This file contains Part One of the book only (24,000 words). New York. 2120. American has been decimated, wiped out from the second Civil War. In this post-apocalyptic world, survivors are far and few between. And most of those who do survive are members of the violent gangs, predators who live in the big cities. They patrol the countryside looking for slaves, for fresh victims to bring back into the city for their favorite death sport: Arena One. The death stadium where opponents are made to fight to the death, in the most barbaric of ways. There is only one rule to the arena: no one survives. Ever. Deep in the wilderness, high up in the Catskill Mountains, 17 year old Brooke Moore manages to survive, hiding out with her younger sister, Bree. They are careful to avoid the gangs of slaverunners who patrol the countryside. But one day, Brooke is not as careful as she can be, and Bree is captured. The slaverunners take her away, heading to the city, and to what will be a certain death. Brooke, a Marine’s daughter, was raised to be tough, to never back down from a fight. When her sister is taken, Brooke mobilizes, uses everything at her disposal to chase down the slaverunners and get her sister back. Along the way she runs into Ben, 17, another survivor like her, whose brother was taken. Together, they team up on their rescue mission. What follows is a post-apocalyptic, action-packed thriller, as the two of them pursue the slaverunners on the most dangerous ride of their lives, following them deep into the heart of New York. Along the way, if they are to survive, they will have to make some of the hardest choices and sacrifices of their lives, encountering obstacles neither of them had expected—including their unexpected feelings for each other. Will they rescue their siblings? Will they make it back? And will they, themselves, have to fight in the arena? ARENA ONE is Book #1 in the Survival Trilogy, and is 85,000 words.

    It’s also a love story that is in no way fictional. A fan letter to the author from a woman named Kim starts a correspondence which details research she’s conducting in one-horse towns throughout Arkansas.In the years of rural decline many of these towns dwindled to church, post office, general store, gas station, and a few rundown houses—but every house has a porch, every porch a rocker, and every rocker an old man or woman with a story.Kim and Don agree to collaborate on a book—this one—creating a unique and enchanting work about towns that will never again be their old selves and towns that never fulfilled the brave dreams of their founders. And at the end of the adventure the author and Kim meet, having learned something of expectation and hope—and love. With photos and maps.

    When the Andersons move to a farmhouse in Sherman, New York, in the spring of 1954, fifteen-year-old Tamara and her mother want to settle down and make it home. Sherman begins to work a strange magic on Tamara and her siblings: there's the proselytizing family in the tar-paper house across the street; the dairy cow that becomes a beloved pet; the dead boy who used to live in Tamara's bedroom; her friend Brenda, who teaches her to swear; and Brenda's big brother, Rusty, an irresistible freckle-faced redhead.While Tamara experiences her first real year of happiness, her mother is diagnosed with tuberculosis, forcing her into a sanatorium. Tamara struggles with her desire to stay in Sherman, her fear of losing her mother, and her anger at being left in charge of two younger siblings while her father escapes into the world of his art.Deeply moving, with a profound understanding of family dynamics and adolescent anguish, Some Things That Stay introduces an unforgettable narrative voice and marks the arrival of a distinctive, new American talent.

    Written in Lallan Scots, it is a most exciting piece of poetic drama.

    John "Red" Shea was a top lieutenant in the South Boston Irish mob, rising to this position at the age of twenty-one. Thus began his tutelage under the notorious Irish godfather James "Whitey" Bulger. An ice-cold enforcer with a legendary red-hot temper, Shea was a legend among his Southie peers in the 1980s. From the first delivery truck he robbed at thirteen to the start of his twelve-year federal sentence for drug trafficking at twenty-seven, Shea was a portrait in American crime -- a terror, brutal and ruthlessly ambitious. Drug dealer, loan shark, money launderer, and multimillion-dollar narcotics kingpin, Shea was at the pinnacle of power -- until the feds came knocking and eventually obliterated the legendary mob in a well-orchestrated sweep of arrests, fueled by insider tips to the FBI and DEA. While Bulger's other top men turned informant to save their own hides, Shea alone kept his code of honor and his mouth shut -- loyalty that earned him a dozen years of hard time even as the man he was protecting turned out to be, himself, a rat. For in the end, in a remarkable show of betrayal, Bulger turned out to be the FBI's "main man" and top informant -- tipping off the feds for decades while still managing to operate one of the most murderous and profitable organized crime outfits of all time. In Rat Bastards, Shea brings that mysterious world and gritty urban Irish American street culture into sharp focus by telling his own story -- of his fatherless upbringing, his apprenticeship on the tough streets of Southie, and his love affair with trouble, boxing, and then the gangster life. In prose that is refreshingly honest, personal, and surprisingly tender, Shea tells his harrowing, unflinching, and unapologetic story. A man who did the crime, did the time, and held fast to the Irish code of silence, which he was raised to follow at any cost, Shea remains a man of honor and in doing so has become a living legend. One of the last of a dying breed, a true stand-up guy. Shea expects no forgiveness and makes no excuses for the life he chose. His story is intense, compelling, and in your face.

