Cimmeria poem1 The Phoenix on the Sword 19322 The Frost-Giant's Daughter 19763 The God in the Bowl 19524 The Tower of the Elephant 19335 The Scarlet Citadel 19336 Queen of the Black Coast 19347 Black Colossus 19338 Iron Shadows in the Moon 19349 Xuthal of the Dusk 193310 The Pool of the Black One 193311 Rogues in the House 193412 The Vale of Lost Women 196713 The Devil in Iron 1934

    Three authors. Three kinds of romance. Sweet. Sassy. Sexy. Sweet: Love at First Date by Susan Hatler Ellen may not believe in storybook love, but it’s about to rewrite her life. . . . Ellen’s figured out that finding the right guy is all about compatibility. That’s why she signs up for Detailed Dating—the local online dating scene in Sacramento. They ask men the hard questions, compare their answers with hers, then she filters through the profiles of each provided “match.” After numerous email exchanges, she narrows it down to two promising candidates she’s excited to meet in person. When Ellen’s best friend asks her for a favor, dog-sitting leads to disaster and Ellen ends up at the local vet where she meets a man she can’t get out of her mind. Henry isn’t a logical choice, but she finds herself paying for dog obedience class to spend more time with him. Ellen knows that in order to have a lasting relationship, she should take the safe route and go for one of the pre-screened guys. But, how can she think with her head when her heart keeps begging her to give Henry a chance? Sassy: From Fame to Shame by Veronica Blade When good-girl Maddie switches places with her famous bad-girl twin Jackie, she has some pretty high stilettos to fill. Despite the danger of tabloid drama if their identity swap is discovered, Maddie has to save her sister's butt. When Jackie’s ex-boyfriend shows up with a rekindled spark for “Jackie,” his deep gray eyes and sweet kisses make Maddie's heart thumpety thump. But dating the guy who dumped her sister is a no-no. Too bad Dallas isn’t used to girls saying no. What will happen when he discovers Maddie’s deception? Sexy: Wild For Mr. Wrong by Virna DePaul Can an uptight prosecutor and a laid-back defense attorney find love despite their opposing agendas? Bryn Donovon became a prosecutor for a reason and defense attorney Daniel Mays seems to take his job about as seriously as he does his love life. While straight-laced Bryn can’t deny she’s attracted to the southern charmer, she’s determined to keep her distance. Instead, she ends up finding something she’d lost long ago—a willingness to risk all for love.

    48 tales from all over the world include The Emperor's New Clothes, The Tinder-box, How to Tell a True Princess, and The Nightingale, from Andersen, Grimm, Hungary, Poland, Russia, Germany, France, England, American Indians, and Iceland.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    The collection contains Stevenson's first published fiction, and a few of the stories are considered by some critics to be his best work, as well as pioneering works in the English short story tradition.The title is an allusion to the collection of tales known as the One Thousand and One Nights, which Stevenson had read and liked. Although Stevenson's stories were set in modern Europe, he was stylistically drawing a connection to the nested structure of the Arabian tales.New Arabian Nights is divided into two volumes.Volume 1 - The first volume contains seven stories originally called Later-day Arabian Nights and published by London Magazine in serial format from June to October 1878. It is composed of two story groups, or cycles:The Suicide ClubThe Rajah's DiamondVolume 2 - The second volume is a collection of four unconnected (standalone) stories that were previously published in magazines:The Pavilion on the Links (1880), told in 9 mini-chaptersA Lodging for the Night (1877)The Sire De Malétroits Door (1877)"Providence and the Guitar (1878)

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Poe The Girl by Lola St Vil Rest For The Wicked by Cate Dean Drowning Mermaids by Nadia Scrieva I Bring the Fire: Part I Wolves by C. Gockel The Witch Hunter by Nicole R Taylor Beyond the Fortuneteller's Tent by Kristy Tate Nolander by Becca Mills The Medium by C.J. Archer Dream Student by J.J. DiBendetto Deception by Stacy Claflin The Black Parade by Kyoko M The Thought Readers by Dima Zales

    Wrenn," who would be writing you directly and explaining everything most satisfactorily. At thirty-four Mr. Wrenn was the sales-entry clerk of the Souvenir Company.

