This book is a collection of reflections and memories of that time, collected by JH Thompson, who interviewed men who did National Service in the Apartheid-era South African Defence Force. Contributors include ordinary soldiers, Special Forces members, helicopter pilots, chefs and religious objectors. The book is a fast, fascinating read that captures the spirit and atmosphere, the daily duties, the boredom, fear and other intense experiences of an SADF soldier. For everyone who did military service, as well as their loved ones, this book is a must.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    Or been humiliated on national television when your husband, the governor of South Carolina, was found cavorting in Argentina after telling you and everyone else he was hiking the Appalachian Trail like Jenny Sanford. But if you've ever stalked a crush on Facebook or can't get over the guy who dumped you years ago, then Loves Me . . . Not is the book for you! With those who loved and lost or suffered unrequited love throughout history as your guide, Loves Me . . . Not comforts the broken hearted with hilarious tales, enlightening advice, and a little tough love to help you silence your inner psycho, rediscover your self esteem, and finally move on after a breakup.

    And yet this is the time when you are likely to have the most freedom, power, confidence and self knowledge than ever before. Some serious life has been lived: there have been great loves, heartbreaks, births, marriages, careers, betrayals, bereavements and survival. So what now? What happens when the narrative given to you by society - husband, babies, house - runs out and you become storyless? Including chapters on menopause, sex, culture, work, rage and freedom, writer and journalist Sam Baker shares her experiences of life post 40 and shows how women to create their own story. This needn't herald the era of loose clothing and hair dye; or hot flashes and bad sleep (though there is that too). It's time women north of 40 took a leaf out of the millennial handbook and reinvented things our way. Sam hosts a podcast of the same name, now with over 50 thousand downloads. Harness your energy, opinions and power and create a liberating new narrative for the second half of life.

    Wearing her highest heels and hottest pregnancy jeans, Amy Sprenger marched into her doctor's office, latte in hand, ready to finally see whether her baby was a boy or a girl. Sure, sure, this appointment was supposed to be about checking the health of the baby, but everyone who's ever been there knows it's really about looking for what lays, or doesn't lay, between the legs. So when the doctor tells her she has an incompetent cervix, Amy does what any woman would do. She becomes immediately offended. Is that a politically correct way of saying her cervix sucks? Unfortunately, as she's soon to learn, it's a lot more than that. The only way to keep that baby from falling out on the sidewalk (probably in front of Starbucks) is for her doctor to stitch her cervix closed and for Amy to stay in bed for the next four months. Four months that are carefully detailed in this "memoir." A memoir that, while basically true, has been embellished with Amy's signature brand of humor and hilarity. With more time off than a castoff contestant on "The Bachelor," Amy took pen to paper and settled in for the ride. But instead of sitting around eating bonbons, she's popping hypertension drugs to stave off preterm labor. And complications? Oh, she's got your complications. She's gut-rehabbing her house. Her mother moves in to care for her. Her husband takes a "mancation" while she's stuck in the hospital. And every time she has a contraction, she's convinced it's The Big One. Living by the adage that laughter is the best medicine, Amy fumbles her way through a series of sometimes serious and usually embarrassing situations. And just to be clear, using a bedpan qualifies as both serious and embarrassing. "Amy Sprenger's foray into factual fiction is a hilarious (and sometimes poignant) look at high-risk pregnancy from her view at the end of the bed. Sprenger offers a fresh and funny voice that readers will love!" --New York Times bestselling author Jen Lancaster

