With a comprehensive introduction to the genre and book by editor Dinty W. Moore, The Field Guide is perfect for both the classroom and the individual writer’s desk—an essential handbook for anyone interested in the scintillating and succinct flash nonfiction form. How many words does it take to tell a compelling true story? The answer might surprise you. “The Rose Metal Press Field Guide to Writing Flash Nonfiction, edited by the invaluable Dinty W. Moore, is a lot more than flashy. These thoughtful, thought-provoking essays and exercises have the paradoxical effect of slowing down our attention and encouraging an expansion of the moment, while seeming to be saving writing and reading time. A very useful compilation.” ~Phillip Lopate , The Art of the Personal Essay: An Anthology from the Classical Era to the Present

    In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up.“In Matt Salesses’s smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary—by sarcasm, by denial, by playful and precise wordplay—rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become.”– Matt Bell, author of In the House upon the Dirt between the Lake and the Woods“Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I’m Not Saying, I’m Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love.”–Catherine Chung, author of Forgotten Country“Matthew Salesses’ I’m Not Saying, I’m Not Saying is an absolute stunner of a novel. Told is short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses’ writing here lies in his fearlessness, the emotional blows to the heart and head and gut he’s willing to deliver, as if to say: This, this is life! And we are all, in one way or another, survivors.”– Kathy Fish, author of Together We Can Bury It“I’m not Saying, I’m just Saying renders the messiness of life, family, love in its myriad complex forms—romance lost and found, blood ties, squandered, unrequited—via 115 micro-stories that add up to a pointillist masterpiece.”– Marie Myung-Ok Lee, author of Somebody’s Daughter

    You meet a souvenir hunter in the Thirtieth Century and a schoolgirl who tries to cope with the teaching methods of the Twenty-second Century. You share the terror of an astronaut in a “haunted” space suit and the dilemma of a wife whose husband knows a common chemical formula for destroying the earth. In short, you feel the impact, the originality, and the uncanny atmosphere created by these science fiction experts not once—but 50 times.Fifty Short Science Fiction Tales have been selected for their concise writing, and for punch lines that leave the reader “surprised, shocked, and delighted at the final sentence.” According to the editors, another important aspect of this literary form is “evocation of a background differing from our own.” Consequently, though some of the stories are just a page long, the reading experience is always excitingly unique.Ballade of an artificial satellite / Paul Anderson --Fun they had / Isaac Astimov --Men are differenct / Alan Bloch --Ambassadors / Anthoy Boucher --Weapon / Fredric Brown --Random sample / T.P. Caravan --Oscar / Cleve Cartmill --Mist / Peter Cartur --Teething ring / James Causey --Haunted space suit / Arthur C. Clarke --Stair Trick / Mildred Clingerman --Unwelcome tenant / Roger Dee --Mathematicians / Arthur Feldman --Third level / Jack Finney --Beautiful, beautiful, beautiful! / Stuart Friedman --Figure / Edward Grendon --Rag thing / David Grinnell --Good provider / Marion Gross --Columbus was a dope / Robert A. Heinlein --Texas Week / Albert Hernhuter --Hilda / H.B. Hickey --Choice / W. Hilton-Young --Not with a bang / Damon Knight --Altar at midnight / C.M. Kornbluth --Bad day for sales / Fritz Leiber --Who's cribbing? Jack Lewis --Spectator sport / John D. MacDonald --Cricket ball / Avro Manhattan --Double-take / Winston K. Marks --Prolog / John P. McKnight --Available data on the worp reaction / Lion Miller --Narapoia / Alan Nelson --Tiger by the tail / Alan E. Nourse --Counter charm / Peter Phillips --Fly / Arthur Porges --Business, as usual / Mack Reynolds --Two weeks in August / Frank M. Robinson --See? / Edward G. Robles, Jr. --Appointment at noon / Eric Frank Russell --We don't want any trouble / James H. Schmitz --Built down logically / Howard Schoenfeld --Egg a month from all over / Idris Seabright --Perfect woman / Robert Sheckley --Hunters / Walt Sheldon --Martian and the magician / Evelyn E. Smith --Barney / Will Stanton --Talent / Theodore Sturgeon --Project hush / Willian Tenn --Great judge / A.E. Van Vogt --Emergency landing / Ralph Williams --Obviously suicide / S. Fowler Wright --Postlude --Six Haiku / Karen Anderson

    Tiny Nightmares brings to life broken-hearted vampires, Uber-taking serial killers, mind-reading witches, and monsters of all imaging, as well as stories that tackle the horrors of our modern world from global warming and racism to social media addiction and online radicalization. Writers such as Samantha Hunt, Brian Evenson, Jac Jemc, Stephen Graham Jones, Kevin Brockmeier, and Rion Amilcar Scott expand our understanding of horror fiction with inventive and blood-curdling new tales. We suggest reading with the hall light on and the bedroom door open just a crack.

