Part biographical author is describing his journey, where he is not conforming to all strictures demanded by parikramawasi. While he is searching for the ultimate truth he falls in love with a widow. But, falling in love, both for an ascetic and the window is blasphemy in Hinduism . The second half blossoms into love story and ends with sacrifices of protagonists so that societal rules remain intact.

    It does not take a break. If at all there is any change then it is in the form of high tide or overflowing. It is always on the side of worsening. Whenever there are more mouths to feed, a lot of people around this struggle reaches to peak. Whenever sharing land and food becomes inevitable, resistance is unavoidable. Confrontation is at its worst when someone tries to intrude our caste and our system and then tries to break through the impregnable walls of society. Those who are really able to speak, often blurt out their anger and antagonism through words. Those who are not able to speak out, reflect their love and hatred through actions, body language and so on. Once struggle starts, it takes a hideous form. Words appear to be deficient. Weapons take place of words then. Whenever there is a shortage of weapons, then often tusks and nails are used in place. Struggle envelopes everything.

    The stories are a strong reflection of the kind of life the author himslf led.

    Since the book is written in pre-independence period, in the guise of love story it serves other purpose of nation building. It subtly pays homage to martyrs of 1857 revolution. It explains strategic importance of Andaman and describes nomadic tribes residing over there. The book also criticizes blind faith prevalent during that time. Savarkar also tells us about the hardships faced by prisoners in Andaman and how these criminal and political convicts helped turn this once inhabitable land into human society.

    Haunted by illness and obsessed with death, he moves to Mumbai from his village Udali, breaking away from his feudal roots. He encounters young men frustrated by the system but refuses to become one of them. Suddenly, he takes a fancy to education and pursues masters in Arts, without his family knowing about it.Bidhar is the story of a pessimist who struggles to move on in life.

    His story blends harmoniously with the magnificent background. It is always coloured in beautiful shades of blue, giving everything a dreamy touch.

    Suddenly, a hunter came over there and with his bow and arrow killed one of the herons. The bird which was killed instantly collapesed from the tree. Upon seeing this, the partner of the bird gave out a loud out cry. It started wailing in grief. So loud and true was the sorrow that Saint Valmiki was touched by the it. The pain he experienced started flowing out in the form of "shlokas'.A true poetry takes birth in exactly the same manner. V. S. Khandekar has written this novel based on the shlokas so formed. Even today the innocent couples of herons are killed every now and then, These innocent couples represent the innocent people all over the world. The hunter which killed one of the bird was sinful, very very sinful, But so are today's political leader. They all are equally cruel, wicked. Since the day intelligence and power joined hands together, the kindness of the human heart has abruptly ended. The day when man starts rethinking about the feelings along with intelligence, then such killing will be stopped. In this novel, the author is trying to give us the message that if we follow our head as well as our heart then there are still chances for survival.

    It has no touch of rural life or modernization and the problems occurring with that. It does not reach deep down its interior to handle the pains, yet it has a peculiar style, a natural freshness. It finds depths and humour in simple subjects. It does not avoid pain, but is not very fond of it. It presents the normal mind, normal set up, normal feelings. It makes us laugh and freshens us up. It makes us forget about our day- to- day life and the meager problems that come with it.

    It's about Narmada Parikrama done by the author.On the Hindu pilgrimages along the banks of Narmada River; impressions of a Hindu, of his travel along the banks of the river.

    This is an account of a youth from interior Maharashtra. He fights his way through just to complete his secondary education. His landless father tilling lands for others, thinks his son's education not only unaffordable but unwise also, He helplessly watches his mothr permanently fated to thankless labour, contineously working for an evergrowing family deep in the cluthes of customs and superstitions. He had to wrestle with hardships and hunger to complete his school education. This autobiographical novel is an authentic tale as much of the author and his family as of any of the hundreds of landless families from rural interiors.

    The name indicates that this is a set of stories having it's own fragrance.

    Thousands of years back they reached the earth, created a new species and named it 'human being.' After that they started modifying this process by reappearing on the earth after every 37 thousand years. During every visit, they take away the evils and leave back the good ones. Eric Von Danicane was a scientist who had sacrificed himself for finding the Gods. He struggled hard, he roamed through various nations, he went through the gullies and alleys all over the world to find about the existence of God. In this attempt the multi - millionaire Eric lost all his property. When he published his work based on the search of God, he again was became into a multimillionaire. Still, he could not find out the perfect solution revealing the secret of formation of human being. Dr. Sureshchandra Nadkarni has been a professor of Zoology in Wadia College and Pune University. He has presented before us the attempts of Eric Von Danicane in a very illustrative and entertaining manner.

    This book also brings in the problems faced by the Dalits in India.

    No doubt that it is about the sea, storm and adventurous men; but most of all it is the story that probe deep in to the human minds molded by Indian, British, Philippine and Indonesian cultures. It is the drama of these four cultures conflicting, clashing, but living together to fight their destiny, which makes ‘M. T. Aiwa Maru’ the only novel of its kind in the world literature. Many known directors from Indian film industry have an ambition to create a movie based on this novel.

    I still think so… From within we are one and the same. Sometimes he wores the mask with my name while at others I do so to fool people.’ A jeep passed by speedily and very closely. It would have brushed up. ‘They are out to kill us!’ the terror in Shreenath’s voice was unmistakable. ‘They are out to kill us! Is this some kind of game that destiny is playing with us? It wants to kill us together; both the original and the duplicate, along with their fiancées.’ Once again the jeep passed by. It symbolized a kite swooping down from high skies upon its prey. As it misses the prey it goes back to get into action. What is going to happen now? We three are set upon the journey. Where? No one knows. How long? No one knows. We are mere puppets in the hands of destiny. Ten breathtaking stories! Each one creating doubt beyond imagination while piling up the tension. Ten stories that would really create doubt! Shaded with games played by human minds these stories take us to immeasurable height and fathomless depth at the same time. Matkari has once again proved that his stories are not just entertaining or pleasing. They take us beyond that where it is impossible to comprehend. They are terribly frightful. They are mysterious. These ten stories once again prove his command over words and themes and excellent manifestation of novel ideas. They underline his authority in writing such dubious stories.