A compact and authoritative guide to the phenomenally popular genre, by a leading expert in Scandinavian crime fictionThis information-packed study examines and celebrates books, films, and TV adaptations, from Sjöwall and Wahlöö's highly influential Martin Beck series through Henning Mankell's Wallander (subject of three separate TV series) to Stieg Larsson's groundbreaking The Girl with the Dragon Tattoo; cult TV hits such as the Danish The Killing, The Bridge, and the political thriller Borgen; up to the massively successful books and films of the current king of the field, Norway's Jo Nesbø. It anatomizes the nigh-obsessive appeal of the subject and highlights every key book, film, and TV show. Aimed at both the beginner and the aficionado, this is a hugely informative, highly accessible guide to an essential crime genre.

    The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    Caustic, slyly observant, transgressive, verbally scintillating, Barthelme's essays, stories, and novels redefined a generation of American letters and remain unparalleled for the way they capture our national pastimes and obsessions, but most of all for the way they caputure the strangeness of life. Not-Knowing amounts to the posthumous manifesto of one of our premier literary modernists. Here are Barthelme's thoughts on writing (his own and others); his observations on art, architecture, film, and city life; interviews, including two never previously published; and meditations on everything from Superman III to the art of rendering "Melancholy Baby" on jazz banjolele. This is a rich and eclectic selection of work by the man Robert Coover has called "one of the great citizens of contemporary world letters."

    M. Simmons kept during her twenty years of adventures in the paranormal world. As a writer, she felt compelled to keep records of her encounters, and until now, she has only shared these with a few friends and relatives. Encouraged by their interest, and the awe and sometimes apprehension on their faces, she is editing some of the dozens upon dozens of diaries in her files. Volume I contains Down the Ghost Trail, which chronicles the start of T. M. Simmons’ ghost hunting career at the haunted Myrtles Plantation in St. Francisville, Louisiana. Crossing Over explains how she learned to help lost souls cross into The Light. In Midnight Ferry, a late-night phone call sends her into a confrontation with a nasty ghost-witch who meant horrific harm. The other three stories are ones she chose as some of her favorites. She has also included a few definitions of her beliefs and the rules by which anyone whom she allows into her ghost hunting life must abide.

    There couldn't be a better person to put together this tome than Hot Water Music's Chuck Ragan and here he's collected tales from members of the Gaslight Anthem, Rise Against, At The Drive-In and more, all of whom share their own unique perspective on travel. The road isn't always glamorous but for some of us it's in our blood. These are those stories.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    

    Lovecraft first invited colleagues such as Frank Belknap Long and Robert Bloch (among others) to join in his creation of what has come to be known as “The Cthulhu Mythos” (over Lovecraft’s less invocative name of “Yog-Sothery”), dozens of authors have tried their hand at adding to this vast tapestry with varying degrees of success. Some, like the then teen-aged Ramsey Campbell, used the Mythos as a starting point to his own career while still finding his own authorial voice (The Inhabitant of the Lake and Less Welcome Tenants, Arkham House 1964); others, like Stephen King and Neil Gaiman, did so at the height of their careers, paying homage to an author who had been such a tremendous inspiration to them. But no one, absolutely no one, has contributed such a body of brilliant and profoundly original work to the Mythos as has Caitlín R. Kiernan. The stories are fully illustrated with over 30 new full page illustrations by Richard A. Kirk, John Kenn Mortensen, and Vince Locke. The full wraparound dustjacket and frontispiece are by Piotr Jablonski. In this remarkable collection the author has selected over two dozen of her best Lovecraftian tales ranging from 2000s “Valentian” to her more recent classic “A Mountain Walked” as well as including the complete Dandridge Cycle, as well as a new story, “M Is for Mars.” In short, this is a cornerstone volume for Kiernan fans and Mythos devotees alike. This edition is limited to 500 signed copies, each signed by Caitlín R. Kiernan, Michael Cisco, S.T. Joshi, and the artists: Piotr Jablonski, Richard A. Kirk, John Kenn Mortensen, and Vince Locke. Introduction / S. T. Joshi --Lovecraft and I --Valentia --So runs the world away --From cabinet 34, drawer 6 --The drowned geologist --The dead and the moonstruck --Houses under the sea --Pickman's other model --The thousand-and-third tale of Scheherazade --The bone's prayer --The peril of liberated objects, or The voyeur's seduction --At the Gate of Deeper Slumber --Fish bride --The alchemist's daughter (a fragment) --Houndwife --Tidal forces --John Four --On the reef --The transition of Elizabeth Haskings --A mountain walked.

