to a major scandal, they are desperate to show they’ve reformed. Who better to present their redemption to the world than a country vicar with a reputation for being annoyingly good? Reverend Tom Goodman is ousted from his job as a country vicar for allowing a homeless family to stay in the church hall. Meanwhile, a major bank is trying to rescue its image after the latest in a long string of financial scandals. It seems like the perfect match and Goodman is hastily appointed as the bank’s new C.E.O. All they have to do now, is promote him as the new face of Shadeys Bank whilst at the same time, keeping him away from the day-to-day business of dubious banking. However, Tom Goodman has other ideas. He’s not going to be satisfied with being used as an empty puppet for a PR stunt. Unfortunately for Shadeys, Tom is planning on actually making a difference. And so begins an epic battle of wills. The might of a multi-billion pound bank versus a seemingly naïve country vicar. No contest. “Yes Minister meets The Vicar of Dibley.”

    He's kind to animals, loves children and helps old ladies across the street. But when he gets a pencil in his hands, he becomes a menace. No subject is too taboo. From dead kittens, to Helen Keller, to organized religion, there's no subject he won't twist. Politically correct? Dan Collins doesn't know the meaning.You've never seen cartoons like this before. This definitely isn't the Sunday funnies. Hilarious, demented and guaranteed to have you clutching your navel between gasps for air. Once you get hold of this book, you'll be convinced that this guy needs serious help before he's doomed to an eternity in hell.Check out this collection of insane cartoons and see if you're as demented as Dan Collins. If you find yourself laughing hysterically at some of the most marvelously bent cartoons ever created, plan on joining him on his decent into the inferno.From an early age Dan was heavily influenced by revolutionary comic artists such as Robert Crumb, B. Kliban, Gahan Wilson and Sam Gross. Coming from small town Ohio to Ohio State University in the early, turbulent 70's was a cultural and political awakening for him that would have a lasting impact. The Vietnam War and the counter culture revolution were the back drop from which this small town choirboy 'innocent' would pen his creations. What emerged were some of the most off the wall cartoons ever drawn.

    Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    Organized by decade, with commentary by some of the magazine's finest writers, this landmark collection showcases the work of the hundreds of talented artists who have contributed cartoons over the course ofThe New Yorker's eight-two-year history. From the early cartoons of Peter Arno, George Price and Charles Addams to the cutting-edge work of Alex Gregory, Matthew Diffee and Bruce Eric Kaplan (with stops along the way for the genius of Charles Barsotti, Roz Chast, Jack Ziegler, George Booth, and many others), the art collected here forms, as David Remnick puts it in his Foreword, "the longest-running popular comic genre in American life." Throughout the book, brief overviews of each era's predominant themes—from the Depression and nudity to technology and the Internet, highlight various genres of cartoons and shed light on our pastimes and preoccupations. Brief profiles and mini-portfolios spotlight the work of key cartoonists, including Arno, Chast, Ziegler, and others. The DVD-ROM included with the book is what really makes the "Complete Cartoons" complete. Compatible with most home computers and easily browsable, the disk contains a mind-boggling 70,363 cartoons, indexed in a variety of ways. Perhaps you'd like to find all the cartoons by your favorite artist. Or maybe you'd like to look up the cartoons that ran the week you were born, or all of the cartoons on a particular subject. Of course, you can always begin at the beginning, February 21, 1925, and experience the unprecedented pleasure of reading through every single cartoon ever published in The New Yorker. Enjoy this one-of-a-kind protrait of American life over the past eight decades, as captured by the talented pens and singular outlooks of the masters of the cartoonist's art.

    They're all here in this brand-new full-color compilation comic strip book: Jon, Odie, Nermal, and, of course, our favorite fat cat, Garfield! Leftovers? Garfield doesn't get the concept. The conscientious fat cat does his best to reduce food waste, gobbling all the grub the first time. (Besides, ignored edibles develop low self-esteem.) Garfield fans will feast on this binge-worthy new collection of comics!

    Mark Thomas' fourth book is a funny account of a challenge that had national repercussions. The challenge was to perform 100 acts of dissent within the year or donate £1000 to UKIP. (Nothing like a little incentive.) The targets were multiple; from corporate greed and public service inanities to infringements of rights. This is his account of the adventure and is sure to inspire. This book contains many photos and graphics, and so has been produced as a fixed-format colour ebook. It is only recommended for the newer, colour ebook readers.

    Chronicling the last few raucous years in American politics, Lithgow takes readers verse by verse through the history of Donald Trump's presidency.- Lampoons the likes of Betsy DeVos, William Barr, Rudy Giuliani, and dozens more.- Illustrated from cover to cover with Lithgow's never-before-seen line drawings.- Draws inspiration from A. A. Milne, Lewis Carroll, Edward Lear, and even Mother Goose.- Great for fans of A Very Stable Genius by Mike Luckovich, Win Bigly: Persuasion in a World Where Facts Don't Matter by Scott Adams, and The Donald J. Trump Presidential Twitter Library by The Daily Show with Trevor Noah.The poems collected in Dumpty draw inspiration from A. A. Milne, Lewis Carroll, Edward Lear, Rodgers and Hammerstein, Mother Goose, and many more. A feat of laugh-out-loud lyrical storytelling, this timely volume is bound to bring joy to poetry lovers, political junkies, and Lithgow fans alike.

