scene.  He went to buy and sample the drug at the internationally notorious Limelight, a crumbling church converted into a Manhattan disco, where mesmerizing music, ecstatic dancers, and uninhibited sideshows attracted long lines of hopeful onlookers.  Owen discovered a world where reckless hedonism was elevated to an art form, and where the ever-accelerating party finally spun out of control in the hands of notorious club owner Peter Gatien and his minions. In Clubland, Owen reveals how a lethal drug ring operated in a lawless, black-lit realm of fantasy, and how, when the lights came up, their excesses left countless victims in their wake.  Praised for his risk-taking and exhilarating writing style, Frank Owen has spawned a hybrid of literary nonfiction and true crime, capturing the zeitgeist of a world that emerged in the spirit of “peace, love, unity and respect,” and ended in tragedy.

    The countless individuals, both famous and unknown, who shaped Mexico' history come alive . . . they prosper, decline, and rise again before being extinguished by political and social upheavals beyond their control.

    Of course, they're all dead composers, but why nitpick? Her love life is just like the musical compositions she researches--undiscovered. It's time for Maggie to let loose and go wild. In a dive bar on Bourbon Street, Maggie makes a real find in the house band's keyboard player. He's hot. Sexy. Flirtatious. Soulful. And she could swear he's playing an unknown piece she's been researching, which is impossible, unless he's dead... Centuries before he was a badass vampire with a rock-star wardrobe and Big Easy charm, Ren was Renauldo D'Antoni, a composer on the verge of great success until he was betrayed. No one could ever know that, but tonight, the shy strawberry blonde with the big eyes and obviously borrowed outfit actually seemed to recognize his long-lost composition. Now, she wants to know about the composition, and Ren wants to know her...intimately. But what starts as attraction--and distraction--just might lead to the biggest discovery of their lives...

    The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture.  Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize.

    Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture.Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

    Drowning his troubles in mindless traffic duty and lots of scotch, he's awakened to action when a young woman journalist is brutally murdered. She had recently made some errors in the obituary of a man from a local retirement home, but that's not the kind of mistake that brings professional hit men to your door-or the FBI to town. Attempting to unravel the puzzle, Justin finds that everyone-the cops, the FBI, and one of the strangest professional killing teams ever seen-seems to be one step ahead of him, disposing of witnesses and setting him up for the fall. But this reality check is just what Justin needs, and he'll stop at nothing to discover the true meaning of "Aphrodite"-and maybe save himself.

    But in the 1960s, New York City was the center of "action bowling", a form of high-stakes gambling in which bowlers—often teenagers—faced off for thousands of dollars every night. When money like that is changing hands, you can bet the pressure is on (and the balls are rigged), and losses come with dire consequences. But for a few kids, the world of action bowling would turn out to be a ticket off the mean streets and onto the Professional Bowlers Association Tour. For Ernie Schlegel, it would be a chance to shed his hustler ways and become a bonafide champion.For the more than 100 million bowlers worldwide and for fans of timeless sports histories, Pin Action captures the underbelly of 1960s and '70s New York and tells the true story of how the most notorious action bowler of all time became a Hall of Famer. Set in the gritty, flashy, lost world of action bowling, Gianmarc Manzione tells an epic tale filled with seedy characters, uproarious eccentricities, improbable twists of fate, and a rags-to-riches narrative so crazy it has to be true.

    

    But the city's worst crisis yet (and that's saying something) has managed to do the unthinkable: turn the end of days into a laboratory for the future. Urban planners, land speculators, neo-pastoral agriculturalists, and utopian environmentalists—all have been drawn to Detroit's baroquely decaying, nothing-left-to-lose frontier. With an eye for both the darkly absurd and the radically new, Detroit-area native and Rolling Stone writer Mark Binelli has chronicled this convergence. Throughout the city's "museum of neglect"—its swaths of abandoned buildings, its miles of urban prairie—he tracks the signs of blight repurposed, from the school for pregnant teenagers to the killer ex-con turned street patroller, from the organic farming on empty lots to GM's wager on the Volt electric car and the mayor's realignment plan (the most ambitious on record) to move residents of half-empty neighborhoods into a viable, new urban center.Sharp and impassioned, Detroit City Is the Place to Be is alive with the sense of possibility that comes when a city hits rock bottom. Beyond the usual portrait of crime, poverty, and ruin, we glimpse a future Detroit that is smaller, less segregated, greener, economically diverse, and better functioning—what might just be the first post-industrial city of our new century.