Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Gradually, he discovers he was brought back by his true love, Isabelle, because she is pregnant with their child—a child who, if raised correctly, will play a crucial role in saving the universe. But to be brought up right, the child must learn what Vincent learned on the other side—if only Vincent can remember it. On a father’s love and struggle may depend the future of everything that is.By turns quirky, romantic, awesome, and irresistible, White Apples is a tale of love, fatherhood, death, and life that will leave you seeing the world with new eyes.

    A few of the stories have never been published before; the others have appeared in "The New Yorker," and several of those have also been included in "The Best American Short Stories." All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time. What links the stories in "Love and Obstacles" is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of "Love and Obstacles" are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.

    He hires the husband-and-wife detective team of Ted and Cynthia Randall to follow him and find out. But Ted and Cynthia are mystified when they find that their own memories of what happens during their investigation do not match. There is a thirteenth floor to Jonathan's building that does not exist, there are mysterious and threatening beings living inside mirrors, and all of reality is not what they thought it was.Contents...And He Built a Crooked House... (1941)They (1941)The Unpleasant Profession of Jonathan Hoag (1942)Our Fair City (1949)The Man Who Traveled in Elephants (1957)...All You Zombies... (1959)

    Thompson's legions of fans have waited a decade for this book. They will not be disappointed. His notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of three hundred fine collectors' copies and twenty-six leather-bound presentation copies. Only the first of the three pieces included here—"Mescalito," published in Thompson's 1990 collection Songs of the Doomed—has been available to the public, making the trade edition of Screwjack a major publishing event. "We live in a jungle of pending disasters," Thompson warns in "Mescalito," a chronicle of his first mescaline experience and what it sparked in him while he was alone in an L.A. hotel room in February 1969—including a bout of paranoia that would have made most people just scream no, once and for all. But for Thompson, along with the downside came a burst of creativity too powerful to ignore. The result is a poetic, perceptive, and wildly funny stream-of-consciousness take on 1969 America as only Hunter S. Thompson could see it. Screwjack just gets weirder with its second offering, "Death of a Poet." As Thompson describes this trailer-park confrontation with the dark side of a deservingly doomed friend: "Whoops, I thought. Welcome to the night train." The heart of the collection lies in its final, title piece, an unnaturally poignant love story. What makes the romantic tale "Screwjack" so touching, for all its queerness, is the aching melancholy in its depiction of the modern man's burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Ostensibly written by Raoul Duke, "Screwjack" begins with an editor's note explaining of Thompson's alter ego that "the first few lines contain no warning of the madness and fear and lust that came more and more to plague him and dominate his life...." "I am guilty, Lord," Thompson writes, "but I am also a lover—and I am one of your best people, as you know; and yea tho I have walked in many strange shadows and acted crazy from time to time and even drooled on many High Priests, I have not been an embarrassment to you...." Nor has Hunter S. Thompson been to American literature. Quite the contrary: What the legendary Gonzo journalist proves with Screwjack is just how brilliant a prose stylist he really is, amid all the hilarity. As Thompson puts it in his introduction, the three stories here "build like Bolero to a faster & wilder climax that will drag the reader relentlessly up a hill, & then drop him off a cliff....That is the Desired Effect."

    Crossing three millennia to Pharaonic Egypt, this tale returns to that land's essences - the war, magic, gods, death and reincarnations, the lusts, ambitions, jealousies, and betrayals.

    Her apocalyptic vision of life is expressed through grotesque, often comic situations in which the principal character faces a problem of salvation: the grandmother, in the title story, confronting the murderous Misfit; a neglected four-year-old boy looking for the Kingdom of Christ in the fast-flowing waters of the river; General Sash, about to meet the final enemy. Stories include:"A Good Man Is Hard to Find""The River""The Life You Save May Be Your Own""A Stroke of Good Fortune""A Temple of the Holy Ghost""The Artificial Nigger""A Circle in the Fire""A Late Encounter with the Enemy""Good Country People""The Displaced Person"©1955 Flannery O'Connor; 1954, 1953, 1948 by Flannery O'Connor; renewed 1983, 1981 by Regina O'Connor; renewed 1976 by Mrs. Edward F. O'Connor; (P)2010 Blackstone Audio, Inc.

    The birthplace and graveyard of American myths and dreams, the city harbours a group of people trapped between the beauty of their surroundings and their own moral impoverishment. This novel is a chronicle of their voices.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. --penguinrandomhouse.comTwo Introductory parables: Before the law --Imperial message --Longer stories: Description of a struggle --Wedding preparations in the country --Judgment --Metamorphosis --In the penal colony --Village schoolmaster (The giant mole) --Blumfeld, and elderly bachelor --Warden of the tomb --Country doctor --Hunter Gracchus --Hunter Gracchus: A fragment --Great Wall of China --News of the building of the wall: A fragment --Report to an academy --Report to an academy: Two fragments --Refusal --Hunger artist --Investigations of a dog --Little woman --The burrow --Josephine the singer, or the mouse folk --Children on a country road --The trees --Clothes --Excursion into the mountains --Rejection --The street window --The tradesman --Absent-minded window-gazing --The way home --Passers-by --On the tram --Reflections for gentlemen-jockeys --The wish to be a red Indian --Unhappiness --Bachelor's ill luck --Unmasking a confidence trickster --The sudden walk --Resolutions --A dream --Up in the gallery --A fratricide --The next village --A visit to a mine --Jackals and Arabs --The bridge --The bucket rider --The new advocate --An old manuscript --The knock at the manor gate --Eleven sons --My neighbor --A crossbreed (A sport) --The cares of a family man --A common confusion --The truth about Sancho Panza --The silence of the sirens --Prometheus --The city coat of arms --Poseidon --Fellowship --At night --The problem of our laws --The conscripton of troops --The test --The vulture --The helmsman --The top --A little fable --Home-coming --First sorrow --The departure --Advocates --The married couple --Give it up! --On parables.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    . . [Ethan Canin is] a writer of enormous talent and charm.”–The Washington Post“Character is destiny,” wrote Heraclitus–and in this collection of four unforgettable stories, we meet people struggling to understand themselves and the unexpected turns their lives have taken. In “Accountant,” a quintessential company man becomes obsessed with the phenomenal success of a reckless childhood friend. “Batorsag and Szerelem” tells the story of a boy’s fascination with the mysterious life and invented language of his brother, a math prodigy. In “City of Broken Hearts,” a divorced father tries to fathom the patterns of modern relationships. And in “The Palace Thief,” a history teacher at an exclusive boarding school reflects on the vicissitudes of a lifetime connection with a student scoundrel. A remarkable achievement by one of America’s finest writers, this brilliant volume reveals the moments of insight that illuminate everyday lives.“Captivating . . . a heartening tribute to the form . . . an exquisite performance.”–The Boston Sunday Globe“A model of wit, wisdom, and empathy. Chekhov would have appreciated its frank renderings and quirky ironies.”–Chicago Tribune

    Here are nineteen stories that explore her signature themes: wounded adolescence, loneliness in marriage, and the tragicomedy of life in the South. Here too are "The Member of the Wedding" and "The Ballad of the Sad Cafe," novellas that Tennessee Williams judged to be "assuredly among the masterpieces of our language." (A Mariner Reissue)

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.