Perloff traces the poet's development through his early years at Harvard and his interest in French Dadaism and Surrealism to his later poems that fuse literary influence with elements from Abstract Expressionist painting, atonal music, and contemporary film. This edition contains a new Introduction addressing O'Hara's homosexuality, his attitudes toward racism, and changes in poetic climate cover the past few decades. "A groundbreaking study. [This book] is a genuine work of criticism. . . . Through Marjorie Perloff's book we see an O'Hara perhaps only his closer associates saw before: a poet fully aware of the traditions and techniques of his craft who, in a life tragically foreshortened, produced an adventurous if somewhat erratic body of American verse."—David Lenson, Chronicle of Higher Education"Perloff is a reliable, well-informed, discreet, sensitive . . . guide. . . . She is impressive in the way she deals with O'Hara's relationship to painters and paintings, and she does give first-rate readings of four major poems."—Jonathan Cott, New York Times Book Review

    Annotations in this edition are keyed both to the reading text of the new critical edition of Ulysses published in 1984 and to the standard 1961 Random House edition and the current Modern Library and Vintage texts.Gifford has incorporated over 1,000 additions and corrections to the first edition. The introduction and headnotes to sections provide general geographical, biographical and historical background. The annotations gloss place names, define slang terms, give capsule histories of institutions and political and cultural movements and figures, supply bits of local and Irish legend and lore, explain religious nomenclature and practices, trace literary allusions and references to other cultures.The suggestive potential of minor details was enormously fascinating to Joyce, and the precision of his use of detail is a most important aspect of his literary method. The annotations in this volume illuminate details which are not in the public realm for most of us.

    In Ion, Plato examines the god-like power of poets to evoke feelings such as pleasure or fear, yet he went on to attack this manipulation of emotions and banished poets from his ideal Republic. Aristotle defends the value of art in his Poetics, and his analysis of tragedy has influenced generations of critics from the Renaissance onwards. In the Art of Poetry, Horace promotes a style of poetic craftsmanship rooted in wisdom, ethical insight and decorum, while Longinus’ On the Sublime explores the nature of inspiration in poetry and prose. This edition of these landmarks texts includes an introduction by Penelope Murray, which discusses the literary background since Homer and sets the work of each critic in context. It also includes suggestions for further reading, a chronology and explanatory notes. Table Of Contents: Table of contents Introduction 1. Homer and the Early Greek Poets 2. Aristophanes 3. Gorgias and the Sophists 4. Plato 5. Aristotle 6. The Alexandrians 7. Horace 8. Longinus 9. Epilogue Further Reading Literary Chronology Plato Ion Republic 2 Republic 3 Republic 10 Aristotle Poetics Horace The Art of Poetry Longinus On the Sublime Notes

    In Reading Comics, critic Douglas Wolk shows us why this is and how it came to be. Wolk illuminates the most dazzling creators of modern comics-from Alan Moore to Alison Bechdel to Dave Sim to Chris Ware-and introduces a critical theory that explains where each fits into the pantheon of art. Reading Comics is accessible to the hardcore fan and the curious newcomer; it is the first book for people who want to know not just what comics are worth reading, but also the ways to think and talk and argue about them.

    It's a book that has remained current for over half a century, fighting off critics and changing tastes in fiction. But do even its biggest fans know all there is to appreciate about The Great Gatsby?Maureen Corrigan, the book critic for "Fresh Air" and a Gatsby lover extraordinaire, points out that while Gatsby may be the novel most Americans have read, it's also the ones most of us read too soon -- when we were "too young, too defensive emotionally, too ignorant about the life-deforming powers of regret" to really understand all that Fitzgerald was saying ("it's not the green light, stupid, it's Gatsby's reaching for it," as she puts it). No matter when or how recently you've read the novel, Corrigan offers a fresh perspective on what makes it so enduringly relevant and powerful. Drawing on her experience as a reader, lecturer, and critic, her book will be a rousing consideration of Gatsby: not just its literary achievements, but also its path to "classic" (its initial lukewarm reception has been a form of cold comfort to struggling novelists for decades), its under-acknowledged debt to hard-boiled crime fiction, its commentaries on race, class, and gender.With rigor, wit, and an evangelistic persuasiveness, Corrigan will leave readers inspired to grab their old paperback copies of Gatsby and re-experience this great novel in an entirely new light.

    Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on this subject, along with Susan Sontag's On Photography.

    Still popular more than a century after their deaths, their poetry vividly reflects the unique nature of their relationship.This collection presents the Brownings’ work in the context of their lives: the early years and their initial friendship, their courtship and marriage, the fifteen happy years they spent living in Italy until Elizabeth’s death. Whether in short poems such as Elizabeth’s “Hector in the Garden” and Robert’s “Natural Magic,” or in extracts from longer works such as Aurora Leigh and Pauline, the great themes they shared are all represented: love, marriage, illicit passion, England and Italy, childhood, religion, poetry, and nature. Elizabeth’s famous Sonnets from the Portuguese, based on their love affair, is included in its entirety. The poems are augmented with a generous selection of the marvelous letters the Brownings wrote to each other.

