"What They Did There: Profiles From the Battle of Gettysburg" offers a unique view of its subject, telling the story of the battle not through convention narrative but via 170 mini-bios of not only combatants blue and gray, but of civilians, doctors, nurses, artists, photographers, Samaritans; saints, sinners and the moral terrain in-between.

    You'll never see the city the same way again.At the core of A Burglar's Guide to the City is an unexpected and thrilling insight: how any building transforms when seen through the eyes of someone hoping to break into it. Studying architecture the way a burglar would, Geoff Manaugh takes readers through walls, down elevator shafts, into panic rooms, up to the buried vaults of banks, and out across the rooftops of an unsuspecting city.With the help of FBI Special Agents, reformed bank robbers, private security consultants, the L.A.P.D. Air Support Division, and architects past and present, the book dissects the built environment from both sides of the law. Whether picking padlocks or climbing the walls of high-rise apartments, finding gaps in a museum's surveillance routine or discussing home invasions in ancient Rome, A Burglar's Guide to the City has the tools, the tales, and the x-ray vision you need to see architecture as nothing more than an obstacle that can be outwitted and undercut.Full of real-life heists-both spectacular and absurd-A Burglar's Guide to the City ensures readers will never enter a bank again without imagining how to loot the vault or walk down the street without planning the perfect getaway.

    She arrives in California with every intention of tracking down those responsible, but when she wakes up in a strange motel room with no recollection of how she got there, it's a blue-eyed, fast-talking stranger who offers an assist. Then a chance audition at a downtown nightclub drops her in the proverbial lap of everyone's favorite immortal rocker...Xaine is the poster boy of hedonistic infamy, from his supercar to his Palisades mansion to his record label, Apocalypse. But his life abruptly shifts gears from Grammy Awards and blood dolls to police statements and coroners' reports when dead blond girls start turning up on his property. Everyone is quick to accuse the resident vampire, and with a list of enemies that dates back four centuries, only his newest opening act can clear his name and help him figure out who's behind the murders.Within days of meeting, Xaine and Lore are caught up in a web of intrigue, pursued by fallen angels, sin-eaters, reapers, and a coalition of vampires with a deadly agenda. Virtue and Vice, Light and Dark, they will have to battle their every demon to vanquish the ghosts that haunt them both. But fame and fortune come at the cost of anonymity, and when a powerful enemy can see Lore's every move projected across the television screen, it's Hollywood's biggest bad-boy who becomes her only hope.

    In this poetical fantasy, Marie becomes the ultimate artist/poet, composing a codex-calligraphy, writings, paintings, collage-from materials left at the dump. She is a "culture of one." The story is told in long-lined, clear-edged poems deliberately stacked so the reader can keep plunging headlong into the events of the book. Culture of One offers further proof of how Notley "has freed herself from any single notion of what poetry should be so that she can go ahead and write what poetry can be" (The Boston Review).

    Visit them in their grand chateaux or charming little country cottages or Parisian apartments. Learn where they shop, where they work, where they play, how they dress and, how they entertain. Absorb each girlfriend's style and joie de vivre.Santoni's affectionate writing, along with gorgeous photography, tells each woman's story with an intimacy usually reserved for the closest of girlfriends.

    It was the abode of William, 4th Baron Byron - a popular amateur composer and artist - and his teenage wife Frances. But by the end of the century, the building had become a crumbling and ill-cared-for ruin. Surrounded by wreckage of his inheritance, the 4th Baron's dissipated son and heir William, 5th Baron Byron - known to history as the 'Wicked Lord' - lay on his deathbed alongside a handful of remaining servants and amidst a thriving population of crickets.This was the home that a small, pudgy boy of ten from Aberdeen - who the world would later come to know as Lord Byron, the Romantic poet, soldier, and adventurer - would inherit in 1798. His family, he would come to learn, had in recent decades become known for almost unfathomable levels of scandal and impropriety, from elopement, murder, and kidnapping to adultery, coercion, and thrilling near-death experiences at sea. Just as it had shocked the society of Georgian London, the outlandish and scandalous story of the Byrons - and the myths that began to rise around it - would his influence his life and poetry for posterity.The Fall of the House of Byron follows the fates of Lord Byron's ancestors over three generations in a drama that begins in rural Nottinghamshire and plays out in the gentlemen's clubs of Georgian London, amid tempests on far-flung seas, and in the glamour of pre-revolutionary France. A compelling story of a prominent and controversial characters, it is a sumptuous family portrait and an electrifying work of social history.

