As the emotionally scarred Lovejoys prepare for their mother’s funeral, the spirit of the selfish and manipulative Mudear hovers above them, complaining about her daughters’ “ugly ways” in death as she did in life.

    She tells of the trials of immigration, of exile, of thwarted interracial love, and of social injustice. Some poems recall the Confucian "Book of Songs," while others echo the African American blues tradition and Western railroad ballads. The title poem references the Han Dynasty rhapsody but is also a wild, associative tour de force. Political allegories sing out with personal revelations. Personal revelations open up to a universal cry for compassion and healing. These songs emerge as a powerful and elegant collection: sophisticated yet moving, hard-hitting yet refined.

    Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small-time, and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn't quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tzu's Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, with the tricky criminal and romantic predicaments Pao must negotiate builds the basis of the novel's great charm. A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, through tides of change that will bring about Rastafarianism and the Back to Africa Movement. Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change. Kerry Young was born in Kingston, Jamaica, to a Chinese-African mother and a Chinese father-a businessman in Kingston's shadow economy who provided inspiration for Pao. Young moved to England in 1965 at the age of ten. She earned her MA in creative writing at Nottingham Trent University. This is her first novel.

    Her novels evoke both the clearly delineated hierarchies of colonial Jamaica and the subtleties of present-day island life. Nowhere is her power felt more than in Clare Savage, her Jamaican heroine, who appeared, already grown, in No Telephone to Heaven. Abeng is a kind of prequel to that highly-acclaimed novel and is a small masterpiece in its own right. Here Clare is twelve years old, the light-skinned daughter of a middle-class family, growing up among the complex contradictions of class versus color, blood versus history, harsh reality versus delusion, in a colonized country. In language that surrounds us with a richness of meaning and voices, the several strands of young Clare's heritage are explored: the Maroons, who used the conch shell—the abeng—to pass messages as they fought a guerilla struggle against their English enslavers; and the legacy of Clare's white great-great-grandfather, Judge Savage, who burned his hundred slaves on the eve of their emancipation. A lyrical, explosive coming-of-age story combined with a provocative retelling of the colonial history of Jamaica, this novel is a triumph.

    Bad enough that he followed her to her parents' home in the village of Makendha, now he's disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones – the djombi – who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world.Unfortunately, not all the djombi are happy about this gift: the Indigo Lord believes this power should be his and his alone, and he sets about trying to persuade Paama to return the Chaos Stick.Chaos is about to reign supreme...

    Phaedra explores Bird Hill, where her family has lived for generations, accompanies her grandmother in her role as a midwife, and investigates their mother's mysterious life.When the father they barely know comes to Bird Hill to reclaim his daughters, and both Phaedra and Dionne must choose between the Brooklyn they once knew and loved or the Barbados of their family.

    Carnival. Rum and coke. To many outsiders, these idyllic images represent the supposed easy life in Caribbean nations such as Trinidad and Tobago. However, the reality is far different for those who live there—a society where poverty and patriarchy savagely rule, and where love and revenge often go hand in hand.Written in a combination of English and Trinidad Creole, Pleasantview reveals the dark side of the Caribbean dream. In this novel-in-stories about a fictional town in Trinidad, we meet a political candidate who sets out to slaughter endangered turtles for fun, while his rival candidate beats his “outside-woman,” so badly she ends up losing their baby. On the night of a political rally, the abused woman exacts a very public revenge, the trajectory of which echoes through Pleasantview, ending with one boy introducing another boy to a gun and to an ideology which will help him aim the weapon.Merging the beauty and brutality of Trinidadian culture evoked by writers such as Ingrid Persaud and Claire Adam with the linguistic experimentation of Marlon James’s A Brief History of Seven Killings, Pleasantview is a landmark work from an important new voice in international literary fiction.

