The collection follows a restless, nervy, cosmically abandoned speaker failing at the aspirational markers of adulthood as she flips from city to city, from enchantment to disgust, always reemerging—just barely—on the trains and bridges and bar stools of New York City. A child of the Indian ocean diaspora, Fernandes enacts the humor and devastation of what it means to exist as a body of contradictions. Her interpretations are muddied. Her feminism is accusatory, messy. Her homelands are theoretical and rootless. The poet converses with goats and throws a fit at a tarot reading; she loves the intimacy of strangers during turbulent plane rides and has dark fantasies about the “hydrogen fruit” of nuclear fallout. Ultimately, these poems possess an affection for the doomed: false beloveds, the hounded earth, civilizations intent on their own ruin. Fernandes skillfully interrogates where to put our fury and, more importantly, where to direct our mercy.

    Within its pages, everyday flora take on an extraordinary life, jostling tragically at times, at times comically, for a foothold in a busying world. Stunningly visualised and skilfully animated, this imaginative collaboration beckons us toward a landscape of botanical characters, and invites us to see ourselves among them.

    Christian Hawkey's VENTRAKL folds poetry, prose, biography, translation practices, and photographic imagery into a ground-breaking collaboration with the 19th / early 20th century German Expressionist poet Georg Trakl. What evolves is a candid and deeply felt portrait of two authors--one at the beginning of the 20th century, the other at the beginning of the 21st century, one living and one dead--wrestling with fundamental concerns: how we read texts and images, how we are influenced and authored by other writers, and how the practice of translation--including mistranslation--is a way to ornament and enrich the space between literature and life.

    Get minky in the momodrome with Lara Glenum's second book, MAXIMUM GAGA. In scenic Catatonia, the Normopath snoozles, the Cherubim applaud, King Minus lies face-down, the Visual Mercenaries burst in, Icky and his school-boy minions race past, and the Queen Naked Mole Rat climbs inside the miraculating machine. Reworking the tabloid maximalism of Jacobean drama, this book investigates the politics of aesthetics and prosthetics, gender and power. With original cover art by Swedish artist Mia Makila. Lara Glenum's first book, THE HOUNDS OF NO, is also available from SPD.

    . .--from "The Window"Lynda Hull's Collected Poems brings together her three collections--long unavailable--with a new introduction by Yusef Komunyakaa, and allows, for the first time, the full scale of her achievement to be seen. Edited with Hull's husband, David Wojahn, this book contains all the poems Hull published in her lifetime, before her untimely death in 1994.Collected Poems is the first book in the Graywolf Poetry Re/View Series, which brings essential books of contemporary American poetry back into print. Each volume--chosen by series editor Mark Doty--is introduced by a poet who brings to the work a passionate admiration. The Graywolf Poetry Re/View Series brings all-but-lost masterworks of recent American poetry into the hands of a new generation of readers.

    A laugh-out-loud romantic comedy about life, love and contemporary manhood, Tom Cooper is a male Bridget Jones for our times.  ‘A gloriously self-aware, satirical romp through the terrors of relationships, family life and survival.  Philip Roth meets Cold Feet!’ Helen Lederer (Absolutely Fabulous, Losing It (P.G.Wodehouse Award nominee))   ‘Spencer Brown is endlessly inventive and delightfully, dependably silly, like a joy-seeking missile’ Richard Ayoade (The IT crowd, Submarine, The Crystal Maze) ‘An aspirational figure for the men of today’ Omid Djalili (Live at the Apollo, The Infidel) ‘Very funny. Peep Show combined with Outnumbered.  But you know.  In a book.’ Josh Howie (Josh Howie’s Losing it, BBC Radio 4) ‘Hilarious and heart-warming’ Andi Osho (Live at the Apollo, Curfew) Tom Cooper’s life has fallen apart. His wife has left, he’s stuck in an accountancy job he hates and he can’t even call on the grandparents for support – they’re too busy – after all, a Scrabble trophy doesn’t engrave itself. But when a creative position opens up at the advertising agency he works for, he sees the opportunity to turn things around. All he has to do is pitch a product to a new market, convince Maestro J he is sufficiently finger-clickingly ‘creative’, beat his weaselly co-worker/nemesis John to the job, and try not to fall for his new mentor, Amanda. Oh, and try to blend in with people 10 years younger than him, survive the office obstacle course using his imaginary agility and stop accidentally turning up to work in the exact same outfit as Doug. The Rebuilding of Tom Cooper is a laugh-out-loud comedy about life, love and 21st century manhood. 
 About the author Spencer Brown cut his teeth in the Cambridge Footlights alongside John Oliver and Matthew Holness, before becoming an internationally acclaimed stand-up comedian and TV presenter on shows including Lip Service which he hosted with Holly Willoughby. He has also appeared in cult comedies including Nathan Barley and Garth Merenghi's Darkplace, as well as starring in the films 'Shed of the Dead' and the upcoming 'The Devil went down to Islington'. He is also an award winning film maker, having written and directed The Boy with a Camera for a Face, which won multiple prizes including the Oscar qualifying Best of Fest at SLIFF.

    In his second collection he engages love, mortality, and life in New York City after 9/11. The title piece, a prose-poem synopsis of an unwritten novel, turns all literary forms upon themselves with savvy and flair, while the elegy cycle “Twenty Poems for Noelle” is a compassionate song for a suffering friend.Noelle, somewhere in an apartmentsymphony number twolistens to you breathing.Broken glass in the street.What was once unglowing glows. . . The Pajamaist is an intimate book filled with sly wit and an ever-present, infectious openness to amazement. Zapruder’s poems are urbane and constantly, curiously searching.

