They were the eldest of the James/Santos offspring who were all either siblings or cousins and ranged in age from infants to early teens. But, now that the three boys were older, they had to face real life issues and responsibility. Lil Q’s name had already been run through the system due to the parents of his first puppy love, Jyla. Now the majority of his summer vacation was spent going back and forth to the courthouse trying to clear his name. Cons’ vacation was spent on his new career, but he later finds himself walking the footsteps of his father. Cons was a go-getter and had been that way since he could comprehend that people catered to children. Once Cons’ career blew up, he also figured out how much it brought attention from his peers, be it good or bad. Now that Cee saw how much drama had come into his family from his little brother and cousin, he chose to keep his feelings for his best friend at bay, not knowing that she liked him too. Cee, Cons, and Lil Q all knew the rules of the James and Santos family. Now that they were older, their parents felt they needed a little more freedom, but would it all be taken away after their parents learned just how much chaos surrounded their children?

    As she helps women plan and execute their special day, Reese is secretly waiting for the day it is her walking down the aisle. However, it seems that with Cordell, a well-known Miami DJ, that will never happen. Though she thought she had a fairy tale, after finding out a secret, Reese has to do her best to move on. It may be easier said than done, though. Anthony is a rapper, and to the outside eye, he has everything. The money, the cars, and the picture perfect trophy girlfriend, Elysia. However, with her continuously pressuring Anthony to get married, he strongly doubts their relationship and where it's meant to head. When he meets Reese, the inevitable happens. With her outgoing and vibrant smile, he finds himself easily attracted to her. However, all is not fair in love and war. Will their hearts be the casualty?

    There are boilers to be fixed, cats to be fed, and the perfect funeral to be planned. As a mother researches burial spots and biodegradable coffins, her family is finally forced to communicate with her and each other as they face up to the future. A dark comedy about death and life going on.

    Louis in the mid-thirties––a lovely Sunday for a picnic at Creve Coeur Lake. But Dorothea, one of Tennessee Williams’s most engaging "marginally youthful," forever hopeful Southern belles, is home waiting for a phone call from the principal of the high school where she teaches civics––the man she expects to fulfill her deferred dreams of romance and matrimony. Williams’s unerring dialogue reveals each of the four characters of A Lovely Sunday for Creve Coeur with precision and clarity: Dorothea, who does even her "setting-up exercises" with poignant flutters; Bodey, her German roommate, who wants to pair Dotty with her beer-drinking twin, Buddy, thereby assuring nieces, nephews, and a family for both herself and Dotty; Helena, a fellow teacher, with the "eyes of a predatory bird," who would like to "rescue" Dotty from her vulgar, common surroundings and substitute an elegant but sterile spinster life; and Miss Gluck, a newly orphaned and distraught neighbor, whom Bodey comforts with coffee and crullers while Helena mocks them both. Focusing on one morning and one encounter of four women, Williams once again skillfully explores, with comic irony and great tenderness, the meaning of loneliness, the need for human connection, as well as the inevitable compromises one must make to get through "the long run of life."

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.

    Tired of writing cheap comedy gags for "Chipper the Chipmunk," a children's television star, Murray finds himself unemployed with plenty of free time with which to pursue his...pursuits. Lectured by his conventional brother Arnold and hounded by "the system," Murray is paid a visit by bickering, uptight social workers, Sandra and Albert, and finds himself solving their problems as well as most of his own."Would be a standout comedy in any season. Filled with laughter and warmth and sweetness and inspired daffiness. One of the quintessential New York comedies."-New York Daily News "An extraordinarily funny play with some brilliantly offbeat lines."-The New York Post

    Jon's new film is being shown at a festival in Lansing, Michigan, and Vince has come from Oakland to see it. Over the course of the evening, Vince finally gets Jon to admit that ten years ago he date-raped Amy Randall, a girl whom they both dated in high school only then to reveal that he's taped their entire conversation. And not only that, he's invited Amy to have dinner with them that night. Beneath its suspenseful, high-stakes surface, TAPE examines questions of motive, memory, truth and perception.

    A composer coming to terms with his genius. And, even though they're separated by 200 years, these two people share an obsession that might, even just for a moment, make time stand still. Drama, memory and music combine to transport you from present-day New York to nineteenth-century Austria in this extraordinary American play about passion, parenthood and the moments of beauty that can transform a life.

    Winner of the Los Angeles Drama Critics Circle Award for Best Playwright, David Lindsay-Abaire's Kimberly-Akimbo focuses, with uncanny depth and quirky wit, on a sixteen-year-old girl suffering from a disease that causes her body to age nearly five times faster than it should.

    Booklet bought for a college class. No internal marking. Looks "like new". Please ask if questions.

    A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    A series of scenes that gradually tell the story of how the financial collapse affects a British couple and how fiscal worry, stress, and fear can strain mankind's greatest emotion.

    Amy is curled up on the locker room floor. DRY LAND is a play about abortion, female friendship, and resiliency, and what happens in one high school locker room after everybody’s left.

    A short critical essay which considers the significance of the title.