    She used to imagine she was the good kind, now she’s not sure. She’d like to ask Dad about it, but growing up in the saddest chapter of someone else’s story is difficult. She tries not to skate on the thin ice of his memories.Darren has done his best. He's studied his daughter like a seismologist on the lookout for waves and surrounded her with everything she might want - everything he can think of, at least - to be happy.What Clover wants is answers. This summer, she thinks she can find them in the second bedroom, which is full of her mother's belongings. Volume isn't important, what she is looking for is essence; the undiluted bits: a collection of things that will tell the full story of her mother, her father and who she is going to be.But what you find depends on what you're searching for.

    If A Stranger Approaches You reminds us that intersection of the bizarre and the quotidian is always at play. Memorial statues and raggedy dolls seem to come to life, a man listens to the electric menace of suburban power lines while he struggles with his failed marriage, and the little boy and his dog knocking on the door might be Death in disguise. Surreal and darkly comic, these are stories that know the unexpected graces and random collisions that drive and haunt us. As one of her narrators remarks, "What a thing, this life."

    He was the leading spirit in the bloody Lincoln County, New Mexico, war. By the age of twenty-one he had killed twenty-one men. His six years of daring outlawry has never been equalled in the annals of criminal history.

    The book addresses the urgent question of why the working classes are still faring so much worse than the upper and middle classes in education, and vitally - what we can do to achieve a fairer system.

    Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, strange in the dark; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: the stories focus in on crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys, or a young woman reads the diaries she comes across when she’s housesitting. Small acts have large consequences, and some of them reverberate across decades; things fantasised in private can reach out to affect other people, for better and worse. An older woman recovering from serious illness speaks to a lonely young man on a train; an old friend brings bad news to a dinner party; a schoolteacher in the throes of a painful affair in 1914 has mixed feelings about her pupils’ suffragette craze. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams.Bad Dreams shows yet again that Tessa Hadley is a master of her art, one of the very finest writers at work in Britain today.

    Horrific crimes, depraved witnesses and sordid accounts of FBI agents who gave their allegiance to the mob boss emerged from the muck as families of 19 murder victims endured the presentation of broken skulls and jaws along with photos from the morgue. At center stage was the defendant, who had been listed and protected by the FBI as a secret informant. He claimed the government had given him a free pass, but prosecutors fought to keep the trial away from questions of who made Bulger what he became and how. In an extraordinary measure of their outrage, the families of the victims cheered Bulger’s own attorneys as they savaged the government’s “cover-up” and the deals prosecutors had given to Bulger’s former associates to win testimony.In the first book to explore the trial in a larger context, WBUR investigative reporter David Boeri weaves his daily trial dispatches into the complete backstory of Bulger’s ruthless ascent to power, the men and the agency who made that possible, and the families of victims who were victimized again and again by the government’s protection of the killer. Boeri’s storytelling is informed by 26 years of national award-winning reporting on the Bulger case. He aggressively dug into FBI corruption and tracked the Bureau’s delayed, often inept search for the 16-year fugitive.Years before Bulger was arrested in Santa Monica, Bulger travelled to California to follow his own tips in search of Whitey and showed the lack of FBI effort and enterprise. His investigation of crimes aided and abetted by FBI agents took Boeri to old murder scenes of Bulger victims in Oklahoma, Florida and Massachusetts. He followed detectives in the difficult and painful search for the bones of Bulger victims long ago buried. He sought out the families to learn what they had endured and sought out Bulger’s criminal associates even tracked some down who were in the Witness Protection Program to chronicle Bulger the boss and Bulger the killer. In “Bulger On Trial,” Boeri brings the reader into the same close contact with Bulger’s corrupt FBI handler, the younger brother who made a parallel rise to political power, the families, the criminals and the saga that links them all.

    They are everything to each other. Holly calls Willow her rock, her soul mate, her other half. And Willow feels the same about Holly. They are alike in every respect except one - Willow is afraid on the inside. And all because of a secret - one that binds the sisters closely together and yet has meant their adult lives have taken two very different paths.Willow often feels there are large parts of her missing, qualities she only knows she's lacking because she sees them in her sister. For a very long time Willow has felt separated from Holly by one terrible moment in time - a moment that meant Willow's life was never the same again. And when the past catches up with her, Willow realises it's finally time for her to face her fears, and - with Holly's help - learn to laugh out loud once more...

    Ally (older sister of May in Night Waking), is intelligent, studious and engaged in an eternal - and losing - battle to gain her mother's approval and affection. Her mother, Elizabeth, is a religious zealot, keener on feeding the poor and saving prostitutes than on embracing the challenges of motherhood. Even when Ally wins a scholarship and is accepted as one of the first female students to read medicine in London, it still doesn't seem good enough. The first in a two-book sequence, Bodies of Light will propel Sarah Moss into the upper echelons of British novelists. It is a triumphant piece of historical fiction and a profoundly moving master class in characterisation.

    In this gripping prequel to Thunder , unsettling secrets change Selah Chavez's life forever in the days before her 18th Born Remembrance.

    She stepped out into the middle of the road without looking and was run over by a motorbike. But what had distracted her? And why was she carrying a box of vanilla slices? For Jean's daughter Anne, these questions are the least of her concern.