Using "The Golden Shovel" poetic method, Grimes has written a collection of poetry that is as gorgeous as it is thought-provoking.This special book also includes original artwork in full-color from some of today's most exciting African American illustrators, who have created pieces of art based on Nikki's original poems. Featuring art by: Cozbi Cabrera, R. Gregory Christie, Pat Cummings, Jan Spivey Gilchrist, Ebony Glenn, Nikki Grimes, E. B. Lewis, Frank Morrison, Christopher Myers, Brian Pinkney, Sean Qualls, James Ransome, Javaka Steptoe, Shadra Strickland, and Elizabeth Zunon.A foreword, an introduction to the history of the Harlem Renaissance, author's note, poet biographies, and index makes this not only a book to cherish, but a wonderful resource and reference as well. Awards for Planet Middle School: 2014 Garden State Teen Book Awards listNominated for the 2012 NCAAP Image Award - Outstanding Literary Work for Youth/TeensCCBC Choices 20122012 Best Children's Books of the Year, Bank StreetNominated for the 2012-13Pennsylvania Young Reader's Choice Awards Program

    The appendixes include texts of some of King's most famous speeches.

    Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    Before it was legal for her mother and father to officially be married, the broom was what made them a family anyway. But now all former slaves who had already been married in their hearts could register as lawful husband and wife. When Ellen and her family make the long trip to the courthouse dressed in their best, she brings the broom her parents had jumped so many years before. Even though freedom has come, Ellen knows the old traditions are important too. After Mama and Papa's names are recorded in the register, Ellen nearly bursts with pride as her parents jump the broom once again. Ellen is a wonderfully endearing character whose love for her family is brought to life in Daniel Minter's rich and eye-catching block print illustrations.

    Martin Luther King Jr. An extraordinary picture-book biography, Martin's Big Words consists of Rappaport's own words interwoven with quotes from Dr. King...all powerfully brought to life by Collier's striking, glorious art. Rappaport's spare, gripping text and Collier's distinctive collage-and-watercolor illustrations depict King's life journey with reverence and dignity -- beginning with his childhood experience of seeing "White Only" signs throughout his hometown, presenting his efforts as a civil rights crusader, and ending abruptly with his assassination. The front cover of the book immediately conveys King's power and spiritual strength, consisting entirely of a lifelike portrait of him -- the title and the author's and illustrator's names are relegated to the back cover. As Collier says in his illustrator's note, he "tried to push [the imagery] to an emotional level that allows the reader to bring his or her own experience to it, without actually losing the intensity or the intention of the story." His technique is utterly effective. By using simple, direct language -- much of it King's -- the text offers young readers an accessible yet profound introduction to King's legacy. It explains that as a child, he listened to his minister father's "big words" and vowed to inspire others with such words when he grew up. The book's final sentence: "His big words are alive for us today," testifies to King's success -- and to the timeless importance of this great leader's ideals. As further inspiration for interested readers, Martin's Big Words includes a list of significant dates as well as a bibliography of resources for them to explore. (Jamie Levine)

    But before that, he was a little boy who saw art everywhere: in poetry books and museums, in games and in the words that we speak, and in the pulsing energy of New York City. Now, award-winning illustrator Javaka Steptoe's vivid text and bold artwork echoing Basquiat's own introduce young readers to the powerful message that art doesn't always have to be neat or clean--and definitely not inside the lines--to be beautiful.

    Born to parents who were former-slaves Florence knew early on that she loved to sing. And that people really responded to her sweet, bird-like voice. Her dancing and singing catapulted her all the way to the stages of 1920s Broadway where she inspired songs and even entire plays! Yet with all this success, she knew firsthand how bigotry shaped her world. And when she was offered the role of a lifetime from Ziegfeld himself, she chose to support all-black musicals instead.Fans of When Marian Sang and Ella Fitzgerald: The Tale of a Vocal Virtuosa will jump at the chance to discover another talented performer whose voice transcended and transformed the circumstances society placed on her.

    While this momentous event showcased the uniqueness of her voice, the strength of her character, and the struggles of the times in which she lived, it is only part of her story. Like the operatic arias Marian would come to sing, Ryan's text is as moving as a libretto, and Selznick's pictures as exquisitely detailed and elaborately designed as a stage set. What emerges most profoundly from their shared vision is a role model of courage.

    Duke Ellington. As a child, he said piano made an umpy-dump sound that was headed nowhere worth following. But, years later, he heard the piano played a whole new way. People called the music "ragtime", and soon the sound had Duke's fingers riding the piano keys.Duke began to compose his own melodies, which led him to form a band, The Washingtonians. Before long, the group was performing at the swankiest hangouts in Harlem, including The Cotton Club, but under a new name: Duke Ellington and His Orchestra. Soon the whole country swung to Duke's beat.This is the story of one of the greatest composers of the twentieth century - the king of the keys - Duke Ellington.

    America, we hear you singing! With vivid illustrations by Kaylani Juanita, Samara Cole Doyon sings a carol for the plenitude that surrounds us and the self each of us is meant to inhabit.

    Boys go in as lumps of clay and, with princely robes draped around their shoulders, a dab of cool shaving cream on their foreheads, and a slow, steady cut, they become royalty. That crisp yet subtle line makes boys sharper, more visible, more aware of every great thing that could happen to them when they look good: lesser grades turn into As; girls take notice; even a mother's hug gets a little tighter. Everyone notices.A fresh cut makes boys fly.This rhythmic, read-aloud title is a celebration of the way boys feel when they leave the barber's chair.

    Each spread, sumptuously illustrated by award-winning artist Kadir Nelson, depicts a stirring tableau, from the view of the Statue of Library at Ellis Island to civil rights marchers shoulder to shoulder, to a spacecraft at Cape Canaveral blasting off. This book is an ode to America then and now, from sea to shining sea.

    When a farm girl discovers a runaway slave hiding in the barn, she is at once startled and frightened. But the stranger's fearful eyes weigh upon her conscience, and she must make a difficult choice. Will she have the courage to help him? Unspoken gifts of humanity unite the girl and the runaway as they each face a journey: one following the North Star, the other following her heart. Henry Cole's unusual and original rendering of the Underground Railroad speaks directly to our deepest sense of compassion.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.