Now, after a half-century separation, the filming of a TV documentary forces them to relive the past. Woven into their 50 years of separation are a shoe-horn and the threads of loyalty and love which form their 'uncommon bond'.

    This former bank manager helped them transform three million dollars - stolen from bookies by a gang of robbers - into a rescue package for their dying town.But now the day of reckoning has come.The crims want the money.The cops want the money.A rogue insurance investigator wants the money.And so do Australia's two most notorious hit men.In trying to save his town, Lambert is forced to risk everything - his life, the lives of the town folk, his own daughter, ten thousand barramundi and a really lovable Jack Russell.

    Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." - New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." - New York Observer"An intelligent, delicately articulate writer." - Village Voice"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." - BackstageJamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.Amy Herzog's plays include 4000 Miles (Pulitzer Prize finalist), After the Revolution and Belleville. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.

    It is essentially a racy crime thriller full of gritty suspense. Act one builds up slowly to result in a crescendo of conflicts between personalities and ideas finally to end with an unnatural death before the interval. Is it a suicide or a murder? Act two evolves through a series of incisive interrogations to unravel the truth, which is deeply disturbing and affecting. As the play unfolds into a very well crafted situational thriller, underneath is the debate about using land for agriculture or for industry, the ethics of a working author and the nexus of a modern state all wonderfully enmeshed into its storyline and the personal lives of its subtly etched out characters. The highpoints of the play are its central conflict between a mother and her daughter and its female sleuth – Renuka.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    However, his life has not always been a bed of roses. When was just a 12-year-old boy, he saved his best friend from a grisly death at the hands of the outlaw gang that killed her parents. As if that wasn’t enough, his friend was sent away to an orphanage in Denver City and John vowed to one day find the murderers and bring them to justice. Years go by and he works out a plan to shed some blood and take down those who stood in the way of his friend’s happiness. What will John be willing to risk in order to get the revenge he’s been waiting for his whole life?Maggie McDermott is deeply traumatized by the events of that nightmarish night. Having lost all of her childhood memories—even those of her best friend, John, she can’t help but wonder whether she’ll find peace one day. That is until John shows up at her door many years after the haunting event that changed her life. He has become a successful bounty hunter and has a bold plan to recover her childhood memories. His plan involves Maggie joining him on a dangerous mission of vengeance, in order to capture the gang that destroyed her life. Will Maggie find the courage to follow this dangerous prescription to get her childhood memories back?Even though John and Maggie haven’t seen each other for many years, their wild thirst for revenge will take them on a sprawling adventure with gunfire, romance, and a longing for justice. Will John be able to protect the girl from the most infamous outlaw gang in the West? Or will they be forced to abandon all hope for a better life once and for all?

    From the writer of the award-winning film Lantana.It interweaves a series of connected stories as seven people confront the mysteries of their past in order to understand their future, revealing how patterns of betrayal, love and abandonment are passed on. Until finally, as the desert is inundated with rain, one young man finds the courage to defy the legacy.

    She's an icon to her fans, a darling of the media, schmoozed by television networks and an A-list guest at festivals abroad. She's a month and three countries into her current tour, a week away from home – through what exactly 'home' means is problematic these days. On a flight between gigs, a recurring dream raises disturbing questions. Haunting flashbacks provide clues to a past long ago buried – a secret life in another time, a life of lies, pacts and forbidden alliances. Then there's her relationship with Murray and where it went wrong. Out of the spotlight and beneath the punchlines, Meg discovers that memory will find a way to break the surface . . .

    The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show.Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    As he struggles to make a dent in the icy exterior of the townspeople he wonders if his efforts will be wasted--then he meets Matilda, and everything changes.From the moment they meet Danny finds himself entranced by her ambition, and Matilda is captured by his passion and determination. But life in Bear Creek is difficult for outsiders and despite the attraction, their blossoming romance could end in tragedy.How can Danny choose between the chance at love and his life's dream? Will Matilda lose her independence if she admits how she feels?Grace Cranfield dreams of freedom from high-society and the suitors her parents push onto her. When all seems lost, she finds a chance at hope when she spots an ad in the church from a Montana rancher looking for a wife.Left alone after the sudden deaths of his brothers, Malcolm Wilson longs for someone to help build a new life from the rubble of his old one. Grace is charming and kind, and as sparks fly she finds herself on a train speeding towards a new home, but also a world like nothing she's ever known.Will Grace be able to find a place in this new world and discover who she truly is? More importantly, will she survive long enough to get the chance?All Mayme Ruble wants is to feel like she belongs. When she comes across an ad from a farmer looking for a wife, she feels a glimmer of hope--a chance to start over and maybe even find love.Thomas Harris has spent most of his life running his farm, and now it's time for him to marry. Mayme's kind, honest response strikes a chord with him and there is instant chemistry. She leaves her hometown with tentative optimism that a new chapter in her life is about to begin.Despite Thomas' warmth and the welcoming townspeople, Mayme struggles to shed her self-consciousness. All seems well, until disaster strikes in Bear Creek and Mayme is forced to make a decision: will she step up and be the woman she hopes to become? Or will she lose this chance at happiness once and for all?When Rachel Maxwell discovers that her home - and her hand in marriage - have been sold to notorious poker player, Salis Dangerfield, her world is thrown into turmoil. Despite the stories swirling around town, Rachel has no plans to give in easily.Salis is a ruthless businessman and highroller. But right now, he's just a man in search of a safe haven. Faced with distrust from both his wife and the locals, it seems as though he and his young sister will never find their footing in Bear Creek.Rachel soon discovers the kind man behind the facade and Salis thinks he may have finally found the peace he's been looking for.Will Salis be able to overcome his demons? Can he and Rachel find a way to be together even when the whole world is against them?In Bear Creek Brides: Books 9-12, you will discover four captivating stories of vulnerability, danger, and determination as these four brides navigate peril and heartache to hold onto the chance for true love.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Moliere's farcical, tragic, anarchic Don Juan (1665) is the inspiration for Patrick Marber's new play in which the action of the original is relocated to present day Soho, London.Whereas Moliere condemned his anti-hero to a literal Hell, Marber condemns him to a hell of his own making.Don Juan in Soho premiered at the Donmar Warehouse in December 2006.

    I've always wanted to write one but until now have been afraid to do so. The reason is simple enough: most men in my experience have very little idea of what really goes on in a woman's heart or head. Now, at the age of 74, I just might know enough and have sufficient courage to write on the subject - the way of a man with a woman, of a woman with a man.My story is set in the Pacific, although not in the paradise we've always been led to believe exists there. It is 1942 in Java and the Japanese are invading the islands like a swarm of locusts.I have tried to capture the essence of love - how in a world gone mad with malice and hate, it has the ability to forgive and to heal. As it is in this story, love is always hard earned but, in the end, a most wonderful and necessary emotion. Without love, life for most of us would lack true meaning.Sincerely,Bryce Courtenay