Exploratory teams are accompanied by Company-supplied security androids, for their own safety.But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.But when a neighboring mission goes dark, it's up to the scientists and their Murderbot to get to the truth.

    This star-studded follow-up to the acclaimed "Firebirds" contains riveting, original stories by some of today's masters of science fiction and fantasy, including Fancesca Lia Block, Alan Dean Foster, Diana Wynne Jones, and Tanith Lee.

    The future of humanity hangs in the balance. But a team of women are preparing to save it. Even if they’ll need to steal a spaceship to do it.Despite increasing restrictions on the freedoms of women on Earth, Valerie Black is spearheading the first all-female mission to a planet in the Goldilocks Zone, where conditions are just right for human habitation.The team is humanity's last hope for survival, and Valerie has gathered the best women for the mission: an ace pilot who is one of the only astronauts ever to have gone to Mars; a brilliant engineer tasked with keeping the ship fully operational; and an experienced doctor to keep the crew alive. And then there's Naomi Lovelace, Valerie's surrogate daughter and the ship's botanist, who has been waiting her whole life for an opportunity to step out of Valerie's shadow and make a difference. The problem is that they’re not the authorized crew, even if Valerie was the one to fully plan the voyage. When their mission is stolen from them, they steal the ship bound for the new planet.But when things start going wrong on board, Naomi begins to suspect that someone is concealing a terrible secret -- and realizes time for life on Earth may be running out faster than they feared . . .Goldilocks is a bold and thought-provoking new thriller for readers of The Martian and The Handmaid's Tale.

     Neil Gaiman, “Orange”   Aimee Bender, “The Color Master”   Joyce Carol Oates, “Blue-bearded Lover”   Michael Cunningham, “The Wild Swans”   These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party.   Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico.   Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

    Minh is part of the generation that first moved back up to the surface of the Earth from the underground hells, to reclaim humanity's ancestral habitat. She's spent her entire life restoring river ecosystems, but lately the kind of long-term restoration projects Minh works on have been stalled due to the invention of time travel. When she gets the opportunity take a team to 2000 BC to survey the Tigris and Euphrates rivers, she jumps at the chance to uncover the secrets of the shadowy think tank that controls time travel technology.

    Forty stories. On May 25, 1977, the world was introduced to Han, Luke, Leia, a pair of droids, a Wookiee, an old wizard, a villain in black, and a galaxy full of possibilities. Forty years on, Star Wars remains an unparalleled cultural phenomenon, having inspired and influenced generations of fans and creators. Decades of rich storytelling were sparked by one film, in part because the Star Wars galaxy feels alive. Strange and wonderful characters fill the edges of the screen and make us wonder:What are their stories?This unique anthology celebrates that legacy, as more than forty contributors lend their vision to this retelling of the original Star Wars film. Each of the forty stories reimagines a moment from the film through the eyes of a supporting character. From A Certain Point of View features contributions by bestselling authors, trendsetting artists, and treasured voices from the literary history of Star Wars:- Gary Whitta bridges the gap from Rogue One to A New Hope through the eyes of Captain Antilles.- Aunt Beru finds her voice in an intimate character study by Meg Cabot.- Nnedi Okorafor brings dignity and depth to a most unlikely character: the monster in the trash compactor.- Pablo Hidalgo provides a chilling glimpse inside the mind of Grand Moff Tarkin.- Wil Wheaton spins a poignant tale of the rebels left behind on Yavin.- Plus thirty-five more hilarious, heartbreaking, and astonishing tales.Experience the story of Star Wars from a whole new point of view.

    There is no better anthology that captures the birth of science fiction as a literary field. Published in 1973 to honor stories that had come before the institution of the Nebula Awards, The Science Fiction Hall of Fame introduced tens of thousands of young readers to the wonders of science fiction and was a favorite of libraries across the country. This volume contains novellas by: Ray Bradbury, James Blish, Algis Budrys, Theodore Cogswell, E. M. Forster, Frederik Pohl, James H. Schmitz, T. L. Sherred, Wilmar H. Shiras, Clifford D. Simak, and Jack Vance.Contents: Introduction · Ben Bova · in · Call Me Joe · Poul Anderson · nv Astounding Apr ’57 · Who Goes There? [as by Don A. Stuart] · John W. Campbell, Jr. · na Astounding Aug ’38 · Nerves · Lester del Rey · na Astounding Sep ’42 · Universe [Hugh Hoyland] · Robert A. Heinlein · na Astounding May ’41 · The Marching Morons · C. M. Kornbluth · nv Galaxy Apr ’51 · Vintage Season [as by Lawrence O’Donnell] · Henry Kuttner & C. L. Moore · na Astounding Sep ’46 · ...And Then There Were None · Eric Frank Russell · na Astounding Jun ’51 · The Ballad of Lost C’Mell · Cordwainer Smith · nv Galaxy Oct ’62 · Baby Is Three · Theodore Sturgeon · na Galaxy Oct ’52 · The Time Machine [Time Machine] · H. G. Wells · na The New Review Jan, 1895 (+4) · With Folded Hands... [Humanoids] · Jack Williamson · nv Astounding Jul ’47

    The results are individual glimpses of a shared vision, and a reading experience unlike any you've had before.A strange man comes to an even stranger encampment...a bouncer becomes the linchpin of an unexpected urban movement...a courier on the run has to decide who to trust in a dangerous city...a slacker in a "zero-footprint" town gets a most unusual new job...and a weapons investigator uses his skills to discover a metropolis hidden right in front of his eyes.Welcome to the future of cities. Welcome to Metatropolis.Contents:Introduction (METAtropolis) - essay by John ScalziIn the Forests of the Night - novella by Jay LakeStochasti-city - novella by Tobias S. BuckellThe Red in the Sky Is Our Blood - novelette by Elizabeth BearUtere Nihil Non Extra Quiritationem Suis - novella by John ScalziTo Hie from Far Cilenia - novella by Karl Schroeder

    Hannah is a Red; her crime is murder.

    Ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    When a deadly non-viral agent intended for biowarfare spreads out of control, scientists must scramble to ensure the survival of the human race. They turn to their last resort, a plan to place genetically engineered children inside the cocoons of large-scale robots--to be incubated, birthed, and raised by machines. But there is yet one hope of preserving the human order--an intelligence programmed into these machines that renders each unique in its own right--the Mother Code. 

Kai is born in America's desert southwest, his only companion his robot Mother, Rho-Z. Equipped with the knowledge and motivations of a human mother, Rho-Z raises Kai and teaches him how to survive. But as children like Kai come of age, their Mothers transform too--in ways that were never predicted. When government survivors decide that the Mothers must be destroyed, Kai must make a choice. Will he break the bond he shares with Rho-Z? Or will he fight to save the only parent he has ever known?In a future that could be our own, The Mother Code explores what truly makes us human--and the tenuous nature of the boundaries between us and the machines we create.

    Twk-men ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: the evil are charming, the good are dangerous.