Swipe right if you want dates with alpha dragons, wolves, and bears! The ComeShift Series box set is a collection of shifter romance short stories: Book 1: Ghost Wolf Book 2: Under Fire Book 3: Silver Wolf Book 4: Dating Two Dragons Bonus: Two more ComeShift stories, including one never before released! **This is a collection of short story (10-30,000 word each), standalone shifter romances. 18+ Only**

    29 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of Naked. This detailed literature summary also contains Topics for Discussion and a Free Quiz on Naked by David Sedaris.

    Topics: basic skills, essential skills, personal development, Affairs_Sex_and_Love, professional life, money, rejection, your and our future, unexpected stories, and “So, where do we go from here?”Readers will be able to apply the tricks Gisela reveals immediately. The ebook edition won BRONZE at the eLit Awards 2012 (category inspirational/motivational)5***** at Readers Favorite

    This often harrowing tale reveals their lives in the sixties and seventies, and through to Mother's Day 1985 when Michael suddenly becomes a 'missing person.'In 2017, Catherine set out to resolve the facts surrounding her adoption by taking a DNA test. The results are not what she expects. An ambitious undertaking follows using genealogy records, DNA-matched relatives and the construction of a family tree of over three thousand people. As pieces began to fall into place, her search takes an unexpected turn.While seeking an elusive parent, Catherine is vastly unprepared to receive news of Michael. The closed door of an unsolved mystery is suddenly thrown wide open and Catherine is faced with the aftermath affecting many more lives than her own.

    His trouble with females usually begins upon opening his mouth.Here, Carlos shares his ups and mostly downs of bachelorhood, including romantic conquests with a slew of childhood crushes, insane yogis, a Playboy vixen, a STD host, the flaky, the deaf, and the just plain dumb. His unique mating style is not to be duplicated, but it will definitely make readers laugh-and want to get tested ASAP.

    A cautionary tale about a bright, confident young woman who sells her future for easy money and glamour, "The Price" takes readers inside the world of the twenty-five-year-old-girl "New York" magazine labeled "The $2,000-An-Hour Hooker."

    For believers and skeptics, love's fools and love's thieves. It is for people with long memories and long histories and for people who reinvent themselves in every new town, new decade, new relationship. This book is for everyone whose heart lies where it should, where it shouldn't, and, in the end, where it must. -Amy Bloom, from the ForewordIn these intensely personal essays, contemporary writers probe their experiences in and thoughts about one of our most enduring social and cultural institutions. Husbands and wives celebrate marriages that work, mourn those that don't, and write frankly about adultery. Includes essays by Mark Doty, Gerald Early, Barbara Ehrenreich, Cynthia Heimel, Vivian Gornick, Phillip Lopate, Nancy Mairs, and David Mamet.

    Ingrid Sischy on Nicole Kidman. Jacqueline Woodson on Lena Waithe. Leslie Bennetts on Michelle Obama. And two Maureens (Orth and Dowd) on two Tinas (Turner and Fey). Vanity Fair's Women on Women features a selection of the best profiles, essays, and columns on female subjects written by female contributors to the magazine over the past thirty-five years.From the viewpoint of the female gaze come penetrating profiles on everyone from Gloria Steinem to Princess Diana to Whoopi Goldberg to essays on workplace sexual harassment (by Bethany McLean) to a post-#MeToo reassessment of the Clinton scandal (by Monica Lewinsky). Many of these pieces constitute the first draft of a larger cultural narrative. They tell a singular story about female icons and identity over the last four decades--and about the magazine as it has evolved under the editorial direction of Tina Brown, Graydon Carter, and now Radhika Jones, who has written a compelling introduction.When Vanity Fair's inaugural editor, Frank Crowninshield, took the helm of the magazine in 1914, his mission statement declared, "We hereby announce ourselves as determined and bigoted feminists." Under Jones's leadership, Vanity Fair continues the publication's proud tradition of highlighting women's voices--and all the many ways they define our culture.

    Lynch reflects on her difficult childhood with her bi-polar mother, and comes to realize her chaotic past unwittingly provided the perfect foundation for her chosen career.

