Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

    You have to keep things close to your chest and be aware of what’s really important: the work, not everything around it. If you have faith in the work, then the people will come … it’s an artistic imperative, it has nothing to do with public perception or career or any of that crap. "The name, Swans, it’s synonymous with who I am, but it’s how it’s achieved and it’s achieved by people—those people need to have total commitment to making this sound and to making it utterly incisive and uncompromising. The work is everything and it has to—at least at the time—appear, to me, to be stellar. That’s the prerequisite. It’s an intangible thing where it really speaks and has some truth within it."—Michael Gira Over a span of some three and a half decades, Michael Gira’s Swans have risen from chaotic origins in the aftermath of New York’s No Wave scene to become one of the most acclaimed rock-orientated acts of recent years. The 1980s’ infamous ‘loudest band on the planet’ morphed repeatedly until collapsing exhausted, broken, and dispirited in the late 1990s. Swans returned triumphantly in 2010 to top end-of-year polls and achieve feted status among fans and critics alike as the great survivors and latter-day statesmen of the underground scene. Throughout, Gira’s desire has remained to create music of such intensity that the listener might forget flesh, get rid of the body, exist as pure energy—transcendent—inside of the sound. Through these pages, the musicians responsible tell the tale of one of the most significant bands of the US post-punk era. Drawing on more than 125 original interviews, Swans: Sacrifice And Transcendence is the ultimate companion to Swans and their work from the 1980s to the present day.

    He was a genuinely great Briton, beloved by millions. John's unique voice and sensibility were evident in everything he did, and nowhere is that more true than in these pages.Margrave of the Marshes is the astonishing book John Peel began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. It is a unique and intimate portrait of a life, a marriage and a family which is every bit as extraordinary as the man himself - a fitting tribute to a bona fide legend.

    The script draws from the singer's tortured self-image as well as straightforward biographical fact. In full color throughout.

    They lived an idyllic life on a farm in the picturesque dales of the north of England. With their days spent on the farm, playing on Tarzan swings, building dens and swimming outside, their perfect existence was plunged into darkness when tragedy struck the family. Within a ten week period, the boys lost their parents and were left orphans. This is the story of Philip and his brother Roger, how their grandparents stepped in to bring them up and how a family and community came together to deal with the consequences that the devastation of death had left behind. Orphan Boys is not a misery memoir, it's a story full of love, strength and hope. This book is an uplifting tale of a family's survival and how they faced the huge challenges that life threw at them.

    Freak Out the Squares is Russell's exceptionally witty, unusual and enlightening account of the heady times being a key member of Britpop's best-loved and most enduringly relevant band. The first account of life in Pulp, it takes as its starting point the band's reunion tour in 2011, which culminated in a triumphant Glastonbury performance. It's packed with good stories about Britpop luminaries, including Jarvis of course, and digs back into Pulp's origins in Sheffield and to their glory days at the height of Britpop. Russell Senior is a man too smart to have ever been a pop star. And Pulp were too odd a band ever to have become so big. But we can only be grateful that he was, and they did – and that Freak Out the Squares tells the story in Russell's inimitable, entertaining and fascinating way.

    That's all she was when I agreed to play a part in deceiving her. But then the unplanned happened.We met. And all I wanted from her was a dirty weekend . . . until that wasn't enough and I longed for so much more.Lawrence Thorn suddenly means the world to me. And that's a problem. She's my business partner's sister. Forbidden fruit. Pursuing her can mean trouble for me at Lovibond Brewery. But I don't care.I yearn for her skin against mine.I crave her smell on my body.I want to make her laugh and then hear her moan my name.And she does for a brief moment in time.But Lawrence wants more than I'm able to give. And it's a damn shame because there's no one on earth I want more than her.An epic love.A miserable ending.Unless it's not.Tap is the first book in a collection of Lovibond standalone novels.Each novel will feature a different couple.No cliffhangers.**********************************Stout: A Lovibond Novel 2A beautiful neighbor. A complete stranger. That's all she was when I moved in next door.Adelyn Maxwell is my neighbor but she's no girl next door. The more I come to know her, the more I discover she's a good girl with a lovely dark side. And maybe I don't want her to stay on her side of the fence.I want to disturb the rhythm of her pulse.I want to see the way her hair spills on the bed when she lies beneath me.I want her to teach me the dirty pretty things she desires behind closed doors. And she does.But mostly I want to leave my mark on the most intimate, untouched part of her body. Her heart.A seemingly insignificant intersection of our lives neither of us recalls suddenly becomes a pivotal moment in our future. We aren't strangers at all. And our paths aren't crossing for the first time.These twists and turns of fate will become one of two things: a wrecking ball to tear us apart or the connection to bond us together forever.Stout is the second book in a collection of Lovibond standalone novels.Each novel will feature a different couple.No cliffhangers..   ********************************** Included is a bonus read of Indulge.

