From blonde to ginger, the brown that changed the way battles were fought to the white that protected against the plague, Picasso's blue period to the charcoal on the cave walls at Lascaux, acid yellow to kelly green, and from scarlet women to imperial purple, these surprising stories run like a bright thread throughout history.In this book, Kassia St. Clair has turned her lifelong obsession with colors and where they come from (whether Van Gogh's chrome yellow sunflowers or punk's fluorescent pink) into a unique study of human civilization. Across fashion and politics, art and war, the secret lives of color tell the vivid story of our culture.

    Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early stage - in 1845 - he was already articulating the need for a painter who could depict the heroism of modern life. This he was to find in Constantin Guys, whom he later celebrated in the famous essay which provides the title-piece for this collection. Other material in this volume includes important and extended studies of three of Baudelaire's contemporary heroes - Delacroix, Poe and Wagner - and some more general articles, such as those on the theory and practice of caricature, and on what Baudelaire, with intentional scorn, called philosophic art. This last article develops views only touched on in Baudelaire's other writings. This volume is extensively illustrated with reproductions of works referred to in the text and otherwise relevant to it. It provides a survey of some of the most important ideas and individuals in the critical world of the great poet who has been called the father of modern art criticism.

    In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

    For readers of Amy Bloom and Anthony Doerr.In London, 1939, Ada Vaughan is a young woman with an unusual dressmaking skill, and dreams of a better life for herself. That life seems to arrive when Stanislaus, an Austrian aristocrat, sweeps Ada off her feet and brings her to Paris. When war breaks out, Stanislaus vanishes, and Ada is taken prisoner by the Germans, she must do everything she can to survive: by becoming dressmaker to the Nazi wives. Abandoned and alone as war rages, the choices Ada makes will come to back to haunt her years later, as the truth of her experience is twisted and distorted after the war. From glamorous London hotels and Parisian cafes to the desperation of wartime Germany, here is a mesmerizing, richly textured historical novel, a story of heartbreak, survival and ambition, of the nature of truth, and the untold story of what happens to women during war.

    A person's clothing, whether it's a sari, kimono, or business suit, is an essential key to his or her culture, class, personality, or even religion. The Kyoto Costume Institute recognizes the importance of understanding clothing sociologically, historically, and artistically. Founded in 1978, the KCI holds one of the world's most extensive clothing collections and has curated many exhibitions worldwide. With an emphasis on Western women's clothing, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing a vast selection of skilled photographs from the Institute's archives, depicting the clothing expertly displayed and arranged on custom-made mannequins, Fashion is a fascinating excursion through the last three centuries of clothing trends.From a rare treasure such as a 17th century iron corset with embroidered bodice to modern-day outfits by such designers as Yves Saint Laurent and Calvin Klein, the collection provides an extensive overview of the evolution of women's fashion. The KCI believes that "clothing is an essential manifestation of our very being" and their passion and dedication positively radiate from every page of this book. It offers an opportunity to see how our ancestors dressed, to consider the amazing accomplishments of contemporary fashion, and to imagine how our descendants may dress in the distant future as clothing design continues on its tireless evolutionary path.

    Sofia Barducci is born into a world where a woman is only as good as the man who cares for her, but she still claims the right to make her own mistakes. Her first mistake is convincing her father to let her marry Giorgio Carelli, a wealthy saffron merchant in San Gimignano, the Tuscan city of towers. Trained in secret by her father to create the beautifully-crafted panels and altarpieces acclaimed today as masterpieces of late medieval art, Sofia's desire for freedom from her father's workshop leads her to betray her passion and sink into a life of loveless drudgery with a husband who comes to despise her when she does not produce a son. In an attack motivated by vendetta, Sofia's father is crushed by his own fresco, compelling Sofia to act or risk the death of her soul. The choice she makes takes her on a journey from misery to the heights of passion-both as a painter and as a woman. Sofia escapes to Siena where, disguised as a boy, she paints again. When her work attracts the notice of a nobleman who discovers the woman under the dirty smock, Sofia is faced with a choice that nearly destroys her. The Towers of Tuscany unites a strong heroine with meticulously researched settings and compelling characters drawn from the rich tapestry of medieval Italy during one of Europe's most turbulent centuries. The stylishly written plot is packed with enough twists and turns to keep readers up long past their bedtimes.

    This narrative history masterfully weaves together the sweeping events surrounding the so-called “Babylonian captivity” of the popes into the broader story of 14th-century Europe, a turbulent time of transition between Middle Ages and Renaissance when seven successive popes resided in Avignon in the south of France.

    Richard III's story, told in first person from his point of view, using, where possible, Richard's actual words (in modern English.) From the battle of Barnet when Richard is only 18 through his marriage to Anne Neville, to unexpected kingship, betrayal by his 'friend' Buckingham...and the mystery of the vanished princes. Then it is on through the pain of the loss of his only legitimate son Edward, to the final deadly conflict on Bosworth Field against Henry Tudor. A different fictional look at England's most loved--and most hated--King.. Not a wooden saint, nor yet Shakespeare's hunchbacked fiend, a flesh and blood, fallible man: King's brother, royal duke, scoliosis sufferer, warrior, husband, father. Called 'a new Ricardian classic.' Approximately 250,000 words. Contains what is probably the most up to date fictional account of Richard's last moments at Bosworth, based on the archaeology and forensics.

    150 and c. 750, came to differ from "Classical civilization."These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Roman empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East.Peter Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium and Islam. We still live with the results of these contrasts.

    Even after her execution in May 1536, on trumped-up charges of adultery, her reputation has been pursued beyond the grave, subjected to all manner of accusation. The unsavory account of her life that has come down through history is one shaped by her enemies. Joanna Denny's powerful new biography presents a radically different picture of Anne-a woman who was highly literate, accomplished, and a devout defender of her Protestant faith. Her tragedy was that her looks and vivacious charm attracted the notice of a violent and paranoid king and trapped her in the vicious politics of the Tudor court, where a deadly game was being played between the old nobility and the new, between the old faith and the new. Denny's compelling account of Anne Boleyn plunges the reader into the heart of the intrigue, romance, and danger of the Tudor court and the turbulent times that changed England forever. It will change forever our perception of this much-maligned queen.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    The Netherlands are a tiny nation that punch above their weight on the world stage, where prostitutes are entitled to sick pay and prisons are closing due to lack of demand. After a chance encounter, Ben Coates left behind life in London to move to the Netherlands, where he learned the language, worked for Dutch company and married a Dutch wife. He takes readers into the heart of his adopted country, going beyond the usual tourist attractions and cliches to explore what it is that makes the Dutch the Dutch, Holland not the Netherlands and the colour orange so important. A travelogue, a history and a personal account of a changing country - Ben Coates tells the tale of an Englishman who went Dutch and liked it.

    Eight hundred years earlier, on the eve of a brutal crusade that will rip apart southern France, a young woman named Alais is given a ring and a mysterious book for safekeeping by her father. The book, he says, contains the secret of the true Grail, and the ring, inscribed with a labyrinth, will identify a guardian of the Grail. Now, as crusading armies gather outside the city walls of Carcassonne, it will take a tremendous sacrifice to keep the secret of the labyrinth safe.

    . . is certain to become a favorite for lap sharing." — BOOKLIST (starred review)"The panel illustrations, like miniature Dutch paintings, glow with a patina of amber light and parallel the excitement of the text." — PUBLISHERS WEEKLY

    Because it is so thoroughly researched and up-to-date, it is also the kind of indispensable handbook that deserves a place on every early modernist's bookshelf.— American Historical Review