    Manguso’s Hard to Admit and Harder to Escape is a series of crystalline recollections of her childhood misadventures; Eggers’ How the Water Feels to the Fishes brings a deadpan absurdism to the intimacy and vision of his earlier work; and Unferth’s rollicking Minor Robberies unleashes a horde of off-kilter characters and their indelible misadventures. Each author’s work comes in its own hardcover, foil-stamped volume, and the three volumes are housed in an elegant slipcase.

    This verse translation of The Fables is the first in English in more than two hundred years.In addition to the familiar animal fables, about a quarter of the book includes such diverse material as prologues and epilogues, historical anecdotes, short stories, enlarged proverbs and sayings, comic episodes and folk wisdom, and many incidental glimpses of Greek and Roman life in the classical period.The Fables also sheds light on the personal history of Phaedrus, who seems to have been an educated slave, eventually granted his freedom by the emperor Augustus. Phaedrus' style is lively, clean, and sparse, though not at the cost of all detail and elaboration. It serves well as a vehicle for his two avowed purposes—to entertain and to give wise counsel for the conduct of life. Like all fabulists, Phaedrus was a moralist, albeit on a modest and popular level.An excellent introduction by P. F. Widdows provides information about Phaedrus, the history of The Fables, the metric style of the original and of this translation, and something of the place of these fables in Western folklore. The translation is done in a free version of Anglo-Saxon alliterative verse, a form used by W. H. Auden and chosen here to match the popular tone of Phaedrus' Latin verse.

    Their young protagonists face matters of great consequence, such as the death of a parent, unwanted pregnancy, and bullying, as well as lighter, if perplexing circumstances: how to hold a prom when being home-schooled; what to do when the babysitter suddenly sees the Rapture. The stories are of this moment--a girl who falls in love and then is pressured to lose her virginity in a cyberspace world--and they also remember the past: the Nixon era, the Vietnam War, slavery. Here is a glimpse into the way we live now from the point of view of those who will determine the future. Among the contributors are Steve Almond, Peter Bacho, Richard Bausch, Gayle Brandeis, Richard Brautigan, Ron Carlson, Kelly Cherry, Dave Eggers, Pia Z. Ehrhardt, Jim Heynen, Victor Lavalle, Meg Kearney, Naomi Shihab Nye, Maryann O'Hara, Sonia Pilcer, Pamela Painter, Bruce Holland Rogers, Robert Shapard, and Alice Walker.

    I only catch glimpses of a man in the shadows behind me whenever I steal a glance, but I know that something is wrong... In the tradition of UK drabbles, this is a story that is exactly 100 words.

    When I say Ooh, you say Aah. Let’s try it.”In this interactive picture book, young readers help to tell the story by responding to simple verbal or visual cues. This hilarious book is perfect for reading aloud and is fun for the whole family.

    In this classic story, Watson tries to mimic Holmes's mastery of the art of deduction with very funny results, making this a book for both adults and children to delight in. Alongside the miniature book, which measures just 38.5 x 30 mm, the edition also contains an informative booklet with a transcript of the story and information about the Dolls' House. Queen Mary's Dolls' House is the largest and most famous of its kind in the world, and has a library containing miniature works by all the major writers and artists of the day.

    A Selection from The Collected Fictions of Jorge Luis Borges

    But as you might expect, his approach was far from orthodox. Avoiding the hazy psychoanalysis of most dream journals, he challenged himself to translate his visions and subconscious churnings directly into prose. In laying down the nonsensical leaps of the imagination, he finds new ways to express the texture and ambiguity of dreams--those qualities that prove so elusive. Beyond capturing a universal experience for the first time and being a fine document of literary invention, "La Boutique Obscure" contains the seeds of some of Perec's most famous books. It is also an intimate portrait of one of the great innovators of modern literature.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.