B is known for her amazing ability to make readers feel like they are walking beside her with every page that they turn, and this book, the follow up to the notorious "Letters To My Ex," is another testament to that. Fresh out of an intense break-up, and with her three closest friends by her side, Cici brings you with her as she learns what it means to take back control of her life, and to be her own woman. Completely raw and unfiltered, as always, she doesn't hold back. This is a story for the modern day grown woman. It will make you smile, laugh out loud, hold your breath, bite your bottom lip, and most importantly... Blush.

    But Vinia is tragically already married to Dryden's employer, Joe, manager of the Black Prince coal pit. Joe's jealousy over the growing connection between his wife and Dryden, sends Dryden into the arms of the beautiful and fiery Roberta Grant. But can Dryden ever truly forget Vinia?

    

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    The world was 'somewhere inside his skull. And it hurt.' These poems and dramatic sketches, however, delight even when they hurt" -- ROSMARIE WALDROP"BORIS BY THE SEA was born when Aesop was reading Chekhov, and Chekhov was reading Nietzsche, and Nietzsche was watching The Brother From Another Planet. Actually Matvei Yankelevich wrote this book, but 'wrote' is incomplete... he seems more to inhabit this stateless, beautiful being who uses language to move his body or erase the sea: 'Boris looked over himself and realized there were many parts of him that he could not see. And only a small part of these parts was on the surface.' BORIS BY THE SEA could be a children's fable if it weren't so freakin' real, unreal, hyper-real: 'But people need each other to open each other up and see what is inside.' This is Boris--and he, like Pinnochio--has a clever master." -- ROBERT FITTERMANMatvei Yankelevich's first full-length book, BORIS BY THE SEA, is a work of existential theater that destroys the distance between puppeteer and puppet, between ego and id, between what is real and what is absurd. Consisting of prose, poems, and plays, the book creates its own world and then confronts the loneliness of having to exist within one's own creation. Like Daniil Kharms, Yankelevich has written a children's book for only the bravest of adults.

    

    From illusions of permanence and ownership to the pain of estrangement, Liar masterfully explores feelings familiar to anyone who has ever loved — and lost. Crosbie also goes beyond this territory, examining the lover’s own complicity in her joy and suffering. Liar is a grotesque, beautiful meditation on the nature of love.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t

    In Collected Stories, which includes the prize-winning "The Monster" and the fragmentary memoir "Life Story of the Boxer Samson-Korner", fans will find the same directness, lack of affectation, and wry humor that characterize his plays. The new edition of Brecht's Selected Poems includes both Brecht's best-known poems, many of which later made their way into his plays, as well as some that have never before been published in this country. For his new adaptation of The Goad Person of Setzuan, Pulitzer Prize and Tony Award-winner Tony Kushner commissioned a literal translation, which he then refined as any translator would, but with the flair of an innate dramatist.

    It is just a very small square in the enormous circle that connects us all.I am the story.I am the poems.And you are my muse.

    They are stories about the woods, houses hidden in the gaps between mountains. Behind them, the skeletons of old and powerful machines rust into the slate and leaves. Water red with iron leeches from the empty mines and pools near a stone foundation. The boy there plays in the bones because he is a child and this will be his childhood. He watches while winter comes falling slowly down over the road. Sometimes he remembers a girl, her hair and the perfume she wore. These are stories about her and where she might have gone. He waits for sleep because in the next story he will leave. The boy watches an airplane blink red past his window. From here, you can't hear its violence.

    Continuing the comedic insight from I’m Too Young to be Seventy, these verses of memories and advice from eighty years of love, marriage, and grandchildren are sure to bring laughs.What does it mean to be eighty? In her wise and playful poems, Judith Viorst discusses love, friendship, grand parenthood, and all the particular marvels—and otherwise—of this extraordinary decade. She describes the wonder of seeing the world with new eyes—not because of revelation but because of a successful cataract operation. She promises not to gently fade away, and not to drive after daylight’s faded away either. She explains how she’s gotten to be a “three-desserts” grandmother (“Just don’t tell your mom!”), shares how memory failure can keep you married, and enumerates her hopes for the afterlife (which she doesn’t believe in, but if it does exist, her sister-in-law better not be there with her). As Viorst gleefully attests, eighty is not too old to dream, to flirt, to drink, and to dance. It’s also not too late to give up being cheap or to take up with a younger man of seventy-eight. Zesty, hopeful, and full of the pleasures of living, Viorst’s poems speak to her legions of readers, who recognize themselves in her knowing observations, in her touching reflections, and in her joyful affirmations. Funny, moving, inspirational, and true—the newest in Judith Viorst’s beloved “decades” series extols the virtues, victories, frustrations, and joys of life.

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    Then open up Young Americans, seems obvious what Jordan Castro is doing is revolutionary, he expressing emotions through poetry that have never been done before. The style, the way the subject matter is portrayed, even the meter, are new." - Noah Cicero (author of The Human War, The Insurgent, and more)“If you are a person who doesn’t really know what they are doing and you would like to read about another person who doesn’t really know what they are doing either, I recommend reading this poetry book. I enjoyed reading these poems. Or something.” - Chris Killen (author of The Bird Room)“I read these poems three times in one night, then put the duvet over my head and held my knees for a while. It’s good when something makes sense. I really really liked these poems.” - Ben Brooks (author of Grow Up)

    . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book ReviewQuietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see.Shirt in HeavenCome upon a snapshotof secret you, smiling like FDR, leaning on your crutches—come upon letters I thought I'd burned—I suppose you've got a place with lots of stairs.I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat downin the hospital morgue, next to your body, & cried.He yelled at the aide to get out.His two sons had been your students.—me too, little-knowing—Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.