    Over thirty years ago a series of murders targeting Oregon librarians was never solved. Now someone with inside knowledge is feeding clues to true crime writer Dougal Lachlan, promising him the best story of his career. Pursuing the story means returning to Twisted Cedars, where his sister Jamie, is about to marry a man he deeply dislikes. Local Twisted Cedars librarian Charlotte Hammond prefers her mysteries—and her romances—between the covers of a good book, especially since the disappearance of her older sister, Daisy, eight years ago. But then the dark and tortured soul who is Dougal Lachlan walks into the Twisted Cedars Library asking for her help. Before long Charlotte realizes there is no safe zone. Not even in libraries. And especially not in Twisted Cedars. Forgotten (Book 2) After a shocking secret is uncovered in Twisted Cedars, Oregon, fresh trouble surfaces. Sheriff Wade MacKay is fishing on the Rogue River when he comes across a cargo truck crashed off the side of a winding mountain road. The driver is dead. The sole passenger, a woman in her early thirties, is unconscious with a severe head injury. When she comes to the next day at the hospital, she is suffering from amnesia. Since she carried no ID, there is no clue to her identity. Judging by the woman’s bruises, which pre-date the accident, Wade suspects she was running from danger when she hitched a ride with the truck driver. But how can he protect her, when he doesn’t even know who she is? Wade’s office is already working overtime, investigating the death of one of his former school friends. While true crime writer, Dougal Lachlan, is avoiding writing a book that would force him to confront his inner demons. Exposed (Book 3) No more hiding. When a young boy goes missing shortly after his father’s arrest for the murder of the boy’s mother, the residents of Twisted Cedars are in a panic. They would be even more fearful if they knew a serial murderer has secretly moved back to town. Local Sheriff Wade MacKay, and true crime writer Dougal Lachlan, finally realize that unless they pool their resources and work together, no one in town is going to be safe.

    But her hilarious and inspired flight from that situation results in this 50 something unfulfilled housewife taking an around the world cruise she really cannot afford. The cost is soon a minor worry though, as one gin-fuelled pity party later, she is accused of murder and embroiled in the 30-year-old theft of a priceless jewel. In our greatest challenges, we find our true strength and Patricia is the best example of how true that is. Let her story make your heart soar as she shrugs off the ashes of her failed marriage and becomes the incredible woman she was always meant to be. This 4 book boxed set will give you hours of mirth-filled, often pulse-pounding, cozy mystery with no cussing or smuttiness and no graphic descriptions of sex of violence. Book 1 – The Missing Sapphire of Zangrabar. A thirty-year-old priceless jewel theft and a man that really has been stabbed in the back. Can a 52-year-old, slightly plump housewife unravel the mystery in time to save herself from jail? With only a Jamaican butler faking an English accent and a pretty gym instructor to help, she must piece together the clues and do it fast. Or when she gets off the ship in St Kitts, she’ll be in cuffs! Book 2 – The Kidnapped Bride. A cruise ship filled with gangsters, a missing woman, and a new head of security that can’t do his job. What’s a middle-aged sleuth to do? Patricia just wants to spend more time in the company of Alistair Huntley, the offensively handsome captain of the Aurelia who seems only too happy to host her. But as the Aurelia sets sail from Miami, it does so with a dangerous new addition: there is a mob boss among the passengers and he’s on the run – from more mobsters! Book 3 – The Director’s Cut. It’s well known that working in movies can be cutthroat, but no one expected that to be taken literally. It’s party time on board the Aurelia! On the LA to Hawaii leg, a Hollywood film crew are shooting scenes for a new action movie and Barbie has been given a bit-part role. It’s all great fun and Patricia isn’t surprised when her cute, blonde friend attracts the attention of the handsome A-lister male lead. Book 4 – The Couple in Cabin 2124. How do I always attract trouble and drama? When a crewmember takes his own life but hands Patricia a cryptic note and a request to save Anna just before he jumps, she feels she has no choice but to honour his dying wish. Who is Anna though? Praise for Patricia Fisher: She's over 50, feisty and oh so clever at solving murders. This first book has so many twists, turns and red herrings the reader has to pay close attention to catch all the clues. Love Steve Higgs’ books and this new series did not disappoint. Patricia started out as a betrayed wife and moved into a strong, smart woman role. I love her and her side kicks already and this is only the first book. Can’t get enough of Steve’s stories and wait anxiously for the next to publish in all of his series. Higgs continues the 'cozy mystery' genre in this unexpected and empowering new series with no loss of empathy for human variety.

