Lyrical and pungent, passionate and polemical, this volume is a treasure-an essential collection of the work of a poet whose words have entered our common language.

    Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

    The well-loved verses that fill these pages cover such universal topics as Aging, Beauty, Bereavement, Brotherhood, Celebration, Courage, Greed, Faith, Farewells, Friendship, Fun, and of course, Love. Here are such favorites as Robert Frost’s “The Road Not Taken” and Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner.” T.S. Eliot’s “The Hollow Men,” with its haunting verbal images, captures the emptiness of disillusionment, while Alexander Pope’s “Epigram” (“You beat your pate, and fancy wit will come: / Knock as you please, there’s nobody at home”) offers pure, wry amusement. Everyone who appreciates the power of words to reaffirm the soul and express the deepest and most intimate of feelings will treasure these masterpieces.

    Sin, bestselling author of the Whiskey, Words & a Shovel series, returns with a collection of poetry and prose meant to remind the wounded that they are, in fact, beautiful in a way society may never comprehend.A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his forthcoming series, Planting Gardens in Graves.

    With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape—Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain—persistently emerge and reappear with the dark energy of the inevitable, while at the same time are shot through with the bright aspect of things new-made.              From the outset (“Come here / Come here, little one”), Gluck’s voice has addressed us with deceptive simplicity, the poems in lines so clear we “do not see the intervening fathoms.”  From within the earth’sbitter disgrace, coldness and barrennessmy friend the moon rises: she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

    Beginning with babies, the book is divided into sections on childhood, growing up, making a living and making love, family life, getting older, and approaching death, ending with poems of mourning and commemoration.Ranging from Chaucer to Carol Ann Duffy, via Shakespeare, Keats, and Lemn Sissay, this book offers something for each of those moments in life, whether falling in love, finding your first grey hair or saying your final goodbyes, when only a poem will do.

    The poems - together with introductory paragraphs - have a link to the date on which they appear. Shakespeare celebrates midsummer night, Maya Angelou International Women's Day and Lewis Carroll April Fool's day.Perfect for reading aloud and sharing with all the family, it contains a full spectrum of poetry from familiar favourites to exciting contemporary voices. Alfred, Lord Tennyson, W. B. Yeats, A. A. Milne and Christina Rossetti sit alongside Roger McGough, Carol Ann Duffy and Benjamin Zephaniah.

    Poems: Bronte contains poems that demonstrate a sensibility elemental in its force with an imaginative discipline and flexibility of the highest order. Also included are an Editor's Note and an index of first lines.

    Many of Rumi's poems speak of a yearning for ecstatic union with the divine Beloved. But his images bring the sacred and the earthy together in startling ways, describing divine love in vividly human terms.This volume draws on a wide variety of translations--from the early twentieth century to the present--of Rumi's deeply moving, sensually vibrant poetry.

    For the first time, the complete collection of Maya Angelou's published poems-including "On the Pulse of Morning"-in a permanent collectible, handsome hardcover edition.

    First published by Odyssey Press in 1957, this classic edition provides Milton's poetry and major prose works, richly annotated, in a sturdy and affordable clothbound volume.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    

    Featuring rewritten fairytale heroines, goddess wisdom, and poetry that burns with revolution, this collection is an explosion of femininity, empowerment, and personal growth.

    Selected by a team of poets and prominent Neruda scholars in both Chile and the United States, this is a definitive selection that draws from the entire breadth and width of Neruda’s various styles and themes. An impressive group of translators that includes Alaistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman have come together to revisit or completely retranslate the poems. A bilingual edition, with English on one side of the page, the original Spanish on the other. This selection sets the standard for a general, high--quality introduction to Neruda’s complete oeuvre. Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.