    The sequel to Adi Parva, which was chosen as one of 2012's Best Graphic Novels by comic book historian Paul Gravett, this book combines breath-taking art with classic storytelling. Based on the Mahabharata, the Puranas and the tradition of oral storytellers, Sauptik is also very contemporary. The narrative, with its lush visuals, emphasizes, over and over, our forgotten connection with the soil, with rivers, with forests, with fire. In book one, Adi Parva: Churning of the Ocean, the celestial river Ganga narrates events from the beginning of time and in its sequel, Sauptik: Blood and Flowers, Ashwatthama carries the story forward after surviving the Kurukshetra battle.

    His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, Alvaro Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the tacit treatises that can be found on the shelves of a university library, but lively encounters of architectural equals.

    Most people say they would like to die quietly at home. But overly aggressive medical advice, coupled with an unrealistic sense of invincibility or overconfidence in our health-care system, results in the majority of elderly patients misguidedly dying in institutions. Many undergo painful procedures instead of having the better and more peaceful death they deserve.At Peace outlines specific active and passive steps that older patients and their health-care proxies can take to ensure loved ones live their last days comfortably at home and/or in hospice when further aggressive care is inappropriate. Through Dr. Samuel Harrington's own experience with the aging and deaths of his parents and of working with patients, he describes the terminal patterns of the six most common chronic diseases; how to recognize a terminal diagnosis even when the doctor is not clear about it; how to have the hard conversation about end-of-life wishes; how to minimize painful treatments; when to seek hospice care; and how to deal with dementia and other special issues. Informed by more than thirty years of clinical practice, Dr. Harrington came to understand that the American health-care system wasn't designed to treat the aging population with care and compassion. His work as a hospice trustee and later as a hospital trustee drove his passion for helping patients make appropriate end-of-life decisions.

    In superb graphic detail, with hundreds of plans, illustrations, and diagrams, this comprehensive resource presents and entire library's worth of essential design data for residential development.

    Jordan details life as an Air Force Mortuary Non Commissioned Officer. In his stunning debut Jordan forces the reader to walk beside him on his journey in this gruesome world. Jordan holds nothing back, and shares in graphic detail how he honored Americas heroes, both at deployed locations and stateside. This book will pry your eyes wide open as you gasp from the sheer horror he faced daily, from dealing with the families of the fallen, to witnessing the embalming and preparations of the deceased. Jordan also shares how this job taxed his mental well being, as he suffered in silence, longing not to care. Jordan is still serving on Active Duty and suffers from the crippling effects of PTSD, his story will enlighten you, it will touch you, and yes, you will cry.