     Jenny’s outward display of strength is in direct contrast to her inner turmoil and the real life struggles she is forced to face. Is she strong enough to deal with not knowing when and where the next threat in what seems a never ending string will come? Will the uncertainty of who to trust lead to an early death or a lifetime of incarceration? Is it too much for a man who struggles with commitment? Can Brian truly protect her? Will Jenny be able to fully submit to Brian’s dominance, allowing him to take the reins in life as well as the bedroom?

    We Never Learn: The Gunk Punk Undergut, 1988-2001 tracks the inspiration and beautiful destruction of this largely undocumented movement. What they took, they fought for, every night. They reveled in '50s rock 'n' roll and '60s garage rock while creating their own wave of gut-busting riffs and rhythm. The majority of bands that populate this book - the Dwarves, the Gories, the Supersuckers, the Mummies, Rocket from the Crypt, Jon Spencer Blues Explosion, the Muffs, and the Donnas among them - gained little long-term reward from their nonstop touring and brain-slapping records. What they did have was free liquor, good drugs, guilt-free sex, and a crazy good time, all the while building a dedicated fan base that extends across America, Europe, and Japan. Truly, this is the last great wave of down-and-dirty rock 'n' roll.

    disbanded in 2011. It offers by far the most detailed account of their formative years―the early lives of the band members, their first encounters with one another, their legendary debut show, early tours in the back of a van, initial recordings, their shrewdly paced rise to fame. The people and places of ‘the South’ are crucial to the R.E.M. story in ways much more complex and interesting than have been presented thus far, says Lurie, who explores the myriad ways in which the band’s adopted hometown of Athens, Georgia, and the South in general, have shaped its members and the character and style of their art. The South is more than the background to this story; it plays a major role: the creative ferment that erupted in Athens and gripped many of its young inhabitants in the late 70s and early 80s drew on regional traditions of outsider art and general cultural out-thereness, and gave rise to a free-spirited music scene that produced the B-52’s and Pylon, and laid the ground for R.E.M.’s subsequent breakout success. Lurie has tracked down and interviewed numerous figures in the band’s history who were under-represented in or even absent from earlier biographies, and they contribute previously undocumented stories as well as casting a fresh light on the familiar narrative.

    She's already lost her parents, now she's leaving the only place she's ever known as home. She’s not there long when she realizes her dreams aren’t her own and that she has the ability to walk through other people's dreams. Not only that, but she might have found her dream guy--literally. He's in her dreams. Just when she starts to get the hang of dream walking, strange murders in her new town start to occur. Girls are being killed as they sleep with no evidence, no suspects and no clear motive behind the deaths. It doesn’t take Kate very long to realize that the girls aren’t just being killed as they sleep—they’re being killed in their sleep.Kate must figure out how to find the killer in the real world and keep the ones she loves safe while they sleep.

    It was an attempt to give a narrative to music that used the tools of rock but did something utterly different with it, broadening its scope by fusing elements of punk, dub, electronic music, minimalism, and more into something wholly new.Post-rock is an anti-genre, impossible to fence in. Elevating texture over riff and ambiance over traditional rock hierarchies, its exponents used ideas of space and deconstruction to create music of enormous power. From Slint to Talk Talk, Bark Psychosis to Godspeed You! Black Emperor, Tortoise to Fridge, Mogwai to Sigur Ros, the pioneers of post-rock are unified by an open-minded ambition that has proven hugely influential on everything from mainstream rock records to Hollywood soundtracks and beyond.'The doors were blown open for me on everything,' says Kieran Hebden (Fridge/Four Tet). 'I didn't think in terms of genre almost ever again.'Drawing on dozens of new interviews and packed full of stories never before told, FEARLESS explores how the strands of post-rock entwined, frayed, and created one of the most diverse bodies of music ever to huddle under one name.

    Lots of posters and memorabilia.

    One experience that would take some beating is that endured by Baxter Dury.When punk rock star Ian Dury disappeared to make films in the late 80s, he left his teenage son in the care of his roadie, in a rundown flat in Hammersmith. But this was no ordinary roadie; this was the Sulphate Strangler. The Strangler, having taken a lot of LSD in the 60s, was prone to depression, anger and hallucinations. He was also, as the name suggests, a drug dealer. What could possibly go wrong?In a period that we can now only imagine, a young Baxter ricocheted from one adventure to another, narrowly swerving one disaster only immediately to collide with another. At times, his situation was perilous in the extreme - the world is lucky to have him at all. CHAISE LONGUE is an intimate account of those escapades, evocatively illuminating a bohemian west London populated with feverishly grubby characters. Narrated in Dury's candid tone, both sad and funny, this moving story will leave an indelible imprint on its readers.