Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.

    Vanishing and mutilated cattle. Unidentified Flying Objects. The appearance of huge, otherworldly creatures. Invisible objects emitting magnetic fields with the power to spark a cattle stampede. Flying orbs of light with dazzling maneuverability and lethal consequences. For one family, life on the Skinwalker Ranch had become a life under siege by an unknown enemy or enemies. Nothing else could explain the horrors that surrounded them -- perhaps science could. Leading a first-class team of research scientists on a disturbing odyssey into the unknown, Colm Kelleher spent hundreds of days and nights on the Skinwalker property and experienced firsthand many of its haunting mysteries. With investigative reporter George Knapp -- the only journalist allowed to witness and document the team's work -- Kelleher chronicles in superb detail the spectacular happenings the team observed personally, and the theories of modern physics behind the phenomena. Far from the coldly detached findings one might expect, their conclusions are utterly hair-raising in their implications. Opening a door to the unseen world around us, Hunt for the Skinwalker is a clarion call to expand our vision far beyond what we know.

    We've all heard the one about the alligators that roam New York City's sewers, or how "Mikey" of Life Cereal fame died from eating Pop Rocks mixed with Coke. And what about the flustered parents who left their baby on the car roof, or the scuba diver who was found in the middle of a forest after a fire? These classic tall tales are featured here in all of their creepy glory along with hundreds of others, and they're guaranteed to amuse, enlighten, and intrigue, but be careful: they may stick in your mind forever.

    Against these fearsome foes stand the Knights of Bretonnia, calling upon their faith in the Lady and their guile with the sword to repel their legions of enemies. When young noble Calard starts upon the path to knighthood, he soon discovers the darkness hidden within his homeland and the price that must be paid by those seeking the holiest of honours - the title of Grail Knight. Accompanied by his faithful manservant Chlod, he must face vampires, wyverns, Chaos warriors and goblins, but each battle brings him one step closer to becoming the legend he seeks. Knights of Bretonnia collects the novels Knight Errant and Knight of the Realm, plus two new novellas, Questing Knight and Grail Knight, completing the saga of Calard from his knightly training to his most epic of victories.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    This book seeks to tell the personal stories, through photographs and short anecdotes, of several women in Afghanistan who spent years depersonalised behind their veils. In 1997, Harriet Logan went to Afghanistan and met a phenomenal group of women with strong personalities and great dreams for their lives. Despite the peril to her life and theirs, she photographed them.From November to December 2001, Logan returned to Afghanistan to find these women again, and to learn how their situation had evolved since the first time she met them, under the repressive rule of the Taliban. In so doing, Harriet also met more outstanding women, and recorded the womens' existing doubts and enduring hopes for a better future.

    The result is an alien invasion novel packed with insights into real-world strategy, tactics and hardware, making for a terrifyingly real account. The tagline for this controversial book was "The truth can only be told as fiction", and this led to much speculation in the UFO and conspiracy theory community, especially when it emerged that the manuscript of Operation Thunder Child had needed to go through the government’s security clearance procedure.

    

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    Also Rapunzel, Jack and the Beanstalk, the Ratcatcher (the Pied Piper), Snowdrop (Snow White), The Voice of Death, The Enchanted Pig, The Master Thief, from France, Russia, Denmark, Romania, and Norse Sigurd and Brynhild. 97 illustrations.

    But she allows young Thorn to join her in the search for the evil witch Civet--and the quest to restore her dragon clan's lost home.

    With a foreword by Series Creator, Kevin Burns.Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? And if so, what if there were clues left behind? Each week, hundreds of thousands of viewers tune in to the wildly popular Ancient Aliens® television series to seek insight into those very questions—and to become part of a thrilling, probing exploration of the mysteries at the heart of world civilizations.The first official companion book to the hit show, Ancient Aliens® takes readers even deeper into the mysteries that have made the show a pop culture phenomenon. Filled with exciting insights and behind-the scenes stories from the show’s creators and leading experts in ancient alien theory, the book explores the key questions at the heart of the series:Who were they?Why did they come?What did they leave behind?Where did they go?Will they return?Transporting readers around the globe, Ancient Aliens® explores the fascinating enigmas and mysterious artifacts our ancestors left behind, from incredible objects to amazingly accurate ancient maps; from the Great Pyramid of Giza and stone megaliths at Gobekli Tepe to the Nazca Plains and mysterious structures of Puma Punku.Accompanied by lavish 4-color photography throughout, the book allows armchair archaeologists to examine the evidence up close for the first time. Both the ultimate-fan book and the perfect gift for readers new to the show, Ancient Aliens® is a compelling journey through the mysteries of our ancient civilizations and the possibility of alien influence on our cultures.

    B.E.K.S. Are they a diabolical threat or the stuff of urban legend."Just let us in, this won't take long."Strange children are appearing around the world.Attired in old fashioned clothing, their skin is pale and their mannerisms awkward.Their most startling trait however, is their solid black eyes.They are knocking on doors and rapping on windows. Their voices are monotone and demanding and they have one simple request:They want to come in.

    

    Peter doesn't understand why his father has done this, nor why his father carries a long, battered box, whose mysterious contents he is forbidden to know.But Tomas is a man with a past: a past that is tracking him with deadly intent, and when the dead of Chust begin to rise from their graves, both father and son must face a soulless enemy and a terrifying destiny.From the Hardcover edition.