A classic study of an influential American religion....Provides both the specialist in religion and the general reader with a thoughtful history of this complex religion.

    My Bright Abyss, composed in the difficult years since and completed in the wake of a bone marrow transplant, is a moving meditation on what a viable contemporary faith—responsive not only to modern thought and science but also to religious tradition—might look like.Joyful, sorrowful, and beautifully written, My Bright Abyss is destined to become a spiritual classic, useful not only to believers but to anyone whose experience of life and art seems at times to overbrim its boundaries. How do we answer this “burn of being”? Wiman asks. What might it mean for our lives—and for our deaths—if we acknowledge the “insistent, persistent ghost” that some of us call God?

    Through complete access to Nibley's correspondence, journals, notes and papers, Petersen has painted a portrait that reveals the man behind the legend. Starting with a foreword written by Zina Nibley Peterson (the author's wife and Nibley's daughter) and finishing with appendixes that include some of the best of Nibley's personal correspondence, the biography reveals aspects of the tapestry of the life of one who has truly consecrated his life to the service of the Lord.

    Defiant, funny and courageously honest, High Tide in Tucson is an engaging and immensely readable collection from one of the most original voices in contemporary literature.'Possessed of an extravagantly gifted narrative voice, Kingsolver blends a fierce and abiding moral vision with benevolent and concise humour. Her medicine is meant for the head, the heart, and the soul.' New York Times Book Review

    On subjects as diverse as fiction, the future, film, famous personalities, and more, Ray Bradbury has much to say, as only he can say it.Collected between these covers are memories, ruminations, opinions, prophecies, and philosophies from one of the most influential and admired writers of our time. As unique, unabashed, and irrepressible as the artist himself, here is an intimate portrait, painted with the master's own words, of the one and only Ray Bradbury—far more revealing than any mere memoir, for it opens windows not only into his life and work but also into his mind and heart.

    Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

    And the weather forecast for the latter days is grim: hail, mighty winds, and shafts in the whirlwind.Question: Where are you going to build your foundation?Answer: Life Rocks.In these pages, you'll learn where to build your life so that, in tough times or easy times, rain or shine, you can stand up and shout, "Life Rocks!"

    Since Operating Instructions and Bird by Bird, her fans have been waiting for her to write the book that explained how she came to the big-hearted, grateful, generous faith that she so often alluded to in her two earlier nonfiction books. The people in Anne Lamott's real life are like beloved characters in a favorite series for her readers: Her friend Pammy; her son, Sam; and the many funny and wise folks who attend her church are all familiar. And Traveling Mercies is a welcome return to those lives, as well as an introduction to new companions Lamott treats with the same candor, insight, and tenderness. Lamott's faith isn't about easy answers, which is part of what endears her to believers as well as nonbelievers. Against all odds, she came to believe in God, and then, even more miraculously, in herself. As she puts it, "My coming to faith did not start with a leap but rather a series of staggers." At once tough, personal, affectionate, wise, and very funny, Traveling Mercies tells in exuberant detail how Anne Lamott learned to shine the light of faith on the darkest part of ordinary life, exposing surprising pockets of meaning and hope.

    This amazing narrative will stir your heart and soul while it chronicles the experience of a simple Polish nun.

    Their uniqueperspective and diary entries will have you laughing one minuteand saying "Amen!" the next as they talk about personal experiencesas well as lessons they've learned from pop culture aboutrelationships, sisterhood, standing up for what you believe,embracing diversity, dealing with adversity, and what it meansto be a Christian. This humorous and poignant outlook on lifewill strengthen your faith and tickle your funny bone. And you'llsoon realize that the authors aren't really mad, they're just crazyfunny and inspiring to listen to!

    Love enables us to bless others as we reach past our own concerns. Love provides opportunities to heal, to hope, and to have faith - even when dreams have to wait and the challenges of life weigh us down.When we are filled with love, we can make a profound difference in our own lives, in our homes and circles of influence, and in the world in which we live. Love makes it possible for us to do what we came to do.

    Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.

    With topics including searching for the Savior, bringing the influence of the Lord into our families, and feeling God's grace in difficult times, Sister Marriott encourages readers with her warm, personable style and Southern charm.

    At the urging of many people whom I admire, I have attempted to describe some of the experiences and feelings I encountered those many years ago. The main purpose of this book is to emphasize the overwhelming need for faith in our lives. I realize that in some ways I am describing a time and a place and circumstances that no longer exist. Yet in other ways, I am describing feelings and challenges that are as old as time and as fresh as the morning sun. I am convinced that regardless of the physical background or the decade our life's experiences are cast against, the need for love and faith to bring meaning to our lives and reason for our decisions remains unchanged. I do not apologize for the time, the place, or the circumstances described, as that was the way it was. I suppose most people who have passed through this planet earth have lived and died closer to the type of life described herein than the hectic one we live in America today. We all need more faith, and I know we can learn from others. In looking back and reading letters and other items written at the time, I have tried to describe how I felt then. I had no feeling that I was going into a particularly hard situation or that things were going to be tough. I had no thought of doing anything unusual, but rather simply wanted to do my best to get through each day doing as much good and as little damage as possible.

    So opens the singular testimony of the poet Thomas Lynch who like many poets is inspired by death, but unlike the others, he is also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ears tuned to the indispensable vernaculars of love and grief. Here is the voice of both witness and functionary. Lynch stands between the living and the living who have died with outrage and amazement, awe and calm, straining for the brief glimpse we all get of what mortality means to a vital species.