The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    This enriching collection of stories, prose poems, verse, parables and autobiographical essays comprising the major body of Kahlil Gibran's works have been carefully translated and edited by a noted trio of Gibran scholars... Martin L. Wolf, Anthony R. Ferris and Andrew Dib Sherfan. Each of the ten books included in this beautifully bound collectors' volume has been hailed by critics as literary masterpieces. The works in this collection clearly demonstrate why critics regard Kahlil Gibran as eminently among the world's great writers. His writings reflect the wistful beauty, fierce anger, lofty majesty and the abiding peace that Eastern wisdom achieves in its contemplation. Often revered as the Dante of the twentieth century, the immortal savant of Lebanon, Kahlil Gibran created verses and lyric prose which impart to the reader a grand symphony of sparkling joys. These qualities have made Kahlil Gibran master of the written word.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'

    In addition to all Cave's lyrics recorded with The Bad Seeds during this time, King Ink II includes several lyrics as yet unrecorded, as well as a number written for other artists and for the Wim Wenders films Faraway, So Close! and Until the End of the World. A short film treatment and a substantial essay on the subject of language and the Bible, "The Flesh Made Word, " are among further material which is not available elsewhere.

    His novellas are celebrated as being in the tradition of great nineteenth-century Russian writing. In "Another Life," a woman suddenly widowed attempts to grasp the memory of her brilliant, erratic husband, and to understand their life together. "The House on the Embankment" is the story of an academic opportunist who rises to apparatchik but suffers the oppression of society, friends, and most of all his inability to make decisions.

    It is a great gift to be able to read these ninety poems together and complete in English for the first time, with explanatory notes provided for each. They form a wrenching diary of 'iron tenderness' and doomed, penetrative brilliance". -- Publishers Weekly. Childish and wise, joyous and angry, at once complex and simple, he was sustained for twenty years by his wife and memoirist Nadezhda Mandelstam, who became, with Anna Akhmatova, the savior of his poetry. After his exile to Voronezh and his sentencing to hard labor for counter-revolutionary activities, he died of 'heart failure' in the winter of 1938 in Siberia.

    Between the two Revolutions of 1905 and 1917 Leonid Andreyev was without a doubt the foremost writer in Russia. His name was always spoken with veneration, in mysterious whispers, as a grim portentous magician who descended into the ultimate depths of the nether side of life and fathomed the beauty and tragedy of the struggle. Leonid Nickolayevitch was born in the province of Oryol, in 1871, and studied law at the University of Moscow. Those were days of suffering and starvation; he gazed into the abyss of sorrow and despair. In January 1894 he made an unsuccessful attempt to kill himself by shooting, and then was forced by the authorities to severe penitence, which augmented the natural morbidness of his temperament. As a lawyer his career was short-lived, and he soon abandoned it for literature, beginning as a police-court reporter on the Moscow Courier. In 1902 he published the short story In the Fog, which for the first time brought him universal recognition. He was imprisoned during the revolution of 1905, together with Maxim Gorky, on political charges. Such are the few significant details of his personal life, for the true Andreyev is entirely in his stories and plays.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Containing over sixty selections from the finest of Russia's medieval authors, much of the material published in this anthology has never before been available in English. Medieval Russian Epics, Chronicles, and Tales is a vital resource for readers interested in learning more about the writings that influenced Pushkin, Gogol, Dostoevsky, Tolstoy, and Chekhov.Editor Serge A. Zenkovsky completely revised the text and enlarged the book, adding almost one hundred pages of new material, including:- Sviatoslav's Early Campaigns - The Siege of Kiev and Olga's Death - Vladimir Monomakh: Instruction to His Children - Tale of the Life and Courage of the Pious and Great Prince Alexander - Narrative of the Pious Prince Dovmont and His Courage - The Writing of Daniil the Prisoner - Orison on the Life and Death of Grand Prince Dmitry Ivanovich - Afanasy Nikitin's Journey Across Three Seas - Ivan Funikov: Message of a Nobleman to a Nobleman - Epic of Sukhan - Simeon Polotsky: Excerpt from Ode on the Birth of Peter I - Simeon Polotsky: The Law - Simeon Polotsky: The Merchant Class - Tsar Alexis Mikhailovich: The Rules of FalconryIn addition to a comprehensive introduction, the editor has prefaced each selection with detailed information about its literary and historical background, and has included a glossary and brief chronology of Russian history and culture.

    Inspired by her own reflections on more than fifty years of life as a young girl, a woman, a wife, and a mother, She Walks in Beauty draws on poetry's eloquent wisdom to ponder the many joys and challenges of being a woman. Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman's life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life's journey.The collection includes works by Elizabeth Bishop, Sharon Olds, Edna St. Vincent Millay, Mary Oliver, Pablo Neruda, W. H. Auden, Adrienne Rich, Sandra Cisneros, Anne Sexton, W. S. Merwin, Dorothy Parker, Queen Elizabeth I, Lucille Clifton, Naomi Shahib Nye, and W.B. Yeats. Whether it's falling in love, breaking up, friendship, marriage, motherhood, or growing old, She Walks in Beauty is a priceless resource for anyone, male or female, who wants a deeper understanding and appreciation of what it means to be a woman.She walks in beautyGeorge Gordon, Lord ByronI She walks in beauty, like the nightOf cloudless climes and starry skies; And all that's best of dark and brightMeet in her aspect and her eyes:Thus mellow'd to that tender lightWhich heaven to gaudy day denies.II One shade the more, one ray the less,Had half impair'd the nameless graceWhich waves in every raven tress,Or softly lightens o'er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.III And on that cheek, and o'er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with all below,A heart whose love is innocent!

    6 and Other Stories, by Anton Chekhov, is part of the Barnes & Noble Classics (1899), as well as several lesser-known works, no less masterful in their composition. David Plante is a Professor of Writing at Columbia University. He is the author of many novels, including The Ghost of Henry James, The Family (nominated for the National Book Award), and The Woods. He has been a contributor to The New Yorker, Esquire, and Vogue, and a reviewer and features writer for the New York Times Book Review. The cook's wedding --The witch --A dead body --Easter Eve --On the road --The dependents --Grisha --The kiss --Typhus --The pipe --The princess --Neighbours --The grasshopper --In exile --Ward No. 6 --Rothschild's fiddle --The student --The darling --A doctor's visit --Gooseberries --The Lady with the dog --In the ravine --The bishop.

    Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    Students play in varied positions, reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh, musically appealing way. Boy On A Bicycle C Chord March Classic Dance Dinosaur Stomp Firefly Ferris Wheel Forest Drums Girl On A Bicycle Grumpy Old Troll Half-Time Show Jazzy Joe Jumbo's Lullaby Kite In The Sky Lightly Row Legato Skips Legato Steps Li'l Liza Jane My Pony Magnetic March Merlin The Wizard Mexican Jumping Beans No Moon Tonight Paper Airplane Party Song Piano Adventures Lesson Book Level 1 Playful Porpoise Rain Forest Row, Row, Row Your Boat Runaway Rabbit Russian Sailor Dance Scarf Dance Sailing In The Sun Shepherd's Song (From The Sixth Symphony) Skipping In Space Sneaking Past The Sleeping Dog Soaring Eagle Song For A Scarecrow The Juggler Tap Dancing The Bubble The Haunted Mouse The Lonely Pine The Super Secret Agent The Talking Tuba Two-Note March When The Saints Go Marching In Warm-Up In G Young Hunter

    Includes biographical notes, a key to Roman transcription, a list of titles or first lines, and a glossary of Urdu words in Roman script.