Making plain her disapproval of Joe's familiarity with the servants, questioning the donation of food to striking miners' families - these objections and more soon rubbed Joe and the local people up the wrong way, a problem he could easily have done without. For this was 1926, the year of the General Strike, the effects of which would nowhere be felt more acutely than in this heartland of the North-East.Then when Elaine became pregnant, she saw it as a disaster and only the willingness of her unmarried sister Betty to come an see her through her confinement made it bearable. But in the long run, would Betty's presence only serve to widen the rift between husband and wife, or would she help to bring about a reconciliation?

    As Algren admitted, it wasn't written until long after it had been walked... I found my way to the streets on the other side of the Southern Pacific station, where the big jukes were singing something called "Walking the Wild Side of Life." I've stayed pretty much on that side of the curb ever since".Perhaps his own words describe the book best: The book asks why lost people sometimes develop into greater human beings than those who have never been lost in their whole lives. Why men who have suffered at the hands of other men are the natural believers in humanity, while those whose part has been simply to acquire, to take all and give nothing, are the most contemptuous of mankind.Cover Photograph: Jason Fulford

    Though she's always worked by her father’s side as the son he never had, now that Rosetta is a wife she's told her place is inside with the other women. But Rosetta decides her true place is with Jeremiah, no matter what that means, and to be with him she cuts off her hair, hems an old pair of his pants, and signs up as a Union soldier.   Rosetta drills with the men, prepares herself for battle, and faces the tension as her husband comes to grips with having a fighting wife. Fearing discovery of her secret, Rosetta’s strong will clashes with Jeremiah’s as their marriage is tested by war. Inspired by over two hundred and fifty documented accounts of the women who fought in the Civil War while disguised as men, I Shall Be Near To You is the intimate story, in Rosetta’s powerful and gorgeous voice, of the drama of marriage, one woman’s amazing exploits, and the tender love story that can unfold when two partners face life’s challenges side by side.

    Sonia Cameron knows nothing of the city's shocking past; she is here to dance. But in a quiet café, a chance conversation and an intriguing collection of old photographs draw her into the extraordinary tale of Spain's devastating civil war.Seventy years earlier, the café is home to the close-knit Ramírez family. In 1936, an army coup led by Franco shatters the country's fragile peace, and in the heart of Granada the family witnesses the worst atrocities of conflict. Divided by politics and tragedy, everyone must take a side, fighting a personal battle as Spain rips itself apart.Captivating and deeply moving, Victoria Hislop's second novel is as inspiring as her international bestselling debut, The Island.

    Maycomb, Alabama. Twenty-six-year-old Jean Louise Finch—"Scout"—returns home from New York City to visit her aging father, Atticus. Set against the backdrop of the civil rights tensions and political turmoil that were transforming the South, Jean Louise's homecoming turns bittersweet when she learns disturbing truths about her close-knit family, the town and the people dearest to her. Memories from her childhood flood back, and her values and assumptions are thrown into doubt. Featuring many of the iconic characters from To Kill a Mockingbird, Go Set a Watchman perfectly captures a young woman, and a world, in a painful yet necessary transition out of the illusions of the past—a journey that can be guided only by one's conscience. Written in the mid-1950s, Go Set a Watchman imparts a fuller, richer understanding and appreciation of Harper Lee. Here is an unforgettable novel of wisdom, humanity, passion, humor and effortless precision—a profoundly affecting work of art that is both wonderfully evocative of another era and relevant to our own times. It not only confirms the enduring brilliance of To Kill a Mockingbird, but also serves as its essential companion, adding depth, context and new meaning to an American classic.

    In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evenings festivities are interrupted--by murder.Ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen and into the huts of voodoo-worshipping slaves.But soon the eyes of suspicion turn toward Ben—for, black as the slave who fathered him, this free man of color is still the perfect scapegoat....

     Though she leads a life of privilege, being a Grove is far from easy. Her mother hides her drinking but her alcoholism is hardly a secret. Her father, who spends long hours at work, is distant and inaccessible. For as long as she can remember, she’s been raised by Maizelle, the nanny, and Nathaniel, the handyman. To Bezellia, Maizelle and Nathaniel are cherished family members. To her parents, they will never be more than servants.    Relationships are complicated in 1960s Nashville, where society remains neatly ordered by class, status and skin color. Black servants aren’t supposed to eat at the same table as their white employers. Black boys aren’t supposed to make conversation with white girls. And they certainly aren’t supposed to fall in love. When Bezellia has a clandestine affair with Nathaniel’s son, Samuel, their romance is met with anger and fear from both families. In a time and place where rebelling against the rules carries a steep price, Bezellia Grove must decide which of her names will be the one that defines her.

