With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    Now, Dylan James, in-house counsel for a D.C. lobbyist firm is once again face-to-face with Cristine Palmer, defense attorney from New York. The passion that had been on a low simmer because of prior relationships is now on full blast. But Dylan has a dark side that he’s certain Cristine will not understand. Cristine has not come this far to walk away from her feelings for Dylan again, so following him to Chicago and bidding for the lover she’s always dreamed of is her only option. This novella is part of the Distinguished Gentlemen Series. It is 1 of 14 novellas that are connected by an event—The Southlake Park Bachelor Auction at the Book Euphoria Weekend Block Party. Here is a list of all the books in this series: The Alpha Bid by Ty Young The Rival Bid by Reese Ryan The Reluctant Bid by Sheryl Lister Losing the Bid by Suzette Riddick Invitation to Bid by Angela Seals The Contingency Bid by Sherelle Green The Renegade Bid by Kelsey Green The Birthday Bid by Suzette D. Harrison An Outlandish Bid by E.J. Brock A Bid on Forever by Joy Avery Switched At Bid by Nicole Falls The Closing Bid by Elle Wright The Bid Catcher by Anita Davis Each novella can be read as a standalone, so please do not feel as if you are committed to purchasing and reading each novella in the series. However, I can safely say that you might be missing out on 14 fantastic stories if you don’t.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    I believe everyone should understand that we all go through things in life, it's all about how we react and recover from them. If you've felt as though you didn't have a voice in a situation, or you weren't sure if you'd get through it "fluid." may be the book for you.

    His voice and sensibility are distinctive, and the places he goes are ones where not many writers are able or willing to venture. The dark world of his poems, which face many of the hardest truths we must learn to live with, is lit by humor, tenderness, compassion, and honesty. For this edition, the poet has selected from the best of his previous collections, in some cases making substantial revisions, and has added his newest poems. The resulting collection is exciting in its breadth, consistency, depth, and distinction.

    You haven't even learned it:ecstasy and suffering make the same face.--from "The Offering"May Day is both a distress call and a celebration of the arrival of spring. In this rich and unusually assured first collection, the poet Gretchen Marquette writes of the losses of a brother gone off to war in Afghanistan and Iraq, and a great love--losses that have left the world charged with absence and grief. But there is also the wonder of the natural world: the deer at the edge of the forest, the dog reliably coaxing the poet beyond herself and into the city park where by tradition every May Day is pageantry, a festival of surviving the long winter. "What does it mean to be in love?" one poem asks. "As it turns out, / the second best thing that can happen to you / is a broken heart."May Day introduces readers to a new poet of depth and power.

