Readers of all ages have been intrigued and delighted by Nick Bantock's gift books. Now Bantock's legendary artwork attains new lyrical expression as he translates Coleridge's classic, opium-inspired poem into exquisite and phantasmagoric pop-up constructions. 6 pop-ups.

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    Illustrated in a classic Norman Rockwell–inspired style, A Very Klingon Khristmas is the perfect holiday gift for every Star Trek fan!

     Sweet Christmas Kisses 5 brings you contemporary romances that celebrate the joy of the season around the world, including snowy Maine and the sun-kissed skies of Florida, the mountains of Colorado to small-town Illinois and Virginia, New York to San Francisco, and even the glittering lights of Paris and the old-world charm of Florence. Sweet Christmas Kisses 5 features nine all-new, standalone novellas that will make you smile and warm your heart with the Christmas spirit.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    He has won four World Fantasy Awards, ten British Fantasy Awards, three Bram Stoker Awards, and the Horror Writers' Association's Lifetime Achievement Award. Three decades into his career, Campbell paused to review his body of short fiction and selected the stories that were, to his mind, the very best of his works. Alone With the Horrors collects nearly forty tales from the first thirty years of Campbell's writing. Included here are "In the Bag," which won the British Fantasy Award, and two World Fantasy Award-winning stories, "The Chimney" and the classic "Mackintosh Willy." Campbell crowns the book with a length preface which traces his early publication history, discusses his youthful correspondence with August Derleth, illuminates the influence of H.P. Lovecraft on his early work, and gives an account of the creation of each story and the author's personal assessment of the works' flaws and virtues.In its first publication, a decade ago, Alone With the Horrors won both the Bram Stoker Award and the World Fantasy Award. For this new edition, Campbell has added one of his very first published stories, a Lovecraftian classic, "The Tower from Yuggoth." From this early, Cthulhian tale, to later works that showcase Campbell's growing mastery of mood and character, Alone With the Horrors provides readers with a close look at a powerful writer's development of his craft.

    O'Hara’s untimely death in 1966 at the age of forty was, in the words of fellow poet John Ashbery, "the biggest secret loss to American poetry since John Wheelwright was killed.” This collection is a reissue of a volume first published by Grove Press in 1957, and it demonstrates beautifully the flawless rhythm underlying O'Hara’s conviction that to write poetry, indeed to live, "you just go on your nerve.”

    In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin’s son, incredibly strong yet not the wisest of gods; and Loki—son of a giant—blood brother to Odin and a trickster and unsurpassable manipulator.Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the legendary nine worlds and delves into the exploits of deities, dwarfs, and giants. Through Gaiman’s deft and witty prose, these gods emerge with their fiercely competitive natures, their susceptibility to being duped and to duping others, and their tendency to let passion ignite their actions, making these long-ago myths breathe pungent life again.

    At first, he thinks it's just the stress of his job, but the hallucinations continue until they culminate at the three-day concert in Chicago, Lollapalloza, which he is covering for work. There he is approached by an older man who tells him that he's going to die on his fortieth birthday.The man claims to be an angel named Matthew, and even though he gives Tyler enough evidence to convince him he's telling the truth, he doesn't know what to do with the information.Tyler's underlying doubt and confusion about Matthew's prediction turn to anger, both at God and those around him. As he begins to exhibit destructive behavior, he befriends Ellis, an internationally known DJ. Tyler is scared that he really is about to die. He's scared for his sanity. He's scared that if he does die, he's not going to Heaven. He also soon becomes scared of Ellis, who is wild and opens up a door of temptation to Tyler.As Tyler begins falling in a downward spiral of fear and confusion, he reaches out to a pastor he met, Will, and tries to right his wrongs with some of the important people in his life in a desperate attempt to find peace before his 40th birthday.

    The official history and commemoration of Pogo's first decade...all wrapped up with a running commentary by Walt Kelly.

    Real mermaids don't have fins. Summoning ocean currents at will and feeling the auras of those around her are Candeon capabilities completely wasted at high school. When the memory of an underwater battle surfaces in her dreams, Haelo realizes there is more to her story than she thought. And Dagger, the only other Candeon at school, might have the answers she needs. Haelo is about to discover that high school is poor preparation for the alarming future set out before her.

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.