The One Day of the Year


Alan Seymour - 1967
    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

Six Degrees of Separation


John Guare - 1990
    The tragicomedy of race, class, manners and naivete of liberalism.

The Playboy of the Western World


J.M. Synge - 1907
    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Night Street


Kristel Thornell - 2010
    With her extraordinary talent for making simple city and seascapes haunting and mysteriously revelatory, Clarice paints prolifically and lives largely, overcoming the seemingly confined existence.Inspired by the art and life of the Victorian artist Clarice Beckett (1887-1935), Night Street is the story of a painter who, having remained unmarried by choice, continues to live with her ageing parents. Hers is an existence which, from the outside, appears both restrictive and monotonous. In fact, it masks a vibrant and passionate hidden life. With a mobile painting trolley in lieu of a studio, Clarice makes her way through the streets and coastline of Melbourne at dawn and dusk where she creates sombre, enigmatic landscapes. Through her art, she enters into a world of sensuality and freedom, away from the constraints of a conservative and disapproving society.Thornell is a beautiful writer. Her evocation of the painter Clarice, who fights against societal conventions whilst being pushed, to outwardly adhere to them, is powerful, eloquent and moving. The clarity and simplicity of Thornell's writing resonates through the book, highlighting its undercurrent of fervour and passion, as it propels the narrative forward with a masterful sense of poetic urgency.Night Street began with Thornell's first encounter with the paintings of Clarice Beckett at the Art Gallery of South Australia. The subtle power of Beckett's enigmatic landscapes enabled her to imagine Clarice's inner life and shape an extraordinary novel.

DNA


Dennis Kelly - 2008
    But when they find that the cover-up unites them and brings harmony to their otherwise fractious lives, where’s the incentive to put things right? DNA is a poignant and, sometimes, hilarious tale with a very dark heart.A new play for younger people DNA opened at the National Theatre in February 2008

Ruby Moon


Matt Cameron - 2003
    Sprinklers swivelled to a hypnotic beat, cicadas pulsed to the shimmering heat, the concrete was caramel under your feet and the ice-cream van turned slow motion into our dead-end street'. Matt Cameron's arresting new play begins like a fairytale - but ends somewhere else entirely.

Drawer Boy


Michael Healey - 1999
    When a young actor from the big city lives with two aging bachelor farmers to gather stories about rural life, the farmers' lives are irrevocably altered when art attempts to imitate life and the line between truth and fiction is crossed.

A Raisin in the Sun


Lorraine Hansberry - 1959
    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

Oleanna


David Mamet - 1993
    Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship and abuse.

Speaking in Tongues


Andrew Bovell - 1998
    Nine parallel lives, interlocked by four infidelities, one missing person and a mysterious stiletto, are woven through a fragmented series of confessionals and interrogations that gradually reveal a darker side of human nature.

Our Country's Good


Timberlake Wertenbaker - 1988
    A young lieutenant directs rehearsals of the Restoration comedy, The Recruiting Officer. With a cast of convicts, opposition from sadistic officers and a leading lady who is due to be hanged, Australia's first theatrical production is in trouble from the start.

Why Weren't We Told?


Henry Reynolds - 1999
    In this book, he shares the process of his discovery of the past and present realities of Aboriginal and white Australia.

The Weir


Conor McPherson - 1997
    Set in a bar in a remote part of Ireland, The Weir tells of a young woman who has a story to frighten the locals out of their lives.

How I Learned to Drive


Paula Vogel - 1997
    Sweet recollections of driving with her beloved uncle intermingle with lessons about the darker sides of life. Balmy evenings are fraught with danger; seductions happen anywhere. Li'l Bit navigates a narrow path between the demands of family and her own sense of right and wrong.

7 Stories


Morris Panych - 1989
    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.