In the year in which Matar's life was shattered by the disappearance of his father the work of the great artists of Siena seemed to offer him a sense of hope. Over the years since then, Matar's feelings towards these paintings would deepen and, as he says, 'Siena began to occupy the sort of uneasy reverence the devout might feel towards Mecca or Rome or Jerusalem'.A Month in Siena is the encounter, twenty-five years later, between the writer and the city he had worshipped from afar. It is a dazzling evocation of an extraordinary place and its effect on the writer's life. It is an immersion in painting, a consideration of grief and a profoundly moving contemplation of the relationship between art and the human condition.____________________________________'An exquisite, deeply affecting book' - Evening Standard'This book tells us much about the extraordinary power of art to inspire' Literary Review

    She needed a hero, and quick. But what she had hoped was that at least one person would have answered her plea for help. As the months wore on she had all but given up on finding the husband she so desperately needed, and resigned herself to a lifetime imprisoned by her cruel stepfather. Rancher Wes Roberts couldn’t get the thought of Mary Beth out of his mind, and the desperate nature of the ad she had placed. He figured it wasn’t unusual that he hadn’t received a reply to his letters, given that she had probably already chosen her husband and moved on with her life, but something nagged at him. He would never forgive himself if he didn’t find out for sure that she was safe, even if it wasn’t with him. When Wes arrives, not only is Mary Beth still there, she is more in need than ever. After he rescues her from the desolate life she has been living he realizes that he needs her just as much as she needs him. Please enjoy this sweet, clean, historical western romance novella of 21,128 words (about 90 pages).

    This guide does not aim to cover absolutely everything, but to provide a comprehensive overview with a selection of nearly 600 masterpieces from Antiquity to the mid-19th century.

    This is such a book. For more than two years, Linda Cateura has pursued teacher / artist David A. Leffel, notebook in hand, as he critiqued the work of students. Linda Cateura's succinct notes capture his insights, philosophy, painting hints, and general comments.Leffel's classic, painterly, twentieth-century old master style, much in the manner of Rembrandt or Chardin, affords ample illustration of the ideas expressed - through his many paintings, details, demonstrations, and diagrams, almost all in color.No matter what your level of ability, there is something here to apply to your own work, ideas that will cause you to rething your own ways of painting, hints to save you effort, or solutions to persistent painting problems.

    More than 100 4-color plates; 25 black-and-white illustrations. Shrink-wrapped.

    But everything changes when Abbie is twelve and their emotional, spirited mother casts them into a crisis for which no one is prepared. Six years later the Morris family have rebuilt their lives, and when Abbie and Beatie, Abbie's adored elder sister, set off for the county fair, the world seems a good place. But their new-found happiness is not to last. A chance encounter with Louis, a personable, handsome stranger, leads to tragedy and has repercussions that threaten to destroy Abbie's peace of mind for ever. Abbie struggles to forget what happened that night, to get on with her life, but when she meets charming, honourable Arthur - and re-encounters Louis - it becomes clear that she might never recover from the night they stayed so long at the fair...

    Colorists will enjoy hours of creative pleasure with this all-original gallery of paisley designs — 30 full-page illustrations swirling with gorgeous organic themes.

    Assisted by his loyal companion Cormac the minstrel, Sir Law sets out to solve the murders and the conspiracy behind them — whatever the cost...

    He strikes in broad daylight, yet no one ever sees him.His target?Garden gnomes ...

    From the Florence of Lorenzo the Magnificent and Savonarola to the splendour of the papal Rome; the tormented life of a Renaissance genius.

    What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.

    Afterward, countless people flocked to see the empty space where it had once been on display. What could have drawn these crowds to stare at a blank wall? Many of them had never seen the painting in the first place. Can this tell us something about why we look at art, why artists create it, and why it has to be so expensive? Taking this story as his starting point, Darian Leader explores the psychology of looking at paintings and sculpture. He combines anecdote, observation, and analysis with examples taken from classical and contemporary art. This is a book about why we look at art, and what, indeed, we might be hoping to find.