    Now, in this new series of Enid Blyton for Grown-Ups, George, Dick, Anne, Julian and Timmy are keen to hone their physiques ready for the summer holidays. All it will take is a bit of effort and willpower . . . and pulling together as a team. What could possibly stand in their way?True to form, the path to the body beautiful is less straightforward than they hope!

    “Just when we thought the lawlessness in Iraq was over,” O’Farrell observes, “even more blatant incidents of looting have begun. With handkerchiefs masking their faces, two rioters roughly the height of George Bush and Donald Rumsfeld kicked in the gates of the largest oilfield and grabbed the keys of the gasoline trucks. ‘Yee-haw! It’s all ours! Millions of barrels of the stuff’ they laughed. ‘Yup!’ added the leader ‘ and this mask guarantees my anonymousinity!’ So after all these years there really is such a person as the Thief of Baghdad. Except strangely his accent sounded vaguely Texan.”A writer for the groundbreaking television show Spitting Image and contributor to the screenplay for the hit movie Chicken Run, O’Farrell meticulously researched his conclusions “by spending five minutes on the internet and then giving up.” And while O’Farrell’s sharpest barbs and stingers have often been written to come out of the mouths of grotesque puppets and Claymation chickens, this time around he keeps the best lines for himself: ‘‘With the election of the 43rd President of the United States, the global village is complete,” O’Farrell writes. “’It has its own global village idiot.’”

    But the dot, though perfect in every way, only had eyes for a wild and unkempt squiggle. All of the line's romantic dreams were in vain, until he discovered...angles! Now, with newfound self-expression, he can be anything he wants to be--a square, a triangle, a parallelogram....And that's just the beginning!First published in 1963 and made into an Academy Award-winning animated short film, here is a supremely witty love story with a twist that reveals profound truths about relationships--both human and mathematical--sure to tickle lovers of all ages.

    John stand alone on the small Mediterranean island of Malta against the tide of Islam. The Ottoman emperor, Suleiman the Magnificent, has sent the greatest armada ever to set sail to wipe them off the face of the earth. And there is a traitor among them. Time is running out and Matla’s doom is sealed. But one man will never yield. Englishman Christian Hardy will stop at nothing to save the island. With a band of close companions – the Moor, genius inventor of demonic weapons; Hubert, the would-be warrior priest; the young orphan Luqa and Maria, the beautiful noblewoman who risks all to be with him – Christian must unmask the spy within, take a stand against an unbeatable foe, and change the course of history.

    He used the elegant draftsmanship and single-panel format of the standard cartoons of the day, but turned them into more than just one-off jokes. With an inimitable mixture of wit, earnestness, and enigmatic surrealism, Dean uses this most ephemeral of forms to explore the deepest mysteries of human existence.What Am I Doing Here? depicts a world at once alien and familiar, in which everyone is naked but act like they’re clothed—a world of club-wielding commuters and byzantine inventions, secret fears, and perverse satisfactions. Through it all strolls (or crawls, or floats, or stumbles) Dean’s unclad Everyman, searching for love, happiness, and the answers to life’s biggest questions.

     Rowdy Talbot isn't the world's greatest bull rider. Not even close. But he lives by the cowboy code, and he never forgets to take off his cowboy hat during the national anthem. When Rowdy wins the rodeo in Crockett County, Colorado, he celebrates his triumph with two young Frenchwomen he meets in a local bar. The next morning, when he discovers that the two have left for Paris with the championship belt buckle he won, Rowdy does what any true cowboy would: he hops on a plane to the City of Light to retrieve it. What follows is a comic collision of cultures and personalities. In Rowdy in Paris, Tim Sandlin has concocted an unlikely but engaging mélange of characters: disaffected French revolutionaries, a turquoise-peddling CIA operative, and a middle-aged courtesan, all caught in a plot to destroy an American fast-food chain. At the center of the chaos is Rowdy himself, who finds as he searches for the belt buckle that there's another world beyond the back of a bull. By turns smart and satirical, biting and engaging, Rowdy in Paris is a surprisingly moving story about what it means to broaden one's horizons by opening one's heart.

    For all you fellow agonizers, fretters, and nervous wrecks, this book is for you. Read it and weep...with laughter

    Foreman on a deconstruction ship that specializes in demolishing belief outbreaks, Nul is prodded out of his complacency by a false murder charge, and sets off on a journey that takes him to the very brink of hope. A 232-page concoction of fiction and intrigue that delves into the bleak and bitter philosophical brew of Nihilist chic.