Helen Vendler, widely regarded as an accomplished interpreter of poetry, here serves as a guide to some of the best-known poems in the English language.In detailed commentaries on Shakespeare's 154 sonnets, Vendler interprets imaginative and stylistic features of the poems, pointing out new levels of import in particular lines, and the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect.

    

    For any student of the city and its secret life, it is indispensable reading." -Peter Ackroyd, The Times (London)Before his murder in 1831, the "Italian boy" was one of thousands of orphans on the streets of London, begging among the livestock, hawkers, and con men. When his body was sold to a medical college, the suppliers were arrested for murder. Their high-profile trial would unveil a furtive trade in human corpses carried out by "resurrection men" who killed to satisfy the first rule of the cadaver market: the fresher the body, the higher the price. Historian Sarah Wise reconstructs not only the boy's murder but the chaos and squalor of his world. In 1831 London, the poor were desperate and the wealthy petrified, the population swelling so fast that class borders could not hold. All the while, early humanitarians were attempting to protect the disenfranchised, the courts were establishing norms of punishment, and doctors were pioneering the science of anatomy.As vivid and intricate as a novel by Charles Dickens, The Italian Boy restores to history the lives of the very poorest Londoners and offers an unparalleled account of England's great metropolis at the brink of a major transformation.

    Scenes of Subjection examines the forms of domination that usually go undetected; in particular, the encroachments of power that take place through notions of humanity, enjoyment, protection, rights, and consent. By looking at slave narratives, plantation diaries, popular theater, slave performance, freedmen's primers, and legal cases, Hartman investigates a wide variety of "scenes" ranging from the auction block and minstrel show to the staging of the self-possessed and rights-bearing individual of freedom.While attentive to the performance of power--the terrible spectacles of slaveholders' dominion and the innocent amusements designed to abase and pacify the enslaved--and the entanglements of pleasure and terror in these displays of mastery, Hartman also examines the possibilities for resistance, redress and transformation embodied in black performance and everyday practice.This important study contends that despite the legal abolition of slavery, emergent notions of individual will and responsibility revealed the tragic continuities between slavery and freedom. Bold and persuasively argued, Scenes of Subjection will engage readers in a broad range of historical, literary, and cultural studies.

    Jockers introduces readers to large-scale literary computing and the revolutionary potential of macroanalysis--a new approach to the study of the literary record designed for probing the digital-textual world as it exists today, in digital form and in large quantities. Using computational analysis to retrieve key words, phrases, and linguistic patterns across thousands of texts in digital libraries, researchers can draw conclusions based on quantifiable evidence regarding how literary trends are employed over time, across periods, within regions, or within demographic groups, as well as how cultural, historical, and societal linkages may bind individual authors, texts, and genres into an aggregate literary culture. Moving beyond the limitations of literary interpretation based on the "close-reading" of individual works, Jockers describes how this new method of studying large collections of digital material can help us to better understand and contextualize the individual works within those collections.

    Spanning the century between Victorian Britain and the current struggle for power in South Africa, the book takes up the complex relationships between race and sexuality, fetishism and money, gender and violence, domesticity and the imperial market, and the gendering of nationalism within the zones of imperial and anti-imperial power.

    The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it. Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, She weaves these into her discussion with an eloquence, humanity, and insight that recall the writings of Hannah Arendt and Jean-Paul Sartre. Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work that promises to spark widespread debate.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    Translation of: Orphee noir, originally published 1948 as the preface to Anthologie de la nouvelle poesie negre et malgache de langue francaise, edited by Leopold Sedar Senghor.

    Readers often have stumbled upon seeming mysteries in their favorite novels. Why, for example, is the plot of The Woman in White irrevocably flawed? (The timing of the crime is off.) Is the hero of George Eliot's Middlemarch illegitimate? (Probably, although he was later legitimized.) Why does the otherwise sensible Jane Eyre give in to a sudden and unexplained outburst of superstition? (Charlotte Bronte, in reality, had a similar experience.) What is the real reason we find The Picture of Dorian Gray so disturbing? (There is an overwhelming emphasis on the sense of smell.) These answers and more can all be found in John Sutherland's entertaining and maddening book. When it comes to literary criticism there's really nothing quite like the joys of close reading and good-natured inquiry. This is the spirit in which Is Heathcliff A Murderer was conceived and executed. Rather than trying to catch great authors in mistakes, Sutherland usually turns up perfectly plausible reasons for the seeming anomalies. Everyone who reads nineteenth-century novels will thoroughly enjoy John Sutherland's exploration of the seemingly unanswered, and each chapter is a direct link to one of Oxford's World's Classics.

