Why? Because each page boasted sticky, uncomfortable truths drenched in bleakly familiar humor. It was "cringe comedy" before the phrase had been coined, presaging squirmy shows like Louie and Girls. Set in a New York so real you can practically smell it (so claimed Mike Mignola), Minimum Wage is the workaday saga of cartoonist Rob Hoffman and his firebrand girlfriend, Sylvia. He churns out strips for smut rags and off-brand MAD knockoffs and she languishes managing a hair salon. With their colorful crew of friends, they forge ahead against the brutal indifference of their hometown. This definitive edition includes the original 72-page "pilot" episode (Minimum Wage Book One) and the revised "director's cut" of the main storyline. Plus, a bonus color section featuring original cover paintings and guest pin-ups by Mike Mignola, Kevin Nowlan, Dave Johnson, Jill Thompson, Dave Cooper, Glenn Barr, and others.

    For over 25 years he's been writing comic books about his life, chronicling the ordinary and everyday in stories both funny and moving.This 320 page collection was issued on the heels of the film "American Splendor," and it includes material previously published in the first two collected volumes in the American Splendor series.

    Daniel Way's hilarious, action-packed run begins here! When the Merc with a Mouth is hired to rub out Wolverine, sparks will fly! But when both men can regenerate any wound in minutes, how can either one expect to finish off his foe? And whoever wins will have to face Wolverine's murderous son, Daken! Then: The Skrulls have infiltrated Earth, but nobody warned them about Deadpool! The invaders replicate Deadpool's healing factor in a new generation of Super-Skrulls - but why is Deadpool himself leading this brigade against Earth? And when Norman Osborn double-crosses Deadpool, the maniacal merc unleashes a full-on assault against Avengers Tower! Norman must pull out all the stops - and that means deploying his new team of bloodthirsty, black-ops Thunderbolts!Collecting: Wolverine: Origins 21-25; Deadpool 1-12, Saga; Thunderbolts 130-131

    ChuckyTPB Equivalent: First Cut (volume 1), Death by Sequel (volume 2) and a portion of Friday the 31st (volume 3). Omnibus 1 is the only place Hack/Slash vs. Evil Ernie is collected.Extras: Sketchbook, cover and pin-up gallery, article about the Hack/Slash play, and Psychofiles of The Lunch Lady, Bobby, Laura and Father Wrath, Lloyd and Jimmy, Acid Angel, Ashley, Blackfin, Hibachi Devil, Mortimer Strick, Waking Man, X-O, Dr. Gross, Chucky, Six Sixx, and Evil Ernie.

    This is the inaugural volume in an annual showcase of new talent, complimenting our annual flagship anthology. This is comics pushing all the boundaries; surreal, edgy stories of wonder that shimmer with visual style and emotional power. They are presented here in a deluxe package to introduce them to new fans of illustrated fiction.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    DeForge's singular vision reveals the menace in the mundane, the humor in the horrific. He has crafted a phantasmagoria of stories that feature a spider-infested pet horse head, post-apocalyptic dogs dealing with existential angst, the romantic undertones of a hired hit, and more.

    The cover shows Gilbert's new star Killer in a pose and milieu that will bring back memories for long-time fans -- imitating the hammer-wielding Luba in her adopted Palomar. That's because Killer has discovered that her great-grandmother Maria (Luba's mother) starred in a late 1950s crime movie, and begins to delve into the details of her family's twisted history. Complicating things is the fact that Luba's half-sister Fritz played Maria in an amped-up biopic version of her life, creating a postmodern alternate version of the classic "Poison River" which originally told Maria's story (in a tie-in release, see page 52 for the graphic novel version of this movie, Maria M. Part One)! In the other half of the book, Jaime continues to explore his intriguing new character Tonta: In "Fuck Summer," Tonta is talked into joining the summer swim team but can't figure out why the brand new swim coach knows her -- so, with help from friends, she sets out to find the answer. Meanwhile, something far more sinister is brewing behind the scenes...

    The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    Phonomancer David Kohl hadn't spared his old patron a thought for almost as long... at which point his mind starts to unravel. Can he discover what's happened to the Mod-Goddess of Britpop while there's still something of himself left? Dark modern-fantasy in a world where music is magic, where a song can save your life or end it.Collects Phonogram: Rue Britannia #1-6.

    Won't you be his neighbor?

    In Sulk Volume 1: Bighead & Friends, Bighead returns! And then he dies. And then he returns! It also features all-new villains like Beefy Hipster, and introduces Little Bighead - who must stop the villainous Sleeper before naptime.

    The entire run has been collected in nine trade paperback editions. The final monthly issue, number 66, was published in July 2000.Preacher follows the story of Preacher Jesse Custer, his best friend, and his girlfriend, as they explore a world that fuses Southern culture and supernatural elements, especially religious ones, in a way that is highly provocative, exploratory, and controversial.Preacher draws on movies, particularly Westerns, for many of its stylistic elements.

    This newest volume is a departure from his last work, Maggots, and from his first book, Ninja, which elicited the following assessment of the artist's style by Salon.com's Douglas Wolk: "Chippendale's howling hyperspeed attack on every page with his pen is the kind of manifestation of pure style that has more to do with the contemporary visual art scene than with traditional comics and their ideals of clarity and representation." If and Oof are a Laurel and Hardy-esque duo who suffer a series of misadventures amidst Chippendale's frenetic landscapes on their simple quest to just survive, eat, pay rent and avoid confrontation. Comedy and horror ensue in this fast-paced trip through Chippendale's unconscious. The artist's most accessible work to date, If 'n Oof is replete with the frenzied line work and concise, witty dialogue for which he has become known. This first release of all new material since 2005 is a must for Lightning Bolt fans and graphic-novel aficionados, and proves more than approachable to those new to Chippendale's oeuvre.

    After being run out of Boneville, the three Bone cousins, Fone Bone, Phoney Bone and Smiley Bone are separated and lost in a vast uncharted desert. One by one they find their way into a deep forested valley filled with wonderful and terrifying creatures. It will be the longest -- but funniest -- year of their lives.