Amongst them is a young woman calling herself Mary Murphy, serving seven years for offences of dishonesty.Second Lieutenant Daniel Bradbury of New South Wales Marine Corps, looking to start a new life in Australia, is in charge of the female prisoners. And when Mary is bullied on board, he steps in and rescues her.As the passengers come ashore and begin creating the new settlement of Port Jackson, Mary and Daniel grow closer, but it soon becomes clear that Mary is not who she first pretended to be.The unfamiliar and unforgiving climate, the ever-present threat of native attack, and the residual snobbery of the old English society that travelled with them across the Equator, combine to throw obstacles in the path of this new settlement. And growing tensions threaten to pull Daniel and Mary apart.But in the end, nothing can stand in the way of what destiny has prescribed for them…A Far Distant Land is the first historical novel in The Australian Saga Series: a set of books chronicling the early years of British settlement in the 18th and 19th centuries.

    Afterwards, hisdaughter Eleanor discovers a will, in which he has left his entireestate to a woman she has never heard of before. Hiding it fromher siblings, she sets out to solve this mystery, and to unearth theconfronting truth about her reclusive father’s past.But Henry isn’t the only Hoffman with secrets. In the months thatfollow, his children learn things about each other they could neverpreviously have imagined.The Last Will and Testament of Henry Hoffman is a gripping andmany-layered story of love and loss, conflict and survival. Itexplores subjects that affect us all: guilt and redemption, theinescapability of the past, and how trauma resonates acrossgenerations.

    The story is told by Mary’s sister Lydia, as she poses for five of her sister’s most unusual paintings, which are reproduced in, and form the focal point of each chapter. Ill with Bright’s disease and conscious of her approaching death, Lydia contemplates her world with courageous openness, and asks important questions about love and art’s capacity to remember.

    Sure, they have a purpose, and if one ever stopped a bullet or piece of shrapnel from spearing into my vital organs, I would kiss it, hang it up, and frame it. But that hasn't happened, yet.'For almost ten years Peter Stefanovic was Channel Nine's foreign correspondent in Europe, Africa and the Middle East. During that time he witnessed more than his fair share of death and destruction, and carried the burden of those images - all while putting his own personal safety very much in the firing line.From flak jackets to tuxedos. From celebrity funerals, to war zones and natural disasters. This is a thrilling account of a life lived on camera, delivering the news wherever it happens, whatever the risk.

    Look where we are. What else do we have to hide?'When nineteen-year-old Mia is fired from her job at an insurance company, she answers an ad in the newspaper. The ad says: 'Erotic Massage. Good Money. No Sex.'Mia takes to her new job with recklessness, aplomb and good humour. Over the next few years, as she works her way through Sydney's many parlours, she meets exquisite and complex women from every walk of life who choose sex work for myriad reasons. While juggling the demands of her new job, she battles her problematic drug use, and the mental illness that has shaped her life.But rather than needing saving from sex work, it is the work that sometimes helps to save Mia from herself.A raw and honest memoir about surviving, sex work, friendships, drugs and mental illness.

    Co-winner of the 2009 Australian/Vogel Literary Award.It's the 1880s and Marvellous Melbourne is a lavish and raucous city where anything could happen. Eccentric entrepreneur Edward William Cole is building the sprawling Cole's Book Arcade and filling it with whatever amuses him, or supports his favourite causes: a giant squid, a brass band, monkeys, a black man whose skin has turned white, a Chinese tea salon, and of course, hundreds of thousands of books. When Edward decides to marry he advertises for a wife in the newspaper, shocking and titillating the whole town. To everyone's surprise he marries his broadsheet bride and the Arcade grows into a monumental success.But the 1890s depression hits Melbourne - and Edwar - hard, and the death of one of his children leaves him reeling. Grief, corruption and a beautiful, unscrupulous widow all threaten to derail his singular vision. But it's not until he visits Chinatown one nigh - and his own deeply suppressed pas - that the idealist faces his toughest challenge. Utopian Man is the story of a man who lives life on his own terms, and leaves behind a remarkable legacy.

    As he is drawn into Walter′s rarefied world, Hugh discovers that both his uncle and the farmhouse are links to a notorious episode in the mid nineteenth century.Walter's father, Martin, was living in the house when it was raided by members of an outlaw community run by Lucas Wilson, a charismatic ex-soldier attempting to build a utopia. But like later societies with communitarian ideals, Nowhere Valley was controlled by the gun, with Wilson as benevolent dictator. Twenty-year-old Martin's sojourn in the Valley as Wilson's disciple has become an obsession with Walter Dixon: one which haunts his present and keeps the past tantalizingly close.As Walter encourages Hugh's ambition to become an artist, and again comes to his aid when one of Hugh's friends is charged with murder, the way life's patterns repeat themselves from one generation to another becomes eerily apparent.Dramatic, insightful and evocative, Lost Voices is an intriguing double narrative that confirms Koch as one of our most significant and compelling novelists.