    This early-20th-century battle centers on one man: Tom Anderson, the undisputed czar of the city's Storyville vice district, who fights desperately to keep his empire intact as it faces onslaughts from all sides. Surrounding him are the stories of flamboyant prostitutes, crusading moral reformers, dissolute jazzmen, ruthless Mafiosi, venal politicians, and one extremely violent serial killer, all battling for primacy in a wild and wicked city unlike any other in the world.

    Escaping the constraints of life as a village schoolmistress, Lilia Brooke bursts into London and into Paul Harris’s orderly life, shattering his belief that women are gentle creatures who need protection. Lilia wants to change women’s lives by advocating for the vote, free unions, and contraception. Paul, an Anglican priest, has a big ambition of his own: to become the youngest dean of St. John’s Cathedral. Lilia doesn’t believe in God, but she’s attracted to Paul’s intellect, ethics, and dazzling smile.As Lilia finds her calling in the militant Women’s Social and Political Union, Paul is increasingly driven to rise in the church. They can’t deny their attraction, but they know they don’t belong in each other’s worlds. Lilia would rather serve time in prison than see her spirit destroyed and imprisoned by marriage to a clergyman, while Paul wants nothing more than to settle down and keep Lilia out of harm’s way. Paul and Lilia must reach their breaking points before they can decide whether their love is worth fighting for.

    Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

    When a local landowner's wrath threatens his family, the Spanish bow leads Feliu to anarchist Barcelona, then on to the court in Madrid, where a music master's daughter gives him his first lessons in the art of love. There he meets up with the charming and eccentric piano prodigy Justo Al-Cerraz and begins the lifelong friendship and rivalry that will orchestrate a tumultuous course for them both. As a war-torn world careens toward catastrophe, they make splendid music together and clash over women, politics, and almost everything else. Then Aviva, an Italian violinist with a haunted past, enters their lives, and Feliu and Justo embark upon their final and most dangerous collaboration.Inspired by the life of Pablo Casals and with appearances by Pablo Picasso, Bertolt Brecht, and others who wrestled with the competing demands of art and conscience during the Spanish Civil War and World War II, The Spanish Bow is a deeply imagined tale of the passions that accident bestows—and the sacrifices history enacts.

    Proving herself an astute confidante, she becomes her father’s chief political asset—and reluctantly enters into an advantageous marriage to a prominent military officer. Her mother tells her, “It is possible for a woman to influence public affairs,” reminding Livia that—while she possesses a keen sense for the machinations of the Roman senate—she must also remain patient and practical.But patience and practicality disappear from Livia’s mind when she meets Caesar’s heir, Octavianus. At only eighteen, he displays both power and modesty. A young wife by that point, Livia finds herself drawn to the golden-haired boy. In time, his fortunes will rise as Livia’s family faces terrible danger. But her sharp intellect—and her heart—will lead Livia to make an unbelievable choice: one that will give her greater sway over Rome than she could have ever foreseen.

    We won't be parted. I promise."It is 1662, and England is reeling from the aftereffects of civil war, with its clashes of faith and culture. Susanna, a young Quaker girl, leaves her family to become a servant in town. Seventeen-year-old Will returns home after completing his studies to begin an apprenticeship arranged by his wealthy father. Susanna and Will meet and fall in love, but can their bond survive — no matter what? Theirs is a story that speaks across the centuries, telling of love and the fight to stay true to what is most important, in spite of parents, society, and even the law.

    Marit knows how dangerous it is to let too much Firn build up—after all, it killed her sister—and she has vowed never to use her thread magic. But when Eve, a fellow orphan whom Marit views like a little sister, is adopted by the wealthy Helene Vestergaard, Marit will do anything to stay by Eve’s side. She decides to risk the Firn and uses magic to secure a job as a seamstress in the Vestergaard household. But Marit has a second, hidden agenda: her father died while working in the Vestergaards’ jewel mines—and it might not have been an accident. The closer Marit gets to the truth about the Vestergaard family, the more she realizes she and everyone she’s come to love are in danger. When she finds herself in the middle of a treacherous deception that goes all the way up to the king of Denmark, magic may be the only thing that can save her—if it doesn’t kill her first.

    But the beauty and pageantry masks the deadly rivalry that exists among the city's districts. Each ward, represented by an animal symbol, puts forth a rider to claim the winner's banner, but the contest turns citizens into tribes and men into beasts—and beautiful, headstrong, young Pia Tolomei is in love with a rider of an opposing ward, an outsider who threatens the shaky balance of intrigue and influence that rules the land.