of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. Jenny Offill's heroine, referred to in these pages as simply "the wife," once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art. With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

    All, however, share a common vision: a rediscovery of this land, and the ways by which we might become natives of the place, ceasing to think and act (after all these centuries) as newcomers and invaders. Of particular interest is the full text of the ever more relevant "Four Changes," Snyder's seminal manifesto for environmental awareness.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    Ultimately, her ambitions are tempered by the realities of her situation, which she learns to accept with grace and style. Alice's resiliency of spirit makes her one of Booth Tarkington's most compelling characters. A fascinating story that won the Pulitzer Prize. This publication from Boomer Books is specially designed and typeset for comfortable reading.

    He delves into his youth to analyze its repercussions.

    Claude Wheeler, the sensitive but aspiring protagonist, has ready access to his family's fortune but refuses to settle for it. Alienated from his uncaring father and pious mother, and rejected by a wife whose only love is missionary work, Claude is an idealist without ideals to cling to. Only when his country enters the Great War does he find the meaning of his life.

    Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.

    But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family.Wallace Stegner's Pultizer Prize-winning novel is a story of discovery—personal, historical, and geographical.

    His daughter, Henrietta, becomes his partner in the endeavour but has desires of her own. When Allmon Shaughnessy, an African American man fresh from prison, comes to work in the stables, the ugliness of the farm's history rears its head. Together through sheer will, the three stubbornly try to create a new future – one that isn't determined by Kentucky's bloody past – while they mould Hellsmouth into a champion.The Sport of Kings has the force of an epic. A majestic story of speed and hunger, racism and justice, this novel is an astonishment from start to finish.

    The passionate nature and originality of Ferry’s prosodic daring works astonishing transformations that take your breath away. In poem after poem, his diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against—and with—his genius for metrical variation. His vocal phrasing thus becomes an amazingly flexible instrument of psychological and spiritual inquiry. Most poets write inside a very narrow range of experience and feeling, whether in free or metered verse. But Ferry’s use of meter tends to enhance the colloquial nature of his writing, while giving him access to an immense variety of feeling. Sometimes that feeling is so powerful it’s like witnessing a volcanologist taking measurements in the midst of an eruption.     Ferry’s translations, meanwhile, are amazingly acclimated English poems. Once his voice takes hold of them they are as bred in the bone as all his other work. And the translations in this book are vitally related to the original poems around them. From Bewilderment:OctoberThe day was hot, and entirely breathless, soThe remarkably quiet remarkably steady leaf fallSeemed as if it had no cause at all.The ticking sound of falling leaves was likeThe ticking sound of gentle rainfall asThey gently fell on leaves already fallen,Or as, when as they passed them in their falling,Now and again it happened that one of them touchedOne or another leaf as yet not falling,Still clinging to the idea of being summer:As if the leaves that were falling, but not the day,Had read, and understood, the calendar.

    She decides to marry him. Imagine Me Gone is the unforgettable story of what unfolds from this act of love and faith. At the heart of it is their eldest son, Michael, a brilliant, anxious music fanatic who makes sense of the world through parody. Over the span of decades, his younger siblings -- the savvy and responsible Celia and the ambitious and tightly controlled Alec -- struggle along with their mother to care for Michael's increasingly troubled and precarious existence. Told in alternating points of view by all five members of the family, this searing, gut-wrenching, and yet frequently hilarious novel brings alive with remarkable depth and poignancy the love of a mother for her children, the often inescapable devotion siblings feel toward one another, and the legacy of a father's pain in the life of a family. With his striking emotional precision and lively, inventive language, Adam Haslett has given us something rare: a novel with the power to change how we see the most important people in our lives.

    As ex-cop and recent widower Walter "Pops" Washington struggles to hold on to one of the last great rent-stabilized apartments on Riverside Drive, he must also contend with old wounds, new houseguests, and a final ultimatum. It seems the old days are dead and gone — after a lifetime living between Riverside and Crazy.

    Channeling her poetic sensibilities into a rich, lucid prose, Alexander tells a love story that is, itself, a story of loss. As she reflects on the beauty of her married life, the trauma resulting from her husband's death, and the solace found in caring for her two teenage sons, Alexander universalizes a very personal quest for meaning and acceptance in the wake of loss. The Light of the World is at once an endlessly compelling memoir and a deeply felt meditation on the blessings of love, family, art, and community. It is also a lyrical celebration of a life well-lived and a paean to the priceless gift of human companionship. For those who have loved and lost, or for anyone who cares what matters most, The Light of the World is required reading.

    At a ceremonial dance, the young, earnest silversmith Laughing Boy falls in love with Slim Girl, a beautiful but elusive "American"-educated Navajo. As they experience all of the joys and uncertainties of first love, the couple must face a changing way of life and its tragic consequences.