Mona Hanna-Attisha, alongside a team of researchers, parents, friends, and community leaders, discovered that the children of Flint, Michigan, were being exposed to lead in their tap water--and then battled her own government and a brutal backlash to expose that truth to the world. At the center of the story is Dr. Mona herself--an immigrant, doctor, scientist, and mother whose family's activist roots inspired her pursuit of justice.What the Eyes Don't See is a riveting account of a shameful disaster that became a tale of hope, the story of a city on the ropes that came together to fight for justice, self-determination, and the right to build a better world for their--and all of our--children.

    It explores the pioneering minds of Marx, Durkheim, and Weber, who developed our modern idea of society; and looks at the powerful influence of the works of early the sociologists Mead, Simmel, Freud, and Du Bois.

    Her carefully built career shuddered to a halt, and her journey through depression, anxiety, and insomnia—followed by medication, meditation, and therapy—began.Alcorn wondered how a woman like herself, with a loving husband, a supportive boss, three healthy kids, and a good income, was unable to manage the demands of having a career and a family. Over time, she realized that she wasn’t alone. As she questioned other working moms, she realized that many women were struggling to do it all, crashing, and feeling as if they were somehow failing as a result.Mothers are the breadwinners in two-thirds of American families, yet the American workplace is uniquely hostile to the needs of parents. Weaving in surprising research about the dysfunction between the careers and home lives of working mothers, as well as the consequences to women’s health, Alcorn tells a deeply personal story about "having it all," failing miserably, and what comes after. Ultimately, she offers readers a vision for a healthier, happier, and more productive way to live and work.

    Congressman Todd Akin’s “legitimate” gaffe. The alleged rape crew of Steubenville, Ohio. Sexual violence has been so prominent in recent years that the feminist term “rape culture” has finally entered the mainstream. But what, exactly, is it? And how do we change it? In Asking for It, Kate Harding answers those questions in the same blunt, bullshit-free voice that’s made her a powerhouse feminist blogger. Combining in-depth research with practical knowledge, Asking for It makes the case that twenty-first century America—where it’s estimated that out of every 100 rapes only 5 result in felony convictions—supports rapists more effectively than victims. Harding offers ideas and suggestions for addressing how we as a culture can take rape much more seriously without compromising the rights of the accused.

    This is a book about toxic workplaces and misogynist men, about getting payrises and getting evicted. About class and privilege and racism and beauty. About shame and pride, compulsion and fear.In unpicking the shroud of secrecy surrounding money – who has it, how they got it, and how it shapes our lives – this boldly honest account of one woman’s journey upturns countless social conventions, and uncovers some startling truths about our complex relationships with money in the process.‘A beautiful, searingly personal account of a world defined by money, full of courage and truth telling.’ Owen Jones‘In this compelling book, Otegha confronts the British aversion to discussing money and in doing so reveals she is one of the most original and talented young writers we have.’ Sathnam Sanghera‘A brilliant book that moved, amused, challenged and made me re-evaluate my own relationship with money. Otegha Uwagba writes with real intelligence and insight about the things many of us suspect but leave unsaid. A must-read.’ Elizabeth Day‘This brilliant book has made me re-evaluate my money privileges, past and present. A must-read for anyone who thinks their money is just their monthly cash flow.’ Raven Smith‘A riveting, confronting memoir – as beautifully written as it is provocative and thoughtful.’ Pandora Sykes‘Refreshingly honest – Otegha captures the creeping realisation in your twenties that your feelings about what you earn defines so much, from self-image to who we date, who we are friends with to what we will – or won’t – put up with at the office.’ Laura Whateley‘Personal but universal, Uwagba’s story of navigating university and the world of work while dealing with the pressures of class, lack of privilege and misogyny, is illuminating, eye-opening and reassuring.’ The Bookseller

    That's as good a definition of contemporary poetry as any."—NPR"This book reads like a long, breathless thank you for life's seemingly random jumble of beauty, strangeness, tenderness, and joy."— Los Angeles Times"The reader's mind shoots through [Young's poems] like the steel ball in a pinball machine, dinging around, racking up points. Dean's poems are amazingly fun."— BOMB"After 10 books over 20-odd years, Young has become one of our most imitated poets: his jocular jumps from topic to topic, debts to Surrealist dream-logic, mixture of postmodern oddity, stand-up comedy and weighty pathos land his work somewhere between John Ashbery (to whom Young owes much) and Billy Collins (whose affability Young shares)." —Publishers Weekly"Young revitalizes the lyric by reminding us that Art must never be less explosive and majestic and joyous than Life, lest it not only be no temporary substitute for Life but also no fitting representation of (or challenge to) life's regularities and irregularities. Bender will make you laugh, reflect, and marvel at how the contrary impulses and instantiations of both Life and Art can so readily be distilled in the sensibilities of a single man, or—in the case of Bender—a single book." —The Huffington Post"Dean Young's Bender: New & Selected Poems provides a direct experience with all the stunning possibilities of language at its most sublime."— The JournalFrom "Even Funnnier Looking Now":If someone had asked me then,Do you suffer from the umbrage of dawn'sdark race horses, is your heart a prisonerof raindrops? Hell yes! I would have saidor No way! Never would I have said,What could you possibly be talking about?I had just gotten to the twentieth centurylike a leftover girder from the Eiffel Tower.My Indian name was Pressure-Per-Square-Inch.I knew I was made of glass but I didn'tyet know what glass was made of: hot sandinside me like pee going all the wrongdirections, probably into my heartwhich I knew was made of gold foilglued to dust . . .

