It's not like they were close. She hadn't seen him--or her grandmother, the ice queen--in almost 20 years. But when Adella Atwater, the manager of her grandmother's apartment house, called and said Jillian's expenses would be paid if she'd fly in for the burial, a free trip to New Orleans was too intriguing to resist.What Adella didn't tell her was that the apartment house wasn't a house at all and, whatever it was, bore the dead weight of a long and painful history. As soon as Jillian meets the odd assortment of renters and realizes that her grandmother had no idea she was coming, she hatches a plan to escape. But the investigation into her father's death quickly unfolds and Jillian is drawn into the lives of the colorful collection of saints and sinners who pass through Saint Silvanus. She soon discovers there is more at stake than she ever imagined. Who is behind the baffling messages and the strange relics left on the steps? Is it possible that her family is actually cursed? Or is it just this crazy old house that holds them all under its spell?Jillian walks into a web of spiritual and personal danger borne out of her family's broken history, and despite Adella's wiliest efforts, only God himself can orchestrate the undoing of all that is going on at Saint Silvanus.

    On death row for murdering her infant son, her last breath will be taken on February 15 at 12:01 a.m. Eleven years, five months, and twenty-seven days separate her from the last time she heard her precious daughter’s voice and the final moment she’d heard anyone call her Mom. Out of appeals, she can focus on only one thing, reconnecting with her daughter and making sure she knows the truth.Secrets lurk behind Sophie Logan’s big house and even bigger bank account. Every day when she kisses her husband good-bye, she worries her fabricated life is about to come crumbling down. No one knows the unforgivable things her mother did to tear her family apart—not her husband, who is a prominent plastic surgeon, or her “synthetic” friends who live in her upscale neighborhood. Grace’s looming execution date forces Sophie to revisit the traumatic events that haunted her childhood. When she returns to her hometown, she discovers new evidence about her baby brother William’s death seventeen years ago, proof that might set her mother free but shatter her marriage forever.Sophie must quickly decide if her mother is the monster the prosecutor made her out to be or the loving mother she remembers—the one who painted her toenails glittery pink and plastered Post-it notes with inspiring quotes (“100 percent failure rate if you don't try”) all over Sophie’s bathroom mirror—before their time runs out.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.

    Elisabeth, born in 1984, has her eye on the future. The United Kingdom is in pieces, divided by a historic once-in-a-generation summer.Love is won, love is lost. Hope is hand in hand with hopelessness. The seasons roll round, as ever...

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    Desperate and afraid of her feelings for an Irish priest with whom she has been working, she spends eight days on the run, encountering a variety of characters along the way: a cynical Englishman who helps her out; a suspicious Peruvian police officer who takes her in for questioning; and two American Peace Corps workers who befriend her. As Kate traverses this dangerous physical journey through Peru, she also embarks upon an interior journey of self-discovery―one that leads her somewhere she never could have expected.

    Gillian and Sally have endured that fate as well: as children, the sisters were forever outsiders, taunted, talked about, pointed at. Their elderly aunts almost seemed to encourage the whispers of witchery, with their musty house and their exotic concoctions and their crowd of black cats. But all Gillian and Sally wanted was to escape. One will do so by marrying, the other by running away. But the bonds they share will bring them back—almost as if by magic...