    When he wasn’t burning down parts of Berkeley or springing girlfriends from homes for unwed mothers, he was dodging gendarmes in Paris. So what sort of parent would that most outrageous of teenagers make? In this new installment of the acclaimed Twisp saga, 40-something Nick faces the daily trials of dealing with his own teenage son. When a move to California threatens to disrupt young Scott Twisp’s life, he reacts in the true Twispian spirit. Follow this wannabe “wanton lothario” as he conspires to meet the challenges of girls, sex, work, parents, TV stardom, and more. Also returning to complicate matters are Sheeni, Trent, Apurva, Vijay, Jake, Veeva, Uma, and the rest of C.D. Payne’s huge and colorful cast. Enjoy all seven books in the monumental Twisp saga: over a half-million words of hilarious mayhem! Note: Each book in the Nick Twisp series is a self-contained novel that can be enjoyed on its own. Familiarity with the other titles is not required.

    Golf, politics, and romance collide in Par for the Course as golf range owner Chris Hackett meets an attractive political correspondent who turns his world upside down.In Par for the Course, Chris Hackett owns and operates Hack's Golf Learning Center, an eccentric golf range in Charleston, SC. Chris jumps at the chance to step up his game when an attractive new student and political correspondent, Molly, suggests that Chris capitalize on the current, highly polarized, presidential election. This pitting of right versus left means even more income, plus a sharp new girlfriend, and soon Chris, his sidekick, Cack, and their unique golf range are the talk of the town . . . until someone takes the political insults too seriously. Will Molly stick around as Chris learns the true meaning of "playing politics"? And will Chris realize how much he wants her to?

    Marilyn Hacker's poems have been praised for their technical virtuosity, forthright feminism, political acuity, and unabashed eroticism.Included are selections from Hacker's first book, Presentation Piece (1974), the Lamont Poetry Selection of the Academy of American Poets and a National Book Award Winner; Separations (1976); Taking Notice (1980), which was claimed as an integral part of the burgeoning feminist and lesbian canon; Assumptions (1985), which explored the conundrums of gender, race, and identity in contemporary life; and Going Back to the River (1990), which received a Lambda Literary Award.

    Every day we're the strongest we'll ever be. What doesn't kill you hasn't killed you yet." From Greek mythology to Top 40, Pavlov to Sartre, the space station to the zoo, "Everyone I Love is a Stranger to Someone" collides dark humor and unexpected sweetness.

    Whether focused on a lesson, a teacher, or the girls themselves as they collectively school -- or refuse to -- the poems explore ways girls are trained in the broadest sense of the word.Gossips, the second section, is a shorter sequence narrated by women as they talk about other women in a variety of isolations; these poems, told from the outside looking in, highlight a speculative voicing of all the gossips cannot know. In Early Lessons, the third section, children narrate as they also observe similarly solitary women, the children's innocence allowing them to see in farther than the gossips can. The fourth section offers studies of women and men in situations in which gender, with all of its complexities, figures powerfully.The follow-up to the Pulitzer Prize-winning collection Late Wife, Figure Studies upholds Emerson's place among contemporary poetry's elite.The Mannequin above Main Street MotorsWhen the only ladies' dress shop closed, she was left on the street for trash, unsalvageable, one arm missing, lost at the shoulder, one leg at the hip. But she was wearing a blue-sequined negligee and blonde wig, so they helped themselves to her on a lark -- drunken impulse -- and for years kept her leaning in a corner, beside an attic window, rendered invisible. The dusk was also perpetual in the garage below, punctuated only by bare bulbs hung close over the engines. An oily grime coated the walls, and a decade of calendars promoted stock-car drivers, women in dated swimsuits, even their bodies out of fashion. Radio distorted there; cigarette smoke moaned, the pedal steel conceding to that place a greater, echoing sorrow. So, lame, forgotten prank, she remained, back turned forever to the dark storagebehind her, gaze leveled just above anyone's who could have looked up to mistake in the cast of her face fresh longing -- her expression still reluctant figure for it.

    Free, for the time being, from the power of the gods and the ceaseless weight of the rock, he struggles to navigate twenty-first-century America. In language by turns mordant and tender, often elegiac, Dunn illuminates the quotidian burdens of his all-too-human hero, as well as the abrasions of ambivalence and choice, finally concluding that "here / and there, though mostly here, even fate is reversible / with struggle or luck."In a second sequence of poems, nineteenth-century novelists become "local visitors" to the author's South Jersey towns. "Chekhov in Port Republic," "Jane Austen in Egg Harbor," "Dostoyevsky in Wildwood": these inventions and others give Dunn provocative new latitudes. As in his previous books, "he balances the casual and the vivid as he plumbs the ambiguity and mystery of human relations" (New York Times Book Review).

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    Here in this exciting and totally original book of poems the narrator corresponds with L. about her hidden passions, her relationship with her husband and adolescent daughters, lost loves, and erotic fantasies. Kimiko Hahn's collection takes shape as a series of wide-ranging correspondences that are in turn precocious and wise, angry and wistful. Borrowing from both Japanese and Chinese traditions, Hahn offers us an authentic and complex narrator struggling with the sorrows and pleasures of being a woman against the backdrop of her Japanese-American roots.