    It is a time of war, tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, the Grimm brothers decide to save old tales that had once been told by the firesides of houses grand and small all over the land.Dortchen knows many beautiful old stories, such as Hansel and Gretel, The Frog King and Six Swans. As she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen's father has other plans for his daughter. Marriage is an impossible dream.Dortchen can only hope that happy endings are not just the stuff of fairy tales.

    A beautiful home. A shipwrecked young woman left on its doorstep. D on't think they're going to save her. A new novel from international bestselling author, Nikki Gemmell.Early 1800s. Thomasina Trelora is on her way to the colonies. Her fate: to be married to a clergyman she's never met. As the Australian coastline comes into view a storm wrecks the ship and leaves her lying on the rocks, near death. She's saved by an Aboriginal man who carries her to the door of a grand European house, Willowbrae.Tom is now free to be whoever she wants to be and a whole new life opens up to her. But as she's drawn deeper into the intriguing life of this grand estate, she discovers that things aren't quite as they seem. She stumbles across a horrifying secret at the heart of this world of colonial decorum - and realises she may have exchanged one kind of prison for another.The Ripping Tree is an intense, sharp shiver of a novel, which brings to mind such diverse influences as The Turn of the Screw, Rebecca and the film Get Out as much as it evokes The Secret River. A powerful and gripping tale of survival written in Nikki Gemmell's signature lyrical and evocative prose, it examines the darkness at the heart of early colonisation. Unsettling, audacious, thrilling and unputdownable.

    But drought grips the land, and the shearers are on strike. Her father has turned swaggie and he's wanted by the troopers. In front of his terrified daughter, he makes a stand against them, defiant to the last. ′You′ll never catch me alive, said he...′Set against a backdrop of bushfire, flood, war and jubilation, this is the story of one girl's journey towards independence. It is also the story of others who had no vote and very little but their dreams. Drawing on the well-known poem by A.B. Paterson and from events rooted in actual history, this is the untold story behind Australia′s early years as an emerging nation.

    Cal can command the toughest of men, but his wild half-sisters are quite another matter. They might just be his undoing.When he discovers that Miss Emmaline Westwood, the girls’ former teacher, guides them with ease, Cal offers her a marriage of convenience. But strong-minded and independent Emm is neither as compliant nor as proper as he expected, and Cal finds himself most inconveniently seduced by his convenient wife.Emm knows they didn’t marry for love, yet beneath her husband’s austere facade, she catches glimpses of a man who takes her breath away. As pride, duty and passion clash, will these two stubborn hearts find more than they ever dreamed of?

    Saved from the drudgery of a working-class existence by a young Pre- Raphaelite artist, Lizzie Siddal rose to become one of the most famous faces in Victorian Britain and a pivotal figure of London's artistic world, until tragically ending her life in 1862.

    In this remarkable novel, Gioia Diliberto tells Virginie's story, drawing on the sketchy historical facts to re-create Virginie's tempestuous personality and the captivating milieu of nineteenth-century Paris. Born in New Orleans and raised on a lush plantation, Virginie fled to France during the Civil War, where she was absorbed into the fascinating and wealthy world of grand ballrooms, dressmakers' salons, and artists' ateliers. Even before Sargent painted her portrait, Virginie's reputation for promiscuity and showy self-display made her the subject of vicious Paris gossip. Immersing the reader in Belle Epoque Paris, I Am Madame X is a compulsively readable and richly imagined novel illuminating the struggle between Virginie and Sargent over the outcome of a painting that changed their lives and affected the course of art history.

    But as a woman, she finds herself sometimes overlooked in favor of her male counterparts—Monet, Pissarro, Degas.And there is one great artist among them who captivates young Berthe like none other: the celebrated genius Édouard Manet. A mesmerizing, breathtaking rogue—a shameless roué, undeterred and irresistible—his life is a wildly overgrown garden of scandal. He becomes Berthe's mentor, her teacher...her lover, despite his curiously devoted marriage to his frumpy, unappealing wife, Suzanne, and his many rumored dalliances with his own models. For a headstrong young woman from a respectable family, an affair with such an intoxicating scoundrel can only spell heartbreak and ruin.But Berthe refuses to resign herself to the life of quiet submission that Society has dictated for her. Undiscouraged, she will create her own destiny...and confront life—and love—on her own terms.

    An ambitious and enterprising farm girl, Alexandrie joins the prestigious Paris Opera ballet with hopes of securing not only her place in society but her family’s financial future. Her plan is soon derailed, however, when she falls in love with the enigmatic artist whose paintings of the offstage lives of the ballerinas scandalized society and revolutionized the art world. As Alexandrie is drawn deeper into Degas’s art and Paris’s secrets, will she risk everything for her dreams of love and of becoming the ballet’s star dancer?