    Their compilation includes new fiction, nonfiction, poetry, comics, and the category-defying gems that have become one of the hallmarks of this lively collection.Divine Providence / Quim Monzo --An excerpt from Notes of a Crocodile / Qiu Miaojin --This Rain / Catherine Pond --My Family's Slave / Alex Tizon --Eight Bites / Carmen Maria Machado --The Deaths of Henry King / Jesse Ball and Brain Evenson --A Refuge for Jae-In Doe: Fugues in the key of English major / Seo-Young Chu --In conversation with Vi Khi Nao / Stacey Tran --Come and Eat the World's largest shrimp cocktail in Mexico's Massacre Capital / Diego Enrique Osorno --The Uninhabitable Earth / David Wallace-Wells --An excerpt from Hunger / Roxane Gay --An excerpt from Blacks and the Master/Slave Relation / Frank B Wilderson III --A Tribute to Alvin Buenaventura / Andrew Leland, Chris Ware, Daniel Clowes and Anders Nilsen --Six selected comics / Chris (Simpsons artist) --Artist's Statement / Kara Walker --Wave at the People Walking Upside Down / Tongo Eisen-Martin --Meanwhile, on Another Planet / Gunnhild Oyehaug --The David Party / David Leavitt --The Reenactors / Katherine Augusta Mayfield --Your Black Friend / Ben Passmore --Collective Nouns for Humans in the Wild / Kathy Fish --Cat Person / Kristen Roupenian --An Excerpt from The Antipodes / Annie Baker --A Fair Accusation of Sexual Harassment or a Witch Hunt? / Lucy Huber --Lizard-Baby / Benjamin Schaefer --Chasing Waterfalls / László Krasznahorkai --Love, Death & Trousers: Eight Found Stories / Laura Francis and Alexander Masters --On Future and Working Through What Hurts / Hanif Abdurraqib --The Universe Would Be So Cruel / Souvankham Thammavongsa --A Love Story / Samantha Hunt

    The transcript of their discussion is a revealing and unique book filled with candor, passion, rage, and brilliance. "Blunt, peppery, and spontaneous. . . ".--The Atlantic.

    

    Fireweed won the prestigious Avery and Jule Hopwood Award. The setting is a small lumber town in Upper Michigan, the stomping grounds of Paul Bunyan and the giants of Swedish, German, and Finnish lore. Young Celie and her husband, Joe Linsen, are the children of Scandinavian pioneers. Radios and flivvers have enlarged her world, and she longs to escape from an isolated place where wild violet fireweed grows to the edge of the woods.

    She has raised her Shadow Army of seven assassins from childhood. But mounting disillusionment over a life of brutality, a petulant emperor, and prodding from The Artful Djinni force her to defy orders for the first time in her thirty year career. When the empire decides they no longer need Édo if they can get the mask, she must face the monsters of her own making and the legacy they've turned against her.

    The attraction between them at first sight is immediately electric. When a storm ravages Potter Lake, and they're forced to share close quarters, they can no longer resist each other.But... now what? Evonne is on a mission to prove that she isn't the screwup that was sent home from Spelman College ten years ago. Taj is floundering, trying to tamp down a desire that can't be stifled. The last thing either of them wants is an emotional attachment to a temporary relationship.. but does it have to stay temporary?On a rainy night in Georgia, two hearts meet. They're never the same again. Grab this fun and funny small town Black romance in ebook, paperback (COMING SOON TO AUDIO!).

    It reveals the warmth and humor as well as the oppression in the Syrian society. The stories make the reader laugh while addressing serious issues such as domestic violence.Um Hussam can't find a suitable bride for her son, testing each candidate's sight, hearing and reading skills, occasionally cobbing a feel. Jamila's husband Hassan can't forget his deceased wife, until she makes sure he never mentions her again. Rami can't help but wonder whether his new bride is a natural beauty or a talented surgeon's masterpiece. Khadija's maid stabs her in the back while Rana's husband Muafak can't find the right excuse to avoid a fight.

    From the moment Darla asks to know more about her mysterious aunt, she is offered nothing but half-truths, distortions, and evasions. As Darla grows into her teen years, her life is oddly yet profoundly affected by this woman she has never known. She can't help but notice that Rebecca seems to exist only in dark corners of conversations and that no one ever wants to talk about her - with Darla. Squalor, New Mexico is a coming-of-age story shrouded in family mystery. As the plot takes twists and turns, secrets are revealed not only to Darla but to the "secret keepers" as well. Darla learns that families are only as strong as the truths they hold and as weak as the secrets they keep.