Unless the neighbor is the extremely hot, mysterious billionaire Isaias Durant with his rock-hard body that Rebecca can’t take her eyes off of. There is no way that this piece of art is attracted to her…the shy virgin. Or is there? Book Two: The Bear Shifter's Second Chance She doesn’t need that sort of relationship in her life, right? It's hard to keep that in mind when Adela Choi sees Marcus Haught drive up on his motorcycle, his tattoos rippling over his hard muscles. So utterly mouth-watering that she can hardly think around him. Not to mention his animal side, that used to make Adela howl. But she has to stay strong, for her and her little toddler. People just don't change, and she isn't about to be hurt again. Book Three: The Bear Shifter's Nanny It's not easy being a shifter without a clan. But finally, Jasmine Rowland has a job at least. Well, being a nanny is not what she had dreamed of, but it pays the bills. Also, there are worse places to be than around that handsome Doctor Alava with his tight clothes, showing every vein and muscle of his body. But something is definitely wrong with him. What is he hiding? Book Four: The Bear Shifter's Baby Lori Rowlands is done with the loser boyfriends she’s always picked; the kind that would play for a while and then leave her high and dry. She wants something sweet but passionate, where they can count on one another in a crisis. And that means her new boss, the rich, delicious lawyer Clifford Boone, is off limits. Or, isn’t he? A little play can’t hurt anybody, right? Book Five: The Bear Shifter's Mate Serena Boone always knew it. Being the new matriarch of her bear shifter clan comes with big responsibility. Nothing she couldn’t handle alone, but now she has to be protected during the transition of power. But why does her protector have to be one hot and sexy masterpiece? He can’t be her mate. Mates are chosen in traditional fights. AUTHOR´S NOTE: This is a collection of paranormal romances with HEA, so no cliff-hangers! The collection contains mature themes and language, and is intended for 18+ readers only.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    E. Housman is being ferried across the river Styx, glad to be dead at last. The river that flows through Tom Stoppard's The Invention of Love connects Hades with the Oxford of Housman's youth: High Victorian morality is under siege from the Aesthetic movement, and an Irish student named Wilde is preparing to burst onto the London scene. On his journey the elder Housman confronts the younger version of himself and his memories of the man he loved his entire life, Moses Jackson -- the handsome athlete who could not return his feelings.

    And from the curse that dooms any boy who loves her to a painful death.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    All the Fizzles are included in the collection The Complete Short Prose 1929-1989(description from Wikipedia)

    It relates the political development of that age with current geography in a very interesting way. It also brings out a new perspective on Ravana, his rise and his fall.

    

    Henry III, Time

    From high-class hookers to 7/7 survivors these monologues paint a revelatory picture of Britain as it is today. After rave reviews at the 2008 Edinburgh Festival and in New York, "Eight" opened in London's West End in July 2009.

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    The play is based on Irish mythology, in particular the myths concerning Deirdre and Conchobar. The work was unfinished at the author's death in 1909, but was completed by William Butler Yeats and Synge's fiancée, Molly Allgood.[from Wikipedia]

    Based on Norwegian folklore and Ibsen’s own imaginative inventions, the play relates the roguish life of the world-wandering Peer, who finds wealth and fame — but never happiness — although he is redeemed by love in the end. As the play opens the young farmer attends a wedding and meets Solveig, the woman who is eventually to be his salvation. However, the rascally Peer then kidnaps the bride and later abandons her in the wilderness. This dismal performance is followed by a string of adventures (many of which do not reflect well on Peer) in many lands. After these soul-chilling exploits, an old and embittered Peer returns to Norway, eventually finding solace in the arms of the faithful Solveig. Like other early Ibsen plays, such as Brand (1865) and Emperor and Galilean (1873), the work is imbued with poetic mysticism and romanticism, and in Peer we find a rebellious central character in search of an ultimate truth that always seems just out of reach. In this sense Peer can be seen as an alter ego of Ibsen himself, whose lifelong search for artistic and moral certainties resulted in the great later plays (Hedda Gabler, The Wild Duck, An Enemy of the People, etc.) upon which his reputation chiefly rests. This rich, poetic version of Peer Gynt is considered the standard translation.