    Worse still, he is engaged to a stranger who has mocked him in public. But his bride-to-be, Ophelia, has been guiding a lovely and witty, if dreadfully inexperienced, country girl named Sabrina through the latter's all-important first coming-out season. The enchanting Sabrina enthralls Duncan much more than his own intended does, and she shares his passionate feelings as well. But duty and circumstance - plus a scandal in Sabrina's family past - have made it impossible for her and the dashing highlander to be together . . . unless true love can somehow, miraculously, find a way.The Devil Who Tamed Her:Ophelia Reid is an incomparable beauty with a reputation for starting rumors and spreading them. Having purposely wrecked her engagement to Duncan MacTavish, a future marquis, which her social-climbing father arranged, Ophelia wants to return to London’s marriage mart and make her own choice of a wealthy husband. But on her journey home, something unexpected happens…The heir to a dukedom, Raphael Locke, Viscount Lynnfield is – in spite of his disinterest in marriage – the most sought-after young lord in England. He instantly disliked Ophelia when she caused a scandal to avoid marriage to his friend MacTavish, but having comforted her in a tearful moment, he begins to wonder if she’s not all bad. So when MacTavish claims that Ophelia will never be anything but a spiteful beauty, Rafe bets his best friend that he can turn her into a kind-hearted lady who will one day make a good match, just not with him.With her parents’ blessing, Rafe commandeers Ophelia’s coach and whisks her – chaperoned, of course – to his remote estate in the countryside. There, as he tries to show his furious, sharp-tongued “guest” the error of her ways, he discovers the surprising reasons for her bad behavior. Soon his daily lessons with Ophelia take effect and he finds himself irresistibly attracted to her. When Rafe champions the new and improved Ophelia’s re-entry to London society, marriage proposals pour in. Only then does Rafe start to wonder whether he hasn’t gone and fallen in love with Ophelia himself.A Rogue of My Own:How does an innocent lady find herself forced to wed a royal spy who seduced her – by mistake? For Lady Rebecca Marshall, a whirlwind of passion and excitement begins when, to her mother’s great delight, she becomes a maid of honor at the court of Queen Victoria. Rebecca’s mother sees this appointment as a golden opportunity for Rebecca to make a good match.At court, Rebecca innocently steps into the rivalry between the queen’s spymaster and the noblewoman in charge of the maids of honor who is using the maids to spy on powerful courtiers. Soon Rebecca is entangled in a web of deceit with the charming marquis Rupert St. John. The devastatingly handsome n’er-do-well is the cousin of Raphael Locke, with whom Rebecca was once infatuated. What she doesn’t know is that Rupert is a secret agent of the crown who leads a double life.When Rupert obtains proof that Rebecca is spying on him, he seduces her. He hardly suspects her guileless nature. Forced to the altar, Rupert believes that Rebecca has set a trap of the worst sort in order to marry into his powerful family. Although he vows never to be faithful to his beautiful wife, as Rupert comes to know Rebecca’s wit, adventurous spirit, and generous nature, his vow of revenge turns into a desire to share many passionate nights only with his wife for the rest of his life.Warm, witty, and filled with the “deliciously sexy” (Booklist) flirtation that makes each of her bestsellers an irresistible gem, A Rogue of My Own will have listeners falling in love with Johanna Lindsey all over again!

    

    Separated from past friends and surrounded by people who resent her rise to the throne, the sole close companion she has left is Jane Boleyn, the infamous Lady Rochford. And this is not the only strain upon Catherine. People from her past come calling, the threat that the King may find out she is not the pure, innocent maiden he thinks she is puts her in peril. Catherine must imitate the Queens of the past in order to survive. And she must ignore her love for another man. On the day of her wedding, Catherine begins a dangerous game, wearing a mask, hoping to fool the King, until the day she can be free. No More Time to Dance is book two in The Story of Catherine Howard, by G. Lawrence The author's thank are due to Julia Gibbs, proof reader of this work, and BetiBup Designs, the cover artist.

    But is it? In an age when we are endlessly urged to do “more with less”, can we still romanticise the pretensions of minimalism? For Pier Vittorio Aureli, the return of “austerity chic” is a perversion of what ought to be a meaningful way of life. Charting the rise of asceticism in early Christianity and its institutionalisation with the medieval monasteries, Aureli examines how the basic unit of the reclusive life – the monk’s cell – becomes the foundation of private property. And from there, he argues, it all starts to go wrong. By late capitalism, asceticism has been utterly aestheticised. It manifests itself as monasteries inspired by Calvin Klein stores, in the monkish lifestyle of Steve Jobs and Apple’s aura of restraint. Amid all the hypocrisy, it must still be possible to reprise the idea of “less” as a radical alternative, as the first step to living the life examined.