    Well, that is what Rosie did.Buying the house was an accident. She only went out for bananas.Rosie embarks on renovating her 22 room ‘new’ home in Italy with a non-negotiable move-in date of Christmas Eve.Surrounded by a cast of interesting characters, the Irish woman learns the Italian way of life and house renovating in the country she wants to call home. But when the project manager goes AWOL, non-Italian speaking Rosie has no option but to take control with the help of a translation app.With no heating, windows disappearing, mystery holes in the garden, water flooding down the stairs, a pandemic destroyed business and with a move-in date that seems more laughable than doable, Rosie begins to question if she was crazy to follow through on her fabulous midlife crisis dream of renovating a villa in Italy.

    A true "Renaissance man," Lorenzo dazzled contemporaries with his prodigious talents and magnetic personality. Known to history as Il Magnifico (the Magnificent), Lorenzo was not only the foremost patron of his day but also a renowned poet, equally adept at composing philosophical verses and obscene rhymes to be sung at Carnival. He befriended the greatest artists and writers of the time -- Leonardo, Botticelli, Poliziano, and, especially, Michelangelo, whom he discovered as a young boy and invited to live at his palace -- turning Florence into the cultural capital of Europe. He was the leading statesman of the age, the fulcrum of Italy, but also a cunning and ruthless political operative. Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years. Lorenzo's grandfather Cosimo had converted the vast wealth of the family bank into political power, but from his earliest days Lorenzo's position was precarious. Bitter rivalries among the leading Florentine families and competition among the squabbling Italian states meant that Lorenzo's life was under constant threat. Those who plotted his death included a pope, a king, and a duke, but Lorenzo used his legendary charm and diplomatic skill -- as well as occasional acts of violence -- to navigate the murderous labyrinth of Italian politics. Against all odds he managed not only to survive but to preside over one of the great moments in the history of civilization. Florence in the age of Lorenzo was a city of contrasts, of unparalleled artistic brilliance and unimaginable squalor in the city's crowded tenements; of both pagan excess and the fire-and-brimstone sermons of the Dominican preacher Savonarola. Florence gave birpth to both the otherworldly perfection of Botticelli's Primavera and the gritty realism of Machiavelli's The Prince. Nowhere was this world of contrasts more perfectly embodied than in the life and character of the man who ruled this most fascinating city.

    Yet Vienna is a society on the edge of chaos. Beneath the glittering surface it seethes with conflict and ethnic tension. Divided by anti-Semitism, racism, feminism, sex, and the denial of sex, it is a society remarkably similar to our own. The Plot: The women of Vienna are dying - some by murder, some by suicide. During Dr. Freud's absence in Paris, a body is found in his study but disappears as quickly as it was discovered. Was there really a murder or was it merely hysteria on the part of Freud's wife and sister-in-law? How does this body fit into the recent epidemic of women's mysterious deaths in Vienna? Into the web of deceit, murder, and social upheaval step a variety of "real" characters, each with something to hide, who become suspects in the case: the distinguished novelist Edith Wharton, who comes to Vienna to engage in a passionate illicit affair; her friend and traveling companion Henry James, who has consulted Freud about his own secret trespasses; Freud's colleagues Dr. Jung and Dr. Fliess; and Jung's patient-lover, Sabina Spielrein. Drawn into the plot as well are the Mains, the family of an American businessman, along with Police Inspector LeBlanc, who arrives from Paris to pursue the strange case amid mounting anti-Semitic desire to lay blame for the murders at the door of Jews. Will the inspector solve the murders before a riot ensues? The Novel: Is fiction, as Henry James says, just the other side of history? Is Vienna in 1900 merely a stage on which the same tensions that haunt American society today are being given a dress rehearsal? Are we, like the Viennese of 1900, suffering from fin de siècle syndrome? Is there such a thing? Combining the historical imagination of Ragtime with the intellectual audacity of Flaubert's Parrot, Henry James' Midnight Song brilliantly blends history and fiction in a fast-moving, breathtakingly original novel of ideas.