    Assistant Secretary of Education, author of the best-selling Reign of Error ("fearless" --Jonathan Kozol, NYRB)--an impassioned, inspiring look at the ways in which parents, teachers, activists--citizens--are successfully fighting back to defeat the forces that are privatizing America's public schools.Diane Ravitch writes of those who have privatized the schools, the Disrupters, who believe America's schools should be run like businesses, with teachers incentivized with threats and bonuses, and schools that need to enter into the age of the gig economy in which children are treated like customers or products. She writes of the Koch brothers, the DeVos family, the Waltons (Walmart), Eli Broad, Bill Gates, Michael Bloomberg, Mark Zuckerberg, and many others, on the right and the left, as well as corporations, foundations, etc., intent on promoting the privatization of one of our most valued public institutions. Ravitch lays out, in extensive detail, the facts showing that the ideas put forth by school privateers have failed; that their promises of higher test scores have not come to pass; that the "great hope" of Common Core has been a dud. Arrayed against these forces, Ravitch writes of the volunteer army--"the Resisters"--that has sprung up from Seattle, Austin, and Denver, to Detroit, New Orleans, and Buffalo--parents, teachers, grandparents, students, bloggers, religious leaders, brave individuals, who, spurred on by conviction, courage, determination, and the power of ideas and passion, are fighting back to successfully keep alive their public schools.

     This long-awaited new edition reinstates significant portions of the original French text that were cut in the first English translation. Vital and groundbreaking, Beauvoir’s pioneering and impressive text remains as pertinent today as it was back then, and will continue to provoke and inspire generations of men and women to come.

    An abortion provider reinvents birth control, Sheila Bapat envisions an economy that values domestic work, a teenage rock band dreams up a new way to make music, Katherine Cross rewrites the Constitution, and Maya Dusenbery resets the standard for good sex. Combining essays, interviews, poetry, illustrations, and short stories, The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given—and inspires us to demand a radically better future.

    Born in Los Angeles, she is taken to Mexico to live with her extended family until the age of three. Olivia then returns to L.A. to live with her mother, Carmen, the live-in maid to a wealthy family. Mother and daughter sleep in the maid’s room, just off the kitchen. Olivia is raised alongside the other children of the family. She goes to school with them, eats meals with them, and is taken shopping for clothes with them. She is like a member of the family. Except she is not. Based on over twenty years of research, Mary Romero brings Olivia’s remarkable story to life. We watch as she grows up among the children of privilege, struggles through adolescence, declares her independence and eventually goes off to college and becomes a successful professional. Much of this extraordinary story is told in Olivia’s voice and we hear of both her triumphs and setbacks. We come to understand the painful realization of wanting to claim a Mexican heritage that is in many ways not her own and of her constant struggle to come to terms with the great contradictions in her life.

    The attack was masterminded by Osama bin Laden and his Jihad group -- an organization that CNN's terrorism analyst Peter Bergen calls Holy War, Inc. One of the few Western journalists to have interviewed bin Laden face-to-face, Bergen has produced the definitive book on the global Jihadist network, revealing: How bin Laden lives, travels, and communicates with his "cells." How his role in the crushing defeat of the Soviet Union in Afghanistan made him a hero to Muslims all over the world. How the bombings of the American embassies in Africa and the USS Cole in Yemen were planned and executed. What we can expect from Islamic extremists in the future. Above all, Peter Bergen helps us to see bin Laden's organization in a radically new light: as a corporation that has exploited modern technology and weaponry in the service of global terrorism and the destruction of the West. Both author and publisher will donate a portion of the proceeds from this book to the International Committee of the Red Cross.

    Monique Dembele saved lives and dispensed hope in a place where childbirth is a life-and-death matter. This book tells of her unquenchable passion to better the lives of women and children in the face of poverty, unhappy marriages, and endless backbreaking work. Monique's buoyant humor and willingness to defy tradition were uniquely hers. In the course of this deeply personal narrative, as readers immerse themselves in the rhythms of West African village life, they come to know Monique as friend, mother, and inspired woman.

    In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors?To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families. Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey.Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a country that was in colossal need of change.

    Home Style, which won the 1979 Woodrow Wilson Foundation Award and the 1980 D.B. Hardeman prize, has been re-issued in a "Longman Classics" Edition and features a new Foreword by renowned scholar John Hibbing of The University of Nebraska.

    Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiance. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it," Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education. A powerful expose of unmet obligations and misplaced priorities, it explains in vivid detail why so many leave college with so little to show for it.Drawing on findings from a five-year interview study, Elizabeth Armstrong and Laura Hamilton bring us to the campus of "MU," a flagship Midwestern public university, where we follow a group of women drawn into a culture of status seeking and sororities. Mapping different pathways available to MU students, the authors demonstrate that the most well-resourced and seductive route is a "party pathway" anchored in the Greek system and facilitated by the administration. This pathway exerts influence over the academic and social experiences of all students, and while it benefits the affluent and well-connected, Armstrong and Hamilton make clear how it seriously disadvantages the majority. Eye-opening and provocative, Paying for the Party reveals how outcomes can differ so dramatically for those whom universities enroll.