    Tally Jr. explores differing aspects of the spatial in literary studies today, providing:An overview of the spatial turn across literary theory, from historicism and postmodernism to postcolonialism and globalization Introductions to the major theorists of spatiality, including Michel Foucault, David Harvey, Edward Soja, Erich Auerbach, Georg Lukacs, and Fredric Jameson Analysis of critical perspectives on spatiality, such as the writer as map-maker, literature of the city and urban space, and the concepts of literary geography, cartographics and geocriticism.This clear and engaging study presents readers with a thought provoking and illuminating guide to the literature and criticism of 'space'.

    Beginning with its first publication as a cautionary tale on the perils of seduction, written in reaction to the licentiousness of the court of Louis XIV, Orenstein traces the many lives the tale has lived since then, from its appearance in modern advertisements for cosmetics and automobiles, the inspiration it brought to poets such as Anne Sexton, and its starring role in pornographic films. In Little Red Riding Hood Uncloaked, Red appears as seductress, hapless victim, riot grrrrl, femme fatale, and even she-wolf, as Orenstein shows how through centuries of different guises, the story has served as a barometer of social and sexual mores pertaining to women. Full of fascinating history, generous wit, and intelligent analysis, Little Red Riding Hood Uncloaked proves that the story of one young girl's trip through the woods continues to be one of our most compelling modern myths.

    It’s not the life that she would choose for herself, but she knows that she cannot put her family to shame. China and her girls Ryder, Q, and Jewels are four of the most notorious chics in Queens. Growing up in the same part of town they were known for cutting and shooting chics and dudes when pushed to the limit. They had looks to kill and could draw in any man. Unbeknownst to her, when China hooks up with a pimp, the reputation that she has tried so hard to upkeep is tested. When thinking with your heart and not using your head, you fall victim to things that are clearly a task that you can’t handle. China is put in a situation where her friendships, family and relationship is at risk ending with her losing some of her loved ones. Find out what Silent Cries is really about as you go inside China’s twisted world of betrayal SilentCries 2 :China comes from out of hiding, praying that there isn’t anyone around. Feeling alone and scared she is left to find a way out of her house and to safety before the police arrive. After having a procedure done earlier in the day, China is filled with pain and confusion. With not much money in her pockets and no place to go, she is left to fend for herself. China winds up at the doorstep of someone from her past. She didn’t have much of a choice being she couldn’t contact her family. When China learns the shocking truth about her father, she rebels against her parents and decides to make it on her own. Ryder is stuck in between a rock in a hard place. She finds love in a man that she was crushing on for years. She is a ride or die chick to the heart until being with him; she is forced to do the unthinkable. Ryder had always been tough in her rights but not to the point where she would partake in killing someone dear to her. Q is in a frenzy wondering how she winds up in a hospital bed. She tries to remember details from the day’s events but comes up blank. The only thing she can remember is the dudes running in the house with guns drawn. The one thing she does remember is that China is the only one to blame behind her being hospitalized and she vowed that when she was released, her cousin was going to pay. Silent Cries 3: Just when you thought things couldn't get any worse, they do. What will this family do once identities are revealed? What will Jasmine do when she comes face to face with the man that stole her innocence? Will China give in to E and give him another chance or is there someone else who has caught his attention? Man is on a mission and will not stop until he takes down any and everyone that had something to do with hurting his family. Who will be the next victim on his list? Does Q and China have an ongoing beef or will this issue be resolved? Find out all the answers to all of these questions when you dive deeper into this family's world. Expect the unexpected. More sex, lies and secrets are going to be revealed.

    Can Sarah save Witchland from destruction and solve the suspicious death of her dear friend?A Free Novella ~ Fish and Blame: Can Sarah bring justice to an innocent tourist and save the wrong person from going down for a crime? While struggling with learning how to use her own powers, Sarah is uncertain if she has what it takes to bring down another killer.Book 2 ~ Howl Play: Will Sarah be able to defeat perhaps the most evil witch in all of history, to bring closure for an innocent man's death?Book 3 ~ Tail of a Feather: When Eli disappears, Sarah must venture into the caves under Witchland to save him. But is she strong enough to defeat the evil that lurks down there?Book 4 ~ Impawsible Mischief: Something is wrong in Witchland, and this time the problem is coming from within the town! Can Sarah save Witchland before it tears itself apart?Book 5 ~ Pawtrayal: Sarah just wants to settle down, but a ghost desperate for justice for his own murder case isn't having it! Can Sarah vindicate a ghost and solve a crime that has stumped police for decades?Get The Spellwood Witches Complete Series Collection today!

    A fascinating exploration of gender issues and feminist agendas of the New Woman movement of the late 1800s