However, recent discoveries of astonishing accomplishments from the Neolithic Age - in art, technology, writing, math, science, religion, medicine and exploration - demand a fundamental rethinking of humanity before the dawn of written history.In this fascinating book, Richard Rudgley describes how:* The intrepid explorers of the Stone Age discovered all of the world's major land masses long before the so-called Age of Discovery* Stone Age man performed medical operations, including amputations and delicate cranial surgeries* Paleolithic cave artists of Western Europe used techniques that were forgotten until the Renaissance* Prehistoric life expectancy was better than it is for contemporary third-world populationsRudgley reminds us just how savage so-called civilized people can be, and demonstrates how the cultures that have been reviled as savage were truly civilized. The Lost Civilizations of the Stone Age shows the great debt that contemporary society owes to its prehistoric predecessors. It is a rich introduction to a lost world that will redefine the meaning of civilization itself.

    Steven Collins felt pulled in different directions when it came to apparent conflicts between the Bible and scholarly research and theory—an intellectual crisis that inspired him to lay it all on the line as he set off to locate the lost city of Sodom. Recounting Dr. Collins’s quest for Sodom in absorbing detail, this adventure-cum-memoir reflects the tensions that define biblical archaeology as it narrates a tale of discovery. Readers follow “Dr. C” as he tracks down biblical, archaeological, and geographical clues to the destruction of Sodom and Gomorrah, narrowing the list of possible sites as he weighs evidence and battles skeptics. Finally, he arrives at a single location that looms as the only option: a massive ancient ruin called Tall el-Hammam in the Hashemite Kingdom of Jordan. Many scholars who were initially opposed to Dr. Collins’s theory now concede that history books may need to be rewritten in light of his groundbreaking discovery. It—along with several other recent finds—is challenging the assumptions of academics and asserting a new voice in the controversy of biblical archaeology and the dispute over using the Bible as a credible historical source.***From respected archaeologist Dr. Steven Collins and award-winning author Dr. Latayne C. Scott comes the fascinating, true account of the frustrating search and exciting excavation of the city the Bible calls Sodom, which scholars and others had “misplaced” for hundreds of years. Like many modern-day Christians, Dr. Collins struggled with what seemed to be a clash between his heritage of belief in the Bible and the research regarding ancient history and human evolution. This crisis of faith led him to embark on a quest to put both his archaeological education and the Bible to the test by seeking out the lost ancient city, an expedition that has led to one of the most exciting finds in recent archaeology. Challenging the assumptions of academics around the world, Discovering the City of Sodom may well inspire a revision of the history books. Dr. Collins has become a new voice in the controversy over using the Bible as a credible source of understanding the past—and opened a new chapter in the struggle over the soul of biblical archaeology.

    In this massive compendium, editor Preston Peet brings together an all-star cast of contributors to question established wisdom about the history of the world and its civilizations. Peet and anthology contributors guide us through exciting archeological adventures and treasure hunts, ancient mysteries, lost or rediscovered technologies, and assorted "Forteana," using serious scientific studies and reports, scholarly research, and some plain old fringe material, as what is considered "fringe" today is often hard science tomorrow.Contributors include: Graham Hancock (Fingerprints of the Gods, Underworld), David Hatcher Childress (Lost Cities and Civilizations series), Colin Wilson (From Atlantis to the Sphinx), Michael Cremo (Forbidden Archeology), William Corliss (Ancient Infrastructures), Robert Schoch (Voyages of the Pyramid Builders), John Anthony West (Serpent in the Sky), Michael Arbuthnot (Team Atlantis), Erich Von Daniken (Chariots of the Gods), and many more.

      Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective when a member of the public arrived at the museum with an intriguing cuneiform tablet from a family collection. Not only did the tablet reveal a new version of the Babylonian Flood Story; the ancient poet described the size and completely unexpected shape of the ark, and gave detailed boat building specifications. Decoding this ancient message wedge by cuneiform wedge, Dr. Finkel discovered where the Babylonians believed the ark came to rest and developed a new explanation of how the old story ultimately found its way into the Bible. In The Ark Before Noah, Dr. Finkel takes us on an adventurous voyage of discovery, opening the door to an enthralling world of ancient voices and new meanings.

    Each beautifully packaged volume offers a way to see the world anew, to rediscover great civilizations and legends, vast deserts andunspoiled mountain ranges, unusual flora and strange new creatures, and much more.

    Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it?In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible.The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.

    The Oracle of Delphi was one of the most influential figures in ancient Greece. Human mistress of the god Apollo, she had the power to enter into ecstatic communion with him and deliver his prophesies to men. Thousands of years later, Pulitzer Prize–winning journalist William J. Broad follows a crew of enterprising researchers as they sift through the evidence of history, geology, and archaeology to reveal—as far as science is able—the source of her visions.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    Never has there been such a multiplication of talents and genius within so limited a period. An astonishing period caught at the height of its powers by an eminent historian. "Michael Grant never fails to be lively and well informed and he has done more, single-handedly, to blow the dust of the classical world than any comparable populariser."--Sunday Times. "Grant is a unique figure among the classical scholars of our time."--Spectator.