    This book will keep you up late in order to turn those pages. This book will cause your heart to race and even skip a few beats. –Amazon Reviewer This set includes: All Good Deeds (Lucy Kendall #1) See Them Run (Lucy Kendall #2) Gone to Die (Lucy Kendall #3) All Fall Down (Lucy Kendall #4) Bonus Content: Additional scenes from each novel featuring Chris Hale. Bonus Content: An essay on writing the series from author Stacy Green. ALL GOOD DEEDS (bronze medalist, thriller, 2015 IPPY Awards) A former social worker turned vigilant killer of pedophiles believes she’s saving children. The disappearance of a child shatters her illusions and forces her into diabolical web she may never escape. SEE THEM RUN Lucy Kendall still believes she can control justice. After fighting to take down a child sex trafficking ring, she becomes a murder suspect and runs straight into the enemy’s trap. GONE TO DIE Lucy Kendall is ready to end her life when she realizes her closet ally has gone after a monster and is missing. Lucy knows the only way to save her friend is to step back into the darkness she’s terrified will consume her. ALL FALL DOWN Lucy is determined to start over, but the murder of a former foster child contains a taunting message. Lucy rushes home only to find the one person she’ll still kill for has been taken and the gauntlet thrown.

    But with Halloween coming, the novice psychic medium is in for a surprise. As the historical society manager for her small Georgia town, Chantilly implemented a haunted historical property tour, and on Halloween, two of the ghosts comes by her house for a visit. The ghosts tell her there isn’t much time, but Chantilly has no idea what that means. Can Chantilly figure it out and help the ghosts before that time runs out?

    With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.

    But what’s involved in bringing these narratives into the classroom—in creative writing, cultural studies, women’s and ethnic studies, and social science and literature courses? How may instructors engage the philosophical, historical, social, and theoretical contexts of the emerging field of autobiography studies?Sidonie Smith and Julia Watson, two authorities in life narrative studies distill their diverse forays into life writing in a concise yet far-reaching overview of key terms, issues, histories, and texts in autobiography studies. Reading Autobiography is a step-by-step introduction to the differences of self-narrative from fiction and biography; the components of autobiographical acts; such core concepts as memory, experience, identity, agency, and the body; the textual and critical history of the field; and prospects for future research. Organized as a user-friendly handbook, it includes a glossary of key words, suggestions for teaching, and extensive primary and secondary bibliographies. Sidonie Smith is professor of English and women’s studies at the University of Michigan. Julia Watson is associate professor of comparative studies at Ohio State University.

    Utilizing nearly two hundred examples of modern fantasy, author Farah Mendlesohn uses this system to explore how fiction writers construct their fantastic worlds. Mendlesohn posits four categories of fantasy--portal-quest, immersive, intrusion, and liminal--that arise out of the relationship of the protagonist to the fantasy world. Using these sets, Mendlesohn argues that the author's stylistic decisions are then shaped by the inescapably political demands of the category in which they choose to write. Each chapter covers at least twenty books in detail, ranging from nineteenth-century fantasy and horror to extensive coverage of some of the best books in the contemporary field. Offering a wide-ranging discussion and penetrating comparative analysis, Rhetorics of Fantasy will excite fans and provide a wealth of material for scholarly and classroom discussion.Includes discussion of works by over 100 authors, including Lloyd Alexander, Peter Beagle, Marion Zimmer Bradley, John Crowley, Stephen R. Donaldson, Stephen King, C. S. Lewis, Gregory Maguire, Robin McKinley, China Mieville, Suniti Namjoshi, Philip Pullman, J. K. Rowling, Sheri S. Tepper, J. R. R. Tolkien, Tad Williams

    Salrich.Make reading better with… Wicked Charms: A Lizzy and Diesel Novel by Janet Evanovich - Reviewed When Janet Evanovich first wrote about "Lizzy and Diesel" millions of fans around the world fell in love. You could say that she created an instant “Classic” series that has continued with the third book... "Wicked Charms". When you read this companion guide you will get a deeper understanding of the characters and plot found in Wicked Charms : A Lizzy and Diesel Novel, as well as the themes included in the novel. You also get a detailed chapter by chapter breakdown and analysis of the events as they unfold along with a glossary of the important characters and terms used in the original book. Just in case that’s not enough for you I’ve also included a list of possible study questions (book club discussions topics) and quotes from the book that I found interesting. Wrapping it all up is a discussion of the critical reviews for "Wicked Charms by Janet Evanovich" as well as my overall opinion of the book. Plus much more! This review/summary fills the gap, making you understand more while enhancing your reading experience of the original book. Whether you’re reading this for a book club, school report, or just want to find out what happens before diving into the full length book, you can use this book review and study guide to get most out of your experience reading Wicked Charms: A Lizzy and Diesel Novel by Janet Evanovich.