    Put a map at the start of a book, and we know an adventure is going to follow. Displaying this truth with beautiful full-color illustrations, The Writer’s Map is an atlas of the journeys that our most creative storytellers have made throughout their lives. This magnificent collection encompasses not only the maps that appear in their books but also the many maps that have inspired them, the sketches that they used while writing, and others that simply sparked their curiosity.   Philip Pullman recounts the experience of drawing a map as he set out on one of his early novels, The Tin Princess. Miraphora Mina recalls the creative challenge of drawing up ”The Marauder’s Map” for the Harry Potter films. David Mitchell leads us to the Mappa Mundi by way of Cloud Atlas and his own sketch maps. Robert Macfarlane reflects on the cartophilia that has informed his evocative nature writing, which was set off by Robert Louis Stevenson and his map of Treasure Island. Joanne Harris tells of her fascination with Norse maps of the universe. Reif Larsen writes about our dependence on GPS and the impulse to map our experience. Daniel Reeve describes drawing maps and charts for The Hobbit film trilogy. This exquisitely crafted and illustrated atlas explores these and so many more of the maps writers create and are inspired by—some real, some imagined—in both words and images.   Amid a cornucopia of 167 full-color images, we find here maps of the world as envisaged in medieval times, as well as maps of adventure, sci-fi and fantasy, nursery rhymes, literary classics, and collectible comics. An enchanting visual and verbal journey, The Writer’s Map will be irresistible for lovers of maps, literature, and memories—and anyone prone to flights of the imagination.

    It also includes stories some reprinted for the first time about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. The volume s dozen critical essays illuminate Clowes s comics by locating them within biographical, artistic, and socio-historical contexts, including the Indie and DIY movements, Generation X philosophy, and the history of American cartooning. Selections by artists who influenced Clowes and a detailed chronology of his work round out the collection, and extensive annotations shed light on the cartoonist s sources and cultural references. Perfect for the college literature/graphic narrative classroom.

    The silent group by the fire once more broke forth into wild gesticulations and cries, Stella prostrated herself, the Form on the altar grew clearer and with a cry of horror Mr Fowke turned away and rushed madly across the moor'. Amyas Northcote's In Ghostly Company is a rare and splendid collection of strange and disturbing tales from the golden age of ghost stories. His style is akin to that of the master of the genre M.R. James: it is measured and insidiously suggestive, producing unnerving chills rather than shocks and gasps. Northcote's tales make the reader unsettled and uneasy. This is partly due to the fact that the hauntings or strange occurrences take place in natural or mundane surroundings - surroundings familiar to the reader but never before thought of as unusual or threatening. Long out of print, this book remains an enthralling and chilling read.

    Here, Wallace turns his critical eye with equal enthusiasm toward Roger Federer and Jorge Luis Borges; Terminator 2 and The Best of the Prose Poem; the nature of being a fiction writer and the quandary of defining the essay; the best underappreciated novels and the English language's most irksome misused words; and much more.Both Flesh and Not restores Wallace's essays as originally written, and it includes a selection from his personal vocabulary list, an assembly of unusual words and definitions.

    Readers have sought his stories, scattered throughout prestigious anthologies, magazines, and limited-edition chapbooks, hoping to assemble their own collections of Griffin’s ferocious, poetic fiction.Now, Word Horde presents Michael Griffin’s debut collection, The Lure of Devouring Light. Here you will find strange and luminous tales, character-driven, emotionally resonant, and grappling with horrors both everyday and supernatural.

    These are stories to be savored late at night in bed, read by the light of a single lamp in an empty, dark house.

    What you see isn't always the only thing you receive. Come for the popcorn, the show, and the animals. Stay for the Horror. We insist. Panis Et Poenam by Alex Winck Make My Escape by C.L. Williams SOLD by Katie Jaarsveld Diamonique by Samie Sands Heaven Must Be Missing An Angel by Andrew Darlington Stuff of Dreams by Rick Eddy WONDERLAND by Samie Sands The Freak by Kevin Hall Clown in the Mirror by Katie Jaarsveld Carnival Carnage by Samie Sands