    The tales themselves trace their roots back to ancient and medieval Arabic, Persian, Indian, Egyptian and Mesopotamian folklore and literature. In particular, many tales were originally folk stories from the Caliphate era, while others, especially the frame story, are most probably drawn from the Pahlavi Persian work Hazār Afsān. Though the oldest Arabic manuscript dates from the 14th century, scholarship generally dates the collection's genesis to around the 9th century.Some of the best-known stories of The Nights, particularly "Aladdin's Wonderful Lamp", "Ali Baba and the Forty Thieves" and "The Seven Voyages of Sinbad the Sailor", while almost certainly genuine Middle-Eastern folk tales, were not part of The Nights in Arabic versions, but were interpolated into the collection by its early European translators. (From wikipedia) The Arabian Nights, by Anonymous, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Once upon a time, the name Baghdad conjured up visions of the most magical, romantic city on earth, where flying carpets carried noble thieves off on wonderful adventures, and vicious viziers and beautiful princesses mingled with wily peasants and powerful genies. This is the world of the Arabian Nights, a magnificent collection of ancient tales from Arabia, India, and Persia. The tales—often stories within stories—are told by the sultana Scheherazade, who relates them as entertainments for her jealous and murderous husband, hoping to keep him amused and herself alive. In addition to the more fantastic tales which have appeared in countless bowdlerized editions for children and have been popularized by an entire genre of Hollywood films, this collection includes far more complex, meaningful, and erotic stories that deal with a wide range of moral, social, and political issues. Though early Islamic critics condemned the tales’ “vulgarity” and worldliness, the West has admired their robust, bawdy humor and endless inventiveness since the first translations appeared in Europe in the eighteenth century. Today these stories stand alongside the fables of Aesop, the fairy tales of the Brothers Grimm, and the folklore of Hans Christian Andersen as some of the Western literary tradition’s most-quoted touchstones. Muhsin J. Al-Musawi is Professor of Arabic Studies at Columbia University in New York City and University Professor at the American University of Sharjah. He is the editor of the Journal of Arabic Literature and the author of twenty-seven books in Arabic and English. He was the recipient in 2002 of the Owais Award in literary criticism, the most prestigious nongovernmental literary award in the Arab World.

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover

    For those who haven't met Royce Melborn and Hadrian Blackwater (otherwise known as Riyria) this sampler will provide a brief introduction to them and the world of Elan. This sampler contains short stories previously published as well as a new excerpt from the upcoming book.The Thieves: A band of thieves sets upon two lonely riders in the middle of the night. They had a larger party. They had the element of surprise. There was no reason to be concerned, but they didn’t realize who they were dealing with. Origin: This was a scene written, and cut, for Nyphron Rising (the first novel in the Rise of Empire omnibus). Eventually, it became the opening of Theft of Swords when Orbit purchased and republished the series as three, two-book volumes.The Viscount: Eleven years before they were framed for the murder of a king, before even assuming the title of Riyria, Royce Melborn and Hadrian Blackwater were practically strangers. Unlikely associates, this cynical thief decides to teach his idealist swordsman partner that no good deed goes unpunished. Will Royce wind up proving his point or be schooled himself? Origin: This was published in the fall of 2011 under the title The Viscount and the Witch. It was written to provide a gift to my fans after my books were removed from the market to make room for Orbit’s versions. It’s also the seed that later became The Riyria Chronicles, and this short now appears as the second chapter of The Rose and the Thorn.The Jester: Stop me if you’ve heard this one. A thief, a candlemaker, an ex-mercenary, and a pig farmer walk into a trap…and what happens is no joke. When Riyria is hired to retrieve a jester’s treasure, Royce and Hadrian must match wits with a dwarf who proves to be anything but a fool. Difficult choices will need to be made, and in the end those who laugh last do so because they are the only ones to survive. Origin: First released in the Unfettered anthology (edited by Shawn Speakman and published by Grim Oak Press), I did something a bit unusual with this short story. Faced with a word count restriction, I wrote what is essentially the climax for what could have been a full-length novel. I throw the reader into the middle of the action and make only brief allusions to what had come before. It’s an interesting experiment and seems to have worked out well based on the high praise it has received.The Death of Dulgath: When the last member of the oldest noble family in Avryn is targeted for assassination, Riyria is hired to foil the plot. Three years have passed since the war-weary mercenary Hadrian and the cynical ex-assassin Royce joined forces to start their thieves-for-hire enterprise. Things have gone well enough until this odd assignment to prevent a murder. Now they must venture into a forgotten corner of southern Avryn—a place whose history predates the First Empire. As usual, challenges abound as they try to anticipate the moves of an unknown assassin before it’s too late. But that’s not their only problem. The Countess of Dulgath has a dark secret she’s determined to keep hidden. Then there’s the little matter of Riyria’s new employer…the Nyphron Church. This sample is an excerpt, not a short story. It’s the opening scene to my new novel, which will be coming out before the end of 2015. It hasn’t yet been copy edited (I’m still writing the novel), so please forgive any minor mistakes you may find. I do think it’s in pretty good shape, but I often find my opinion and my editor’s opinion are two different things.

    S. Lewis’s adult religious books, a repackaged edition of the revered author’s definitive collection of short fiction, which explores enduring spiritual and science fiction themes such as space, time, reality, fantasy, God, and the fate of humankind.From C.S. Lewis—the great British writer, scholar, lay theologian, broadcaster, Christian apologist, and author of Mere Christianity, The Screwtape Letters, The Great Divorce, The Chronicles of Narnia, and many other beloved classics—comes a collection of his dazzling short fiction.This collection of futuristic fiction includes a breathtaking science fiction story written early in his career in which Cambridge intellectuals witness the breach of space-time through a chronoscope—a telescope that looks not just into another world, but into another time. As powerful, inventive, and profound as his theological and philosophical works, The Dark Tower reveals another side of Lewis’s creative mind and his longtime fascination with reality and spirituality. It is ideal reading for fans of J. R. R. Tolkien, Lewis’s longtime friend and colleague.