    Evoking the Founding Fathers, they called themselves the Tea Party. Within the year, they had changed the terms of debate in Washington, emboldening Republicans and confounding a new administration's ability to get things done."Boiling Mad "is Kate Zernike's eye-opening look inside the Tea Party, introducing us to a cast of unlikely activists and the philosophy that animates them. She shows how the Tea Party movement emerged from an unusual alliance of young Internet-savvy conservatives and older people alarmed at a country they no longer recognize. The movement is the latest manifestation of a long history of conservative discontent in America, breeding on a distrust of government that is older than the nation itself. But the Tea Partiers' grievances are rooted in the present, a response to the election of the nation's first black president and to the far-reaching government intervention that followed the economic crisis of 2008-2009. Though they are better educated and better off than most other Americans, they remain deeply pessimistic about the economy and the direction of the country.Zernike introduces us to the first Tea Partier, a nose-pierced young teacher who lives in Seattle with her fiance, an Obama supporter. We listen in on what Tea Partiers learn about the Constitution, which they embrace as the backbone of their political philosophy. We see how young conservatives, who model their organization on the Grateful Dead, mobilize a new set of activists several decades their elder. And we watch as suburban mothers, who draw their inspiration from MoveOn and other icons of the Left, plot to upend the Republican Party in a swing district outside Philadelphia.The Tea Party movement has energized a lot of voters, but it has polarized the electorate, too. Agree or disagree, we must understand this movement to understand American politics in 2010 and beyond.

    Also known as the "tenth muse," she wrote with wit and intelligence about love, freedom and women's rights. The precise meaning of many of her poems is still debated, but her literary work is crucial for a comprehension of the Baroque period which so defined New Spain in the seventeenth century. Sor Juana Ines died while taking care of her sisters during an outbreak of plague.

    When a Tibetan lama and a monk come to their home unexpectedly, asking to take their child away for a life of spiritual training in India, the parents must make a life-altering choice that will test their strength, their marriage, and their hearts.The Oldest Boy is a richly emotional journey filled with music, dance, puppetry, ritual, and laughter—Sarah Ruhl at her imaginative best. A meditation on attachment and unconditional love, the play asks us to believe in a world in which sometimes the youngest children are also the oldest and wisest teachers.

    Emotionally reeling, Monique Roffey went searching not just for lovers but to experience the furthest limits of her sexuality.

    For the one canine who lives inside a CHRONOS field, they’re a major headache. Can Daphne find a way to save her pack from the Circles-That-Whine?

    As a blizzard rages outside, a lonely figure, Henry Harry, lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor who turns out to be Rosannah DeLuce, a distraught young woman who has fled all the way from Arizona to escape her impending marriage, and who bursts into the cabin dressed in full bridal regalia. Exhausted, she throws herself on Henry's mercy, but after sleeping for two days straight, her vigor and combativeness return. Both characters, it develops, have been wounded and embittered by life, and both are refugees from so-called civilization. Thrown together in the confines of the snowbound cabin, they alternately repel and attract each other as, in theatrically vivid exchanges, they explore the pain of the past and, in time, consider the possibilities of the present. In the end their very isolation proves to be the catalyst that allows them to break through the web of old griefs and bitter feelings that beset them both and to reach out for the solace and sanctuary that only hard-won understanding, self-awareness and compassion for the plight of others can bestow.

    Describes the author's three month canoe adventure, which started at Duluth, Minnesota and ended at York Factory on the shores of Hudson Bay.

    Though completely dissimilar to Beckett and Pinter, she is surely now in their class.” – WHATSONSTAGE.COMJack would do anything for Sam. Sam would do anything. And around this simple premise, Caryl Churchill slyly crafts her new play depicting a deeply dysfunctional gay relationship—which is actually all about America. Drunk Enough to Say I Love You? is another speedy, taut two-hander that shows off Churchill’s uncanny ability to write both topically and elliptically at the same time. It was first produced at London’s Royal Court Theatre and subsequently staged at The Public Theater in New York.Caryl Churchill has written for the stage, television and radio. A renowned and prolific playwright, her plays include Cloud Nine, Top Girls, Far Away, Drunk Enough to Say I Love You?, Bliss, Love and Information, Mad Forest and A Number. In 2002, she received the Obie Lifetime Achievement Award and 2010, she was inducted into the American Theater Hall of Fame.

    No Map Could Show Them confirms Helen Mort’s position as one of the finest young poets at work today.

    They brutally murdered their hosts. Dr. Charles Scudder and companion Joey Odom built the "castle in the woods" in the Trion forest after Scudder left his position as professor at Loyola. He brought with him twelve thousand doses of LSD. Rumors of drug use and Satanism swirled around the two men. Scudder even claimed to have summoned a demon to protect the estate. The murders set the stage for a trial vibrant with local lore.