    This collection of short stories is our gift to bring you something positive and joyful with which to end the year.Soldiers stumbling upon mercy and miracles; children sharing gifts of friendship and love; romance finding its way into lonely, war-weary hearts; resistance fighters; spies; families on the home front—all bringing their own ray of hope in the darkest of times.For this holiday season, we offer you this collection of short stories to lift your spirit, and to remember a time when love and the strength of human spirit prevailed.We hope you will enjoy stepping back into the wartime Christmases in these stories with us.

    Camille Peri and Kate Moses, the founding editors of Salon.com's "Mothers Who Think" column and the subsequent anthology of the same name, have once again compiled a selection of intimate and fiercely honest essays on the profound issues that affect women and their children.Because I Said So offers thirty-three unique perspectives on motherhood from such writers as Janet Fitch, Mariane Pearl, Ayelet Waldman, Mary Roach, Rosellen Brown, Mary Morris, and Ana Castillo. Witty and wise, their stories range from the anguish of giving up child custody to the guilt of having sex in an era of sexless marriages; from learning to love the full-speed testosterone chaos of boys to raising girls in a pervasively sexualized culture; from facing racial and religious intolerance to surviving cancer and rap simultaneously. This is the collective voice of real mothers in all their humor, anger, vulnerability, grace, and glory.

    From the fraught relationship with her biological father to "leather daddies" of the adult and BDSM communities, Daddy explores Young's interwoven relationships with each of them and the sex positive values that she teaches and lectures on across the country at Yale University, Berkeley University, Good Vibrations, Smitten Kitten, Tool Shed, Kinky Kollege, and Austin Rope Symposium.

    The New Yorker offers a signature mix of reporting and commentary on politics, international affairs, and the arts, along with fiction, poetry, humor, and cartoons. Founded in 1925, The New Yorker has received more National Magazine Awards than any other magazine. Notable work in recent years includes coverage of the war on terror by George Packer, Jane Mayer, Lawrence Wright, Steve Coll, and Seymour M. Hersh; reports from the front lines of the Middle East by Jon Lee Anderson, Dexter Filkins, and Wendell Steavenson; Malcolm Gladwell on "the tipping point"; Anthony Lane on movies; James Wood on books; Elizabeth Kolbert on the environment; Atul Gawande on health care; fiction by Jonathan Franzen, Edwidge Danticat, Zadie Smith, and Haruki Murakami; humor by David Sedaris and Andy Borowitz; and cartoons by Roz Chast.

    We start innocently enough: reading a journal about finding oneself -- a journey across America to recapture and understand a young woman's history as she prepares for a new life.Along the way, we are alternately voyeurs and witnesses, learning the details and daily grinds of a worker in the sex trade -- an exotic dancer, on her last cross-country tour of the clubs that have been such an important part of her life. Well written and powerful, Strip City becomes, about midway through, the journal of a soul. It asks why we do what we do, what it means to say one is a feminist, and how to understand (with eyes wide open) an industry that is both liberating and degrading -- a job in some ways like many others, yet one ultimately corruptive of our very dreams, nightmares, fears, and desires. Strip City is not a tell-all, although it tells much. It is one woman's attempt to come to terms with her past: to glorify the dance and not to victimize, preach, or pass judgment on the dancers or to mystify the work, the audience drawn to it, and (most of all) the toll on the women themselves. It is both painful and funny and cathartic for both writer and reader. Most of all, it is a very moral tale, honestly told, deftly written, and exhibiting neither shame nor undue pride: an American tale, filled with pop culture images that remind us, over and over again, of the roles a prosperous, bountiful nation has allowed to (or forced on) women. Strip City provides us a dazzling, glitzy, and devastating meditation. ( Fall 2001 Selection)

    As he searches for the reason behind this sudden urge, Donaldson examines both the place where he was born and the life he’s building. The result is a hybrid—part memoir, part meditation on nostalgia, part catalog of Kentucky history and myth. Organized according to Kentucky geography, with one passage for each of the commonwealth’s 120 counties, On Homesickness examines whether we can ever return to the places we’ve called home.