    They have left Illinois trailing scandal and disappointment in their wake: Graham's sleep disorder has cost him his tenure at Northwestern; Georgia's college advising business has gone belly up; and three-year old Frankie is no longer speaking. Miami feels emptier without Georgia's mother, who died five years earlier, but her father and stepmother offer a warm welcome-as well as a slip for the dilapidated houseboat Georgia and Graham have chosen to call home. And a position studying extreme weather patterns at a prestigious marine research facility offers Graham a professional second chance.When Georgia takes a job as an errand runner for an artist who lives alone in the middle of Biscayne Bay, she's surprised to find her life changes dramatically. Time spent with the intense hermit at his isolated home might help Frankie gain the courage to speak, it seems. And it might help Georgia reconcile the woman she was with the woman she has become.But when Graham leaves to work on a ship in Hurricane Alley and the truth behind Frankie's mutism is uncovered, the family's challenges return, more complicated than before. Late that summer, as a hurricane bears down on South Florida, Georgia must face the fact that her choices have put her only child in grave danger.Sea Creatures is a mesmerizing exploration of the high stakes of marriage and parenthood, the story of a woman coming into her own as a mother, forced to choose between her marriage, her child, and the possibility of new love.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    Seventeen-year-old Josephine Bell decides to run from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: she must find the "perfect plaintiff" to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves. It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy roiling the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine's would be the perfect face for the reparations lawsuit - if Lina can find one. While following the runaway girl's faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: How did Lina's mother die? And why will he never speak about her? Moving between antebellum Virginia and modern-day New York, this searing, suspenseful and heartbreaking tale of art and history, love and secrets, explores what it means to repair a wrong and asks whether truth is sometimes more important than justice.

    At almost thirty, she is adrift and alienated from life. Stuck in a mindless job and reluctant to pursue her passion for food, she suppresses her appetite and recedes to the corners of rooms. But when she meets Stevie, a spirited and effervescent artist, their intense friendship sparks a change in Roberta, a shift in her desire for more. Together, they invent the Supper Club, a transgressive and joyous collective of women who gather to celebrate, rather than admonish, their hungers. They gather after dark and feast until they are sick; they break into private buildings and leave carnage in their wake; they embrace their changing bodies; they stop apologizing. For these women, each extraordinary yet unfulfilled, the club is a way to explore, discover, and push the boundaries of the space they take up in the world. Yet as the club expands, growing both in size and rebellion, Roberta is forced to reconcile herself to the desire and vulnerabilities of the body--and the past she has worked so hard to repress. Devastatingly perceptive and savagely funny, Supper Club is an essential coming-of-age story for our times.

    People said her mother, Winnie, was never quite right, but with one single, irreparable act, life as Hadley knew it was shattered. The aftershocks of that moonlit night left her reeling, but the secrets and lies had started long before.When a widowed and pregnant Hadley returns years later, it’s not the safe harbor she expects. The mysteries surrounding a local boy’s disappearance remain, and the townspeople still whisper about Hadley’s strange and reclusive Uncle Eli—whispers about a monster in their midst.But Hadley’s father and grandmother, the cornerstones of everything safe in her world, avoid her questions. If Hadley stays here, will she be giving her children the family they need or putting their lives in danger?The hunt for answers takes a determined Hadley deep into the pine forests, in search of sunlight that will break through the canopy of lies long enough to reveal the truth.

    Like NORTH AND SOUTH and LOVE AND WAR, this novel blends historical detail and fiction."A superb storyteller and compelling writer. Not necessary to have read the first two books, for events and people are clearly defined, thus HEAVEN AND HELL stands on its own considerable merit." (Chattanooga News-Free Press)

    While dining out with her husband and their friends, Kirshenbaum's protagonist—an acerbic, mordantly witty, and clinically depressed writer—fully unravels. Her breakdown lands her in the psych ward of a prestigious New York hospital where she refuses all modes of recommended treatment. Instead, she passes the time chronicling the lives of her fellow “lunatics” and writing a novel about how she got to this place. Her story is a hilarious and harrowing deep dive into the disordered mind of a woman who sees the world all too clearly. Propelled by stand-up comic timing and rife with pinpoint insights, her examination of what it means to be unloved, and loved; to succeed, and fail; to be, at once, both impervious and raw ultimately reveals how art can lead us out of—or into—the depths of disconsolate loneliness and piercing grief. Rabbits for Food, Kirshenbaum’s first novel in a decade, is a bravura literary performance. A heartbreaking, irreverent, laugh-out-loud funny meditation on what it’s like to lose your mind.