    M. Ironside's saga of the Thutmosides of ancient Egypt. This set contains: The Sekhmet Bed: Book 1 Thirteen-year-old Ahmose is given as Great Royal Wife to the new king, to legitimize his rule. But her elder sister Mutnofret has been raised to expect the privileged station. As Ahmose fights the currents of Egypt's politics and Mutnofret's vengeful anger, her youth and inexperience carry her beyond her depth and into the realm of sacrilege. To right her wrongs and save Egypt from the gods' wrath, Ahmose must face her most visceral fear: bearing an heir. But the gods of Egypt are exacting, and even her sacrifice may not be enough to restore the Two Lands to safety. The Crook and Flail: Book 2 Hatshepsut longs for power, but a woman on the throne defies the sacred order. As God's Wife of Amun, she believes she has found the perfect balance of peace and order. But when the powerful men of Egypt plot to replace her, she must decide whether to surrender her birthright to a man, or take for herself the throne of the Pharaoh. Sovereign of Stars: Book 3 Never in Egypt's long history has a woman reigned as king. As Hatshepsut wrestles with foreign enemies and domestic politics, her heart grows ever more troubled, for her daughter Neferure is haunted by a brutal and demanding god. Hatshepsut's fight to retain her hold on power, peace, and Neferure will carry her on an incomparable journey to the legendary kingdom of Punt. There, in the god's own valley, she must confront the bleakness of fate and the terrible frailty of eternity. The Bull of Min: Book 4 Conspiracy and treason simmer in the Two Lands. When an unexpected challenger to the succession arises, the royal family must face impossible choices. To protect what she most loves, the young queen Meryet will match wits against a demon from the past. Hatshepsut stands on the brink of the ultimate sacrifice. And Thutmose, torn between throne and family, must commit an unthinkable act against Hatshepsut...or allow Egypt to fall into the hands of an unpredictable killer.

    Mark's basilica. Plus tips for navigating the country's lovely but less-traveled corners, like the Marches, the Dolomites, and even Sardinia.Where to find the absolute best seafood in Venice, the loveliest vineyards in Tuscany, the tastiest pizza in Naples, and, of course, the finest gelato that Italy has to offer.Insightful commentary on Italy's dazzling array of art and architectural masterpieces, from Michelangelo's statue of David to the glories of St. Peter's in Rome.Opinionated write-ups. No bland descriptions and lukewarm recommendations. Our expert writers are passionate about their destinations--tell it like it is in an engaging and helpful way.Exact prices listed for every establishment and activity--no other guides offer such detailed, candid reviews of hotels and restaurants. We include the very best, but also emphasize moderately priced choices for real people.All Complete guides offer user-friendly features including star ratings and special icons to point readers to great finds, excellent values, insider tips, best bets for kids, special moments, and overrated experiences.

    In fact, right up to the Industrial Revolution the fiber arts were an enormous economic force, belonging primarily to women.Despite the great toil required in making cloth and clothing, most books on ancient history and economics have no information on them. Much of this gap results from the extreme perishability of what women produced, but it seems clear that until now descriptions of prehistoric and early historic cultures have omitted virtually half the picture.Elizabeth Wayland Barber has drawn from data gathered by the most sophisticated new archaeological methods—methods she herself helped to fashion.

    She sees the footprints of early humans fossilised in the soft mud of an estuary alongside the scattered pockmarks made by rain falling eight thousand years ago. She visits a cave where the remnants of a Neanderthal meal have turned to stone. In Denmark she sits beside Tollund Man who, despite having lain in a peat bog since the start of the Bronze Age, seems to be about to wake from a dream...'This book is a wonder' Adam Nicolson, Spectator'A clairvoyant and poetic conversation with the past' Antony Gormley

    But in 600 bce, the clay tablets that bore the story were lost--buried beneath ashes and ruins when the library of the wild king Ashurbanipal was sacked in a raid.The Buried Book begins with the rediscovery of the epic and its deciphering in 1872 by George Smith, a brilliant self-taught linguist who created a sensation when he discovered Gilgamesh among the thousands of tablets in the British Museum's collection. From there the story goes backward in time, all the way to Gilgamesh himself. Damrosch reveals the story as a literary bridge between East and West: a document lost in Babylonia, discovered by an Iraqi, decoded by an Englishman, and appropriated in novels by both Philip Roth and Saddam Hussein. This is an illuminating, fast-paced tale of history as it was written, stolen, lost, and--after 2,000 years, countless battles, fevered digs, conspiracies, and revelations--finally found.

    Responding to 50 genuine questions from the public, Greg whisks you off on an entertaining tour through the ages, revealing the best and most surprising stories, facts, and historical characters from the past. Bouncing through a wide range of subjects - from ancient jokebooks, African empires, and bizarre tales of medicinal cannibalism, to the invention of meringues, mirrors, and menstrual pads - Ask A Historian spans the Stone Age to the Swinging Sixties, and offers up a deliciously amusing and informative smorgasbord of historical curiosities, devoured one morsel at a time.