    Born in 1862 into an exclusive New York society against whose rigid codes of behavior she often rebelled, she lived to regret the passing of that stable if old-fashioned community and to appreciate the sense of personal identity its definitions provided. She became a prolific professional writer, author of more than forty published volumes, including novels, short stories (many of them tales of the supernatural), poetry, war reportage, travel writing, and books on gardens and house decoration. An expatriate in France for three decades before her death in 1937, she included among her many distinguished friends men as various as Henry James, Theodore Roosevelt, Kenneth Clark, and André Gide.The four novels in this Library of America volume show Wharton at the height of her powers as a social observer and critic, examining American and European lives with a vision rich in detail, satire, and tragedy. In all of them her strong and autobiographical impulse is disciplined by her writer’s craft and her unfailing regard for her audience.The House of Mirth (1905), Wharton’s tenth book and her first novel of contemporary life, was an immediate runaway bestseller, with 140,000 copies in print within three months of publication. The story of young Lily Bart and her tragic sojourn among the upper class of turn-of-the-century New York, it touches on the insidious effects of social convention and upon the sexual and financial aggression to which women of independent spirit were exposed.The Reef (1912) is the story of two couples whose marriage plans are upset by the revelation of a past affair between George Darrow (a mature bachelor) and Sophy Vener, who happens to be the fiancée of his future wife’s stepson. Henry James called the novel “a triumph of method,” and it shares the rich nuance of his own The Golden Bowl.The Custom of the Country (1913) is the amatory saga of Undine Spragg of Apex City—beautiful, spoiled, and ambitious—whose charms conquer New York and European society. Vulgar and voracious, she presides over a series of men, representing the old and new aristocracies of both continents, in a comedy drawn unmistakably from life.The Age of Innocence (1920) is set in the New York of Wharton’s youth, when the rules and taboos of her social “tribe” held as-yet unchallenged sway. A quasi-anthropological study of a remembered culture and its curious conventions, it tells the story of the Countess Olenska (formerly Ellen Mingott), refugee from a disastrous European marriage, and Newland Archer, heir to a tradition of respectability and family honor, as they struggle uneasily against their sexual attraction.

    But just lift the lid, slide the first tape from its ghostly sleeve, and you'll soon embrace the hypnotic realm of the undead.Book 1, Interview with the Vampire, opens with the seductive purr of F. Murray Abraham (Amadeus) stating, "I was a 25-year-old man when I became a vampire, and the year was 1791." And so our ultimate antihero, Louis, begins the elaborate retelling of his long, tortured life as a vampire. Winding through the ages, from New Orleans to Paris, we follow Louis and his undying mentor, Lestat, as they feed on humans, whet their carnal appetites, and uncover an underworld of vampire brethren.Interview with the Vampire, read by F.Murray AbrahamRunning time: 3 hours on 2 Audio Cassettes-----------------------------------------------Book 2, The Vampire Lestat, brings us up to date, with Lestat waking from his earthen slumber to join the ranks of rock superstardom before sitting down to share the tale of his own haunting initiation into the vampire world. Michael York (Cabaret) puts his wonderfully fluid, cosmopolitan voice to good use, adding a dash of sly humor to this fast-paced, satisfying blend of sex and blood and rock and roll.The Vampire Lestat, read by Michael York Running time: 3 hours on 2 Audio Cassettes-----------------------------------------------Book 3, The Queen of the Damned, takes us back, all the way back to ancient Egypt, exposing the origins of the vampire way. Narrating in eerily serene and gracious tones, Kate Nelligan (The Prince of Tides) leads us gently down this bloody path of immortal desires. David Purdham gives the voice of Lestat a wistful quality, tinged with an evil relish that exposes the master vampire's sanguine tastes.Queen of the Damned, read by Kate Nelligan and David PurdhamRunning time: 3 hours on 2 Audio Cassettes-----------------------------------------------Anne Rice has continued her Vampire Chronicles beyond these three novels, but that shouldn't make this collection any less tempting to either the undead initiate or certified vampire junkie. --George LaneyTotal: 6 Audio Cassettes / 9 hours~

    He was an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world. Plato's dialogues have been used to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism. This collection contains the following works by Plato: Early Works • Apology • Charmides, or Temperance • Crito • Euthyphro • Gorgias • Hippias, Lesser • Hippias, Greater • Ion • Laches • Lysis • Protagoras Transitional Works • Cratylus • Euthydemus • Meno • Parmenides • Phaedo • Phaedrus • Symposium • The Republic Middle Works • Theaetetus Late Works • Critias • Laws • Philebus • Sophist • Statesman • Timaeus Works of Disputed Authorship • Alcibiades I & II • Eryxias • Menexenus • Theages