    There are no women who would do anything to have a balling boss or street king. And there are no dope boys! This is a story about love and how unpredictable it really can be. Meet Immanuel ‘Manny’ West, a pretty boy, ladies’ man, who prides himself on bagging the baddest women Harlem has to offer. He is a player and makes no apologies for it. His reputation as the man who loves too many bitches to settle down doesn’t stop women from throwing themselves at him. He knows he has a rep to keep and would rather die than be seen with a chick who wasn’t up to his standards… that was until he crossed paths with Rai-Elle. Rai-Elle isn’t your typical hood beauty that catches all the niggas’ eyes, the one who the bad boy sees and just has to have no matter what. No, Rai-Elle or just Rai, as she liked to be called, spent most of her life being invisible. And when people did see her, they saw a dude from her tomboyish looks and swag. What started out as a defense mechanism ends up being the same thing that Manny likes about her, even though he doesn’t want to. Will he knock down that wall she so desperately hangs on to or will he allow his friends, his rep and the pressures of life to walk away from the one woman who may not look like she fits him but is everything he ever needed nonetheless? Then there is Gideon West, Manny’s younger brother, who is following in his brother’s footsteps of having the baddest females on his arm. One day he comes across Lyriq, a chick who could never get the time of day from him just from how she looked and dressed. A friend dares Gideon to talk to her, and not being one to back down, he accepts the dare. But unintentionally, he ends up falling for Lyriq in a way he never saw coming. But what happens when Lyriq discovers the truth just as Gideon finds himself unable to live without this girl? Find out what happens when these two brothers encounter women they never thought they would even look twice at and try to deal with the way they are trippin’ off a crazy hood love.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    13:55 EST makes - she counts on her fingers - about 6pm in Berlin. He'll be on his way home. Alice settles into the armchair and dials the number...If Alice hadn't bumped into Will then she would probably never have phoned that afternoon. And if Alice hadn't called, then Michael, poor Michael, might still be alive today...In a digital age of world-spanning communications and easy travel these stories explore how interconnected and yet fragmented our lives have become, and how - no matter where we live or what we do, no matter how different our lifestyles - the universal desires for love and happiness draw us ever onward.Both short story collection and novel, 13:55 Eastern Standard Time finds Nick Alexander at his best. Sometimes disturbing, sometimes funny, these are stories of lives that cross and collide in life-ending drama, or simply run peacefully alongside for a few hours - lives filled with characters who are attracted and repelled, hopeless and yet inspired. Narrated in Alexander's trademark tense prose, these interwoven stories explore the ripples emanating from our every act, ripples that alter distant destinies, and occasionally bounce back, catching us from behind to haunt or inspire.13:55 Eastern Standard Time repeats the success of Alexander's first novel, 50 Reasons to Say Goodbye because again, as with life itself, the whole is mysteriously greater than the sum of the parts.

    The poems in Accepting the Disaster range from lyric miniatures like "The Crossroads," a six-line sketch of an accident scene, to "The Orange Bottle," an expansive narrative page-turner whose main character suffers a psychotic episode after quitting medication. Mehigan blends the naturalistic milieu of such great chroniclers of American life as Stephen Crane and Studs Terkel with the cinematic menace and wonder of Fritz Lang. Balanced by the music of his verse, this unusual combination brings an eerie resonance to the real lives and institutions it evokes. These poems capture with equal tact the sinister quiet of a deserted Main Street, the tragic grandiosity of Michael Jackson, the loneliness of a self-loathing professor, the din of a cement factory, and the saving grandeur of the natural world. This much-anticipated second collection is the work of a nearly unrivaled craftsman, whose first book was called by Poetry "a work of some poise and finish, by turns delicate and robust."

    The historical body of evidence that remains from the Salem witch trials of 1692 touched the hands, mind, and imagination of poet Nicole Cooley, compelling her to seek entry to an inaccessible past of lies. The Afflicted Girls, so named after the young women who claimed to be victims of witchcraft, spans the centuries to give voice to those both audible and silent on history's pages--accusers and accused of several kinds: wife and husband, servant and master, congregant and minister, and, not least, bewitched and witch. Piercing, enchanting, Cooley's poems form a remarkable narrative, one that displays the enormous cultural power the Salem witch trials retain in twenty-first-century America.

    This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    The misunderstandings caused by language recur throughout the book: contemplating what "yes" means in different cultures; watching Nickelodeon's "Nick at Nite" with a husband who grew up in the Philippines and never saw The Patty Duke Show; misreading another poet's title "The Difference Between Pepsi and Coke" as "The Difference Between Pepsi and Pope" and concluding that "Pepsi is all for premarital sex. / The Pope won't stain your teeth." Misunderstandings also abound as characters mingle with others from different classes. In "Cockroaches," a father-in-law refers to budget-minded American college students backpacking in Europe as cockroaches, not realizing his daughter-in-law was once, not so long ago, such a student/roach herself.With welcome levity and refreshing irreverence, The Star-Spangled Banner addresses issues of ethnicity, class, and gender in America.

    Well, according to her twin brother Cole, that is. Cole's resentment toward him has been there for as long as she can remember.So it goes without saying that she needs to stay away from Jake if she wants to keep the peace. That should be easy, right?Except there's one problem: Jake is assigned as her partner for a school paper. And as if that's not enough, she also needs his help to get back in her best friend's good graces.Callie knows that getting close to him is not